I Can’t Vote for Measure M

Construction moves forward on MTA's Regional Connector in Little Tokyo.

Construction moves forward on MTA’s Regional Connector in Little Tokyo.

I ride public transit almost every day. I really believe we need to invest in building a better transit system. And I used to think we were doing that, but not any more.

Measure M, the LA County Traffic Improvement Plan, is an ambitious attempt to do a lot of things. By adding another half cent to our sales tax, the County hopes to fund a variety of projects, with a good part of the money going toward enlarging the Metropolitan Transit Authority’s rail system. The MTA has already embarked on an ambitious program of building new rail lines and expanding others. You’d think that would be a good thing, but looking at the facts, I’m really not so sure.

For years now the MTA has been building rail all over LA County. First we got the Red Line and the Purple Line, then the Green, Blue and Gold Lines. The Expo Line was recently extended west, and the Crenshaw/LAX Line is currently under construction. You’d think that with this massive investment in rail, taking public transit would be so easy and fast that everyone would be jumping on board.

But that’s not what’s happening. In fact, transit ridership in LA County is lower than it was 30 years ago. When the LA Times reported this disturbing fact at the beginning of the year, the article sparked a lot of heated discussion. Some claimed that the Times was giving a distorted view. Others looked to the future, saying that stats would get better with time. But in the reading I did, there was one crucial fact that no one commented on. The County’s population has grown by over a million since 1990. To my mind, when you take that into account, there’s only one conclusion you can reach. Our current approach has been a disaster. If the population has grown by more than 10% over the past 30 years, how can we say that a decline in ridership during the same period represents anything but failure.

Another shot of construction on the Regional Connector.

Another shot of construction on the Regional Connector.

There are a lot of different theories floating around as to why ridership hasn’t grown along with the system, and I’m sure there are a number of factors in play. But I think one of the most important factors is the City of LA’s insane approach to planning. I read a lot of the stuff that comes out of City Hall, and over and over I hear the refrain that transit and land use must be considered together. Sounds logical, doesn’t it? It would make sense to think about where you’re putting housing at the same time as you think about where the next rail line goes. In theory, people could just step out of their apartment, walk down to the platform and catch a train wherever they’re going. Who needs a car?

The problem is, when the housing starts at $2,000 a month, and often goes much higher, you’re really not building housing for the people who use public transit. For the most part the people who depend on the MTA can’t afford that kind of rent. And the people who can pay that much are more likely to own cars. What’s even worse, as the rail network has expanded, City Hall’s policies have actively encouraged gentrification around new rail stops. It used to be pretty much anybody could afford to live in Hollywood. Not any more. As the Department of City Planning approves an endless parade of high-end housing projects and chic hotels, as they continue to hand out liquor permits to trendy restaurants and clubs, rents keep spiralling higher and the demographic most likely to use transit is being squeezed out. A similar scenario has already played out in North Hollywood, Downtown, and Highland Park, and you can look for more of the same in Leimert Park and Boyle Heights in a few years. So while City Hall claims to be thinking about transportation and land use together, in reality their policies are driving transit riders farther away from transit hubs.

Construction site for Purple Line extension at Wilshire and La Brea.

Construction site for Purple Line extension at Wilshire and La Brea.

Another problem I have with Measure M is the fact a large portion of the funding goes toward road and freeway improvements, and this is something many people have commented on. There are those transit critics who complain that the MTA is heavily subsidized by our tax dollars, but they never seem to mention that a huge share of our tax dollars also goes to subsidizing travel by car. If we’re trying to reduce our use of fossil fuels and cut down on greenhouse gas emissions, then our focus should be on investing in public transit. But Measure M continues our current policy of investing in both at the same time. How’s this working? Well, our recent experience with widening the San Diego Freeway tells the story. After years of work and millions of dollars, traffic is still awful. We do need to maintain roads and freeways, since busses travel on both, but massive investment in “upgrades” is just encouraging people to keep driving their cars.

I’d love to see us build a transit system that made travelling by rail and bus attractive to a majority of Angelenos. But that isn’t what’s been happenning. Instead, a bizarre tangle of policies has led to a decline in transit use even as the County has continued to grow. The City of LA seems dead set on continuing its drive to build upscale urban enclaves, forcing low-income Angelenos away from transit hubs. And for all the money Measure M would put into transit, it would also spend a lot of money on keeping people in their cars.

Sorry. I can’t vote for Measure M.

