Creating Community

New development in Boyle Heights, right next to the historic Mariachi Hotel.

New development in Boyle Heights, right next to the historic Mariachi Hotel.

I’ve heard people complain that Angelenos don’t know their neighbors. To a large degree that’s true. We tend to build our own little self-contained worlds, and get nervous when outsiders try to invade. In order to make it through the day, I try to keep interaction with strangers to an absolute minimum. In part, this is because I’ve found that some strangers want way more than I’m willing to give. Living in the city, you have to be at least a little wary.

But the downside is that there are very few places in LA where you can find a real sense of community. You might find a scene where you can hang out with people who share your passions, but chances are they’re coming from all over the city. You don’t find too many neighborhoods where everybody knows each other. And because of that, we don’t know our neighborhoods. The tenants in the building next to ours could be getting evicted for a condo conversion, and we might not be aware of it until the construction crews show up. Even when we find out what’s going on, we’re likely so wrapped up in ourselves that we don’t start worrying until the eviction notice shows up in our own mailbox.

So I was really intrigued when I heard about Union de Vecinos (UV), which could be translated as Neighbors United. It’s a grassroots group that’s been working in Boyle Heights for twenty years. They got their start back in 1996 when public housing in Pico Aliso was threatened with demolition, and they worked to protect renters threatened by displacement. But UV isn’t just reactive. They’re also creative. Starting with neighborhood committees, they work within the community for positive change. This is from their web site.

[Union de Vecinos promotes] economic and environmental justice, civic engagement, preservation of housing, and building healthy and stable community neighborhoods. We do this through community organizing, popular education and direct action. In our model, solutions to a problem are developed by those most affected – community – this is what drives us and is at the heart of our work.

The part of this paragraph that jumps out at me is, “solutions to a problem are developed by those most affected.” So often in the City of LA we have elected officials meeting behind closed doors with bureaucrats and business interests to devise plans that really don’t address the needs of the citizens. When they do hold public meetings and ask for input, it’s generally just for show. They’ve already decided what they want to do, and the meeting is really about selling their own agenda.

Banner on fence at a construction site on First Street.  Art by Gabriella Claro, Salma Sosa, and Tatei Torres Thomas.

Banner on fence at a construction site on First Street. Art by Gabriella Claro, Salma Sosa, and Tatei Torres Thomas.

So the idea of a neighborhood group that sets its own priorities and creates its own agenda sounded really good to me. I went to Boyle Heights to talk to UV members Leonardo Vilchis and Elizabeth Blaney about the challenges the Boyle Heights community is facing these days. A lot of it has to do with development, and the related problem of gentrification.

In early 2015, the Metropolitan Transit Authority (MTA) announced plans for a project to be built on Mariachi Plaza. Unfortunately, the MTA didn’t bother to ask the community how they felt about it. There was a huge public outcry, and Union de Vecinos was one of the groups that raised their voices in protest. The MTA shelved the project for the time being, but they’re planning to come back with another version. I asked Leonardo if he thought the public would have more of a voice this time.

“They said they’d reach out to us, but it’s really just pro forma,” he said. “The MTA sets up these meetings with focus groups, where you have to be invited.” He didn’t seem optimistic about the process. “They have these meetings, but they don’t really seem to be seeking input.”

Elizabeth spoke about UV’s engagement with the East LA Community Corporation, one of the developers building on and around MTA land. ELACC is working on creating affordable housing in Boyle Heights, but displacement of low-income families is still an issue. “We want affordable housing for the 7,000 families that make less than $25,000 in our community,” she explained, “but if they’re demolishing existing units, we have to make sure that those tenants will be welcome in the new project.” Recently UV negotiated a deal with ELACC to ease some restrictions to allow displaced tenants the right of return.

I asked what kind of projects UV was working on in the neighborhood.

“Garcetti talks about his Great Streets Initiative…,” Leonardo said with a smile, “but we’ve been doing great streets here in Boyle Heights for years.” When local alleys were attracting criminal activity, UV got residents involved in finding a solution. Elizabeth spoke with pride about the way the community turned the situation around. “We held movie nights and swap meets to reactivate these spaces. Residents went on to build street furniture, paint murals and install solar-powered lighting. Before people had been afraid to walk down these alleys, and now they’re gathering places for the community.”

What a concept. People taking responsibility for their neighborhood and working together to make it better. It’s not a new idea, but it’s something many of us who live in LA have forgotten how to do. Maybe we could learn a few things by following Union de Vecinos’ example.

If you want to learn more about what they’re up to, here’s the link to their web site.

Union de Vecinos

Leonardo Vilchis and Elizabeth Blaney of Union de Vecinos.

Leonardo Vilchis and Elizabeth Blaney of Union de Vecinos.

Remaking the May