Another shot of construction at Wilshire and La Brea.

Another shot of construction at Wilshire and La Brea.

Stop the Violence

Protesters on the steps of City Hall this past week.

Protesters on the steps of City Hall this past week.

The past several days have been traumatic. Two more black men shot by police. Police shot by gunmen in retaliation. And protesters gathering across the nation to ask for an end to the violence.

While the focus has been on Baton Rouge, Falcon Heights and Dallas, protesters have staged demonstrations in a number of cities, including Los Angeles. Like every other major American urban center, LA has seen its share of unarmed black men die during encounters with police officers. To remind us of this, a number of peaceful civil actions have been staged at locations including City Hall, LAPD Headquarters and Pershing Square.

Another shot of protesters on City Hall steps.

Another shot of protesters on City Hall steps.

While there’s no question that we need to see changes in the way police do their job, the problem is much larger than that. It’s not just a matter of appointing a task force to do an investigation and come up with recommendations. As a nation, we need to acknowledge that we have a long way to go to achieve equality. And as a nation, we must all commit to working towards that goal. I thought Obama said it well in his speech in Dallas….

In the end, it’s not about finding policies that work. It’s about forging consensus and fighting cynicism and finding the will to make change. Can we do this? Can we find the character, as Americans, to open our hearts to each other? Can we see in each other a common humanity and a shared dignity, and recognize how our different experiences have shaped us?

Obama asks if we can do this. I don’t doubt that it’s possible. The question is whether we will commit to making it happen.

Chalk drawings on the sidewalk in front of City Hall.

Chalk drawings on the sidewalk in front of City Hall.

Seen on the Street

Unknown Artist, Sunset west of Highland

Unknown Artist, Sunset west of Highland

Nothing against museums, but there’s something really cool about artists who put their work right out on the street. A, it’s free. B, it makes walking around the city so much more interesting. And C, the best street art engages you in a way that’s more immediate than the experience you get in a museum. You’re strolling down to the liquor store to get a six pack and bang, you run up against something somebody stuck on the side of a building. Or a chalk drawing on the sidewalk. Or a billboard towering overhead.

It’s interesting how people’s attitudes to street art have changed. Back in the 70s guys who went around blasting walls with spray paint were vandals. Ten years later a lot of those same guys were showing their stuff at the Whitney Biennial. You can still find artists who sneak around with an aerosol can in the dead of night, but you can also find artists doing large scale public projects with backing from a foundation.

Here’s a sampling of some stuff I’ve found roaming around LA….

People are constantly pasting stuff up all over Hollywood. A lot of it’s junk, but this caught my eye one morning as I walked past the Pacific Theatre.

Unknown Artist, Wilcox north of Hollywood

Unknown Artist, Wilcox north of Hollywood

These images of bottles have been showing up in various places over the past year or so. Honestly, I can’t figure out what it’s about, but I think they’re kind of cool.

Unknown Artist, Beverly near Detroit

Unknown Artist, Beverly near Detroit

Unknown Artist, Cahuenga near Franklin

Unknown Artist, Cahuenga near Franklin

Unknown Artist, Cahuenga near Franklin

Unknown Artist, Cahuenga near Franklin

Is anything more tempting to guerilla artists than an abandoned structure? This building at the corner of Argyle and Yucca was demolished a while ago, but I got a few photos before it disappeared.

Unknown Artists, Yucca and Argyle

Unknown Artists, Yucca and Argyle

This is a shot of the same building from the freeway.

Unknown Artists, Yucca and Argyle

Unknown Artists, Yucca and Argyle

Some artists keep it simple and rough.

Unknown Artist, Wilcox north of Sunset

Unknown Artist, Wilcox north of Sunset

Others spend a lot of time and effort to make it as polished as possible.

D*Face, Santa Monica near Flemish Lane

D*Face, Santa Monica near Flemish Lane

The image above is by D*Face, a classic example of someone who started out doing his own thing on the street, and over time became an established professional. To see more of his work, check out his site.

D*Face

Sometimes it’s a political statement.

Unknown Artist, Wilcox near Hollywood

Unknown Artist, Wilcox near Hollywood

Unknown Artist, Wilcox near Franklin

Unknown Artist, Wilcox near Franklin

Other times it’s just a statement.

Unknown Artist, Selma and Ivar

Unknown Artist, Selma and Ivar

Unknown Artist, Sunset near Gardner

Unknown Artist, Sunset near Gardner

I was out in Boyle Heights a while ago and I saw these banners decorating a fence that surrounded a construction site.

A row of banners at a construction site, First and Boyle

A row of banners at a construction site, First and Boyle

Lesther Cabrales, First and Boyle

Lesther Cabrales, First and Boyle

Izzy Jaquez and Diego Escamilla, First and Boyle

Izzy Jaquez and Diego Escamilla, First and Boyle

I was told that the project was put together by Self Help Graphics, a non-profit that’s been serving local communities for over forty years. Here’s the link.

Self Help Graphics & Art

Found this at a construction site in Downtown. Somehow it really seems to capture the vibe in LA right now.

Unknown Artist, Fifth west of Broadway

Unknown Artist, Fifth west of Broadway

I think I saw this at a construction site on Hill. Honestly, I can’t remember exactly where it was.

Unknown Artist, Unknown Location

Unknown Artist, Unknown Location

Obviously phone kiosks aren’t getting a lot of use these days. Local artists have come up with lots of different ways to transform them.

Unknown Artist, Hill near Fourth

Unknown Artist, Hill near Fourth

I’d seen these giant faces peering down from walls around town, but I didn’t realize they were part of a project by this guy who calls himself JR. Follow the link below to find out more. There’s a video you can watch that gives the lowdown.

Wrinkles of the City at DesignBoom

JR, Fifth near Main

JR, Fifth near Main

JR, Alameda and Traction, rear of building

JR, Alameda and Traction, rear of building

The image above can be found in back of Angel City Brewery on Alameda. And the mural you see below is right next to it.

Dabs & Myla and How & Nosm, Alameda and Third, rear of building

Dabs & Myla and How & Nosm, Alameda and Third, rear of building

Finally this billboard by Robert Montgomery on Broadway near the UA Theatre. Not much to say about this one. I’ll let the work speak for itself.

Robert Montgomery, Broadway near Ninth

Robert Montgomery, Broadway near Ninth

The Broad

Brd 10 Main

Last week I finally made it down to The Broad. I lucked out because some friends had an extra ticket and invited me along. I really recommend making a reservation. The lines for visitors who don’t have one are still super long.

The front of the building on Grand Ave.

The front of the building on Grand Ave.

Riding up the escalator to the galleries.

Riding up the escalator to the galleries.

I got there a little early and spent some time just checking out the building’s exterior. It’s gorgeous. The two design firms that worked on the project, Diller Scofidio + Rensler and Gensler, worked from a concept they call “vault and veil”. The vault is where the museum stores its collection, and instead of trying to hide it, which is the standard approach, they allowed the structure of the vault to play a major role in shaping the space. The veil is the building’s outer layer, a porous sheath that lets natural light filter into the galleries.

Jeff Koons, Tulips

Jeff Koons, Tulips

A room full of Warhol.

A room full of Warhol.

Mark Bradford, Corner of Desire and Piety

Mark Bradford, Corner of Desire and Piety

Mark Tansey, Forward Retreat

Mark Tansey, Forward Retreat

Chris Burden, Bateau de Guerre

Chris Burden, Bateau de Guerre

Looking at the works in Broad’s collection, it’s clear that the guy’s got a keen eye and an open mind. Unlike the super rich predators who’ve crowded into the art market looking for status symbols and investment opportunities, Broad is passionately interested in the ways that artists express themselves and interact with the world around them. Wandering through the galleries, I was struck by the depth and diversity of the works on view, but I was even more impressed by how engaging this innaugural show is. It can be tough just getting the general public to take a look at contemporary art. Believe it or not, some people don’t get excited about looking at massive hunks of sheet metal or walking into galleries filled with rotting vegetables. But the wide variety of pieces in this first show offer a range of experiences, and there’s something for everybody. If you’re an art scenester looking for challenging conceptual stuff, Mark Bradford takes over a wall to talk about post-Katrina economic realities in New Orleans. And if you’re a teen-age pop culture freak, you’ll probably want to whip out your phone and snap a few shots of Takashi Murakami’s giant psychedelic mushrooms. With works on display by Kara Walker, Joseph Beuys, Susan Rothenberg, Chris Burden, Ed Ruscha, Yayoi Kusama, Mark Tansey, Cady Noland and dozens of others, you’re sure to find something that will grab your attention.

Thomas Struth, Audience II (Galleria dell'Accademia) Florenz

Thomas Struth, Audience II (Galleria dell’Accademia) Florenz

Art you can read, from John Baldessari and Ed Ruscha.

Art you can read, from John Baldessari and Ed Ruscha.

Charles Ray, Fall '91

Charles Ray, Fall ’91

I’m really grateful to Eli Broad for pulling this whole thing together. Aside from the thrill of seeing so much amazing art gathered together in one place, I was excited to see crowds of visitors milling through the galleries. And these people weren’t just passively strolling from one room to the next. They were posing with the art, laughing at the art, and talking about the art. This really is a museum for the people.

If you haven’t gone yet, what are you waiting for?

The Broad

Park located at the side of the building.

Park located at the side of the building.

Talking About Displacement

MTA construction along Crenshaw Blvd.

MTA construction along Crenshaw Blvd.

Speaking at a recent Los Angeles Current Affairs Forum, MTA CEO Phil Washington talked about how the growth of LA’s transit network has been accompanied in some areas by gentrification and displacement. Washington is concerned about the fact that low-income residents are being pushed out of the communities they call home, and he wants the MTA to do more to address the problem.

It’s good to hear somebody at the MTA talking about this. The question is what can actually be done. Earlier this year the MTA Board agreed that when new residential units were built on the agency’s land their goal would be to set aside 35% for low-income renters or owners. That’s fine, but it’s not nearly enough. What we really need is to have the City and the County commit to changing their planning practices. Mayor Eric Garcetti and Supervisor Mark Ridley-Thomas serve on the MTA Board. They should both support Washington and take a public stand against displacement. Then they should push for the City and the County to create policies to address the problem.

While gentrification is happening all over the city, the growth of LA’s transit system definitely seems to be a catalyst. Downtown, Koreatown, Hollywood, and Highland Park have already seen thousands of low-income residents displaced. Leimert Park and Boyle Heights seem to be next on the list as the MTA continues its rapid push to expand, bringing an influx of developer dollars to neighborhoods near rail stops. As property values skyrocket, rents go up, too, and low-income tenants who can’t afford to pay must find somewhere else to live. Tenants in rent-controlled apartments can be forced out by landlords who use the Ellis Act to convert their units to condos.

I’m really glad to hear Washington talking about displacement, and I hope others back him up on this issue. This is a conversation we need to have, and it should have started long ago.

MTA construction in North Hollywood

MTA construction in North Hollywood

A Patch of Green in the Grey

LT X05 Pl Trees

Week before last I went downtown to attend a meeting at City Hall. When I got there, the room was packed. It was hard to even find a seat. The zoning administrators started off with the obligatory preliminaries, which went on for quite a while. I looked around me and realized that there were dozens of people besides me who wanted to speak. I knew I was in for a long, dull morning.

So I split. They didn’t need me, and it seemed crazy to sit there waiting for a chance to talk when I knew there were other people who would cover everything I had to say, and probably say it better than I could. I decided to grab some breakfast and find a quiet place to chill. I got some food and some coffee and headed over to the plaza by the Japanese American Cultural & Community Center (JACCC).

LT X10 Pl Guys

I love to hang out there. It’s spacious and usually pretty peaceful. Unless there’s an event going on, it’s unlikely you’ll find more than a handful of people on the plaza. One side is shaded by tall trees.

Opposite me I could see people coming and going at the JACCC. They do a lot of interesting programming. They even offer ukulele lessons.*

LT X12 Pl Uk

Take a look at the web site to find out about upcoming events.

JACCC

I spent a while looking at the kites on the west side of the building, as they rose and fell with the breeze.

LT X15 Pl Kites

Then I was ready to go. But as I was leaving I saw a grove of trees off to one side. I’d never really noticed them before, so I walked over to take a closer look.

LT X25 Pl Gdn Trees View

And as I neared the trees, I realized that they were part of a garden that rested just below the level of the plaza.

LT X30 Gdn Wide

As I stood there by the locked gate, an elderly woman walked past and told me that the garden was open to the public. All I had to do was go to the JACCC and sign in. So that’s what I did.

It was so cool to discover this peaceful patch of green in the middle of downtown. I walked around snapping photos and enjoying the quiet.

LT X45 Gdn Path

I’m sure the sound of traffic was all around me, but I was more focussed on the sound of the stream that runs through the middle of the garden. I would’ve loved to spend a while just sitting on a rock and gazing into the water. Unfortunately, I had other stuff to do, so I moved on after about fifteen minutes. But I will be back.

LT X50 Gdn Water

*
In surfing the net, I noticed this comment by a woman who’s apparently a regular at the JACCC. “It is ukulele heaven in DTLA.” An amazing claim, which I can’t verify. You’ll have to check it out yourself.

Putting Lives Back Together

SRHT Main All

LA is suffering from an affordable housing crisis, but there is some good news to celebrate. Thanks to the efforts of the Skid Row Housing Trust (SRHT), formerly homeless people are getting a roof over their heads and a place in the community. The SRHT is using innovative approaches to creating housing in the Downtown area.

Homelessness is a complex problem. It’s not just a matter of giving someone a place to live, because people living on the streets are often struggling with a variety of issues. In the first place, finding a job, which can be tough if you don’t have skills that are currently in demand. Depression, mental illness and substance abuse are also common problems, and these are not solved simply by giving someone the keys to an apartment.

But having a place to live is the first step. And the SRHT offers assistance to people grappling with other issues by creating permanent supportive housing. This means that the residents living in these communities have access to counseling, job training, health care and other services in order to get their life back on track.

The SRHT has been working on two new projects in Downtown. First, let’s take a look at the Star Apartments….

SRHT Star Frnt

The Star Apartments are located near the corner of Sixth and Wall. The project was designed by Michael Maltzan Architecture, and they used an interesting approach. The site was occupied by a one-story building, which they wanted to expand to create more units. The solution they hit on was stacking pre-fab cubes on top of the original structure, which in addition to being fast and economical, resulted in a striking piece of design.

SRHT Star Sky 1

You can read more on Maltzan’s web site.

Star Apartments

Next, check out the New Pershing Apartments at Fifth and Main. This project actually combines two structures, the Pershing Hotel and the Roma Hotel, built in 1889 and 1905, respectively. The new design, by Killefer Flammang Architects, preserves original elements of the exterior. In addition to the residential units, the New Pershing will also offer a courtyard, two recreation decks and planters for gardening.

First let’s look at a couple of shots taken while the project was under construction, back in October of 2014. The first was taken from the corner of Fifth and Main.

SRHT Main Const 1

This next photo was taken on Main, directly across from the building.

SRHT Main Const 2

Now let’s look at the finished project.

SRHT Main Frnt

And another shot from Fifth and Main.

SRHT Main Full

Here’s the article that the Downtown News ran on the New Pershing earlier this month.

A Victorian Victory

You can find more information about the SRHT’s activities by visiting their web page. And if you want to support their efforts, I’m sure a donation would be welcome.

Skid Row Housing Trust

On-Line Archeology

RG Close 1a

I first saw Renée Green’s work years ago at MOCA. It’s hard to describe what she does, because she uses a variety of different media, and her projects don’t fall into any traditional category. My personal take on her work is that it seems like a meditation on the world around us, but not just her own meditation. She invites us to join her. She wants the audience to be a part of the experience.

I found out just recently about a project of hers called code: survey. There’s a physical installation in the cafeteria at Caltrans in Downtown LA, but that’s just one aspect of the piece. Really it’s much bigger than that. The project gathers images, words and sounds from a variety of sources, and allows the viewer to access all of it on-line. It’s like a multi-media collage of the history of LA, but it allows you to choose what you want to explore.

RG Full a

The link is below. You may have to play with it a little to get the hang of it. Each time you click on an image it allows you to go further, reading texts, listening to voices, choosing your own direction and making your own associations.

code: survey, a project by renée green

One piece of advice. Give yourself some time. Once you get started exploring, you may find it’s easy to get lost.

RG Close 2a

A Trip to the Mall

Outside Macy's Plaza in Downtown LA.

Outside Macy’s Plaza in Downtown LA.

I hate shopping. Slob that I am, I’ll wait until my clothes are coming apart before I force myself to go out and buy new ones. And when I do finally get to a store, I grab the stuff I need, pay for it and leave as quickly as possible. I just want to get it over with.

So hating shopping like I do, you probably won’t be surprised to hear that I also hate malls. They seem so big and impersonal. But obviously I’m in the minority, because millions of people flock to malls every week, and seem to enjoy the experience. It’s been said, and I know it’s true, that malls have become the social center for communities, replacing parks and town squares. Whether I like it or not, they’ve become an important part of the fabric of American life.

When I do finally break down and go shopping, I usually head for Macy’s Plaza in Downtown. That’s where I went last Saturday night to pick up a couple pairs of pants. The main reason I like this mall is that there’s usually nobody there, and that was the case on Saturday. I breezed in, bought what I needed and breezed out, without having to fight my way through crowds. It was fairly painless.

But obviously, what makes Macy’s Plaza attractive to me is a sign that it’s not really attractive to other people. If nobody’s showing up to shop, stores can’t survive. This mall has been struggling for years. It’s never drawn the kind of crowds you’ll find in Burbank or Sherman Oaks or Santa Monica. There are times when I’ve visited that the place seems more like a ghost town.

So somebody’s trying to change all that. A couple years ago a developer bought the property and they’re pouring millions into a massive makeover. Construction has been going on for months. As I was walking out I stopped a moment to take a look at the work they’re doing in the central court. Here are a couple photos.

Interior court at Macy's Plaza under construction.

Interior court at Macy’s Plaza under construction.

Another shot of the interior court.

Another shot of the interior court.

Apparently this area will be opened up and turned into a public plaza, which is a smart move. This area will offer direct access to the subway as well, which also makes a lot of sense. If you’d like to see some renderings, take a look at this post on Curbed.

What Macy’s Fortress Will Become

Of course, if you’re throwing all this money into an extreme makeover, you’ve also got to throw a lot of money into rebranding the place. And this was the thing that really caught my eye on Saturday night. Apparently once the remodelling is done, the mall will be renamed The Bloc. The campaign they’re using to promote the change is interesting. Check out the temporary barriers that currently line the entrance to the mall.

Construction barrier with a quote from Byron.

Construction barrier with a quote from Byron.

Construction barrier with a quote from Euripides.

Construction barrier with a quote from Euripides.

Construction barrier with a quote from Hafiz.

Construction barrier with a quote from Hafiz.

I can’t remember the last time I went shopping and was greeted by quotes from Thoreau, Euripides and Hafiz. It definitely made me stop and look, but I wonder how these guys would feel about having their work used in a marketing campaign for a mall. On the other hand, it’s definitely better than having the place plastered with massive, garish images of supermodels and food.

And as I was snapping these photos I looked up and saw dozens of origami cranes hanging overhead.

Origami cranes suspended from scaffolding.

Origami cranes suspended from scaffolding.

For the past few years the only cranes I’ve seen in LA have been the massive metal kind that dominate the horizon. It was nice to see the other kind for a change. Something small, graceful and beautiful tucked into a hidden corner of the urban jungle.

Legalize Sleep

DSC08124

Demonstrators on the steps at Pershing Square.

There were a number of actions planned for this weekend to coincide with Martin Luther King’s birthday. I had heard that Black Lives Matter was holding a vigil downtown, and so I hopped on the Red Line and got off at Civic Center. But it turned out the vigil was over, and so I was standing there on First Street wondering what to do next.  Fortunately, I ended up running into a group of people who were demonstrating to protect the rights of the homeless. They were marching through downtown on their way to Pershing Square. I met up with them when they made a stop on Fifth Street.

DSC08112

The group stops to hear a speaker on Fifth Street.

One of the major points the speakers made is that our government is trying to control and restrict the use of public space. This affects the homeless in that they aren’t allowed to sleep in parks or on sidewalks, but really it affects all of us. Public space is an essential part of civic life. Our elected officials are putting more and more restrictions on the way public space is used, often for the benefit of business interests. The whole idea of public space is that it’s for everyone, not just those that our elected officials deem worthy.

The reason that homeless people end up sleeping in parks is they have nowhere else to go. The Mayor and the City Council are bending over backwards to help developers build luxury residential towers, while affordable housing gets harder and harder to find. Affordable units are being demolished or converted to condos so that property owners can make an even bigger profit. This will only increase the number of people living on the streets.

DSC08126

Protesters walking through Pershing Square.

So you’ve been kicked out of your apartment because the landlord hit you with a huge rent increase. You can’t sleep on the sidewalk. You can’t sleep on bus benches. And you can’t sleep in the parks. Where do you go? Our elected officials don’t seem to care. They’re too busy granting variances for the developers who’ve been giving them campaign cash.

The affordable housing crisis in LA is getting worse. We need to address it. Instead of racing to build high-end residential skyscrapers, we need to be creating housing for all the people of Los Angeles. Everybody deserves a safe place to sleep.

DSC08134

My favorite slogan from the demonstration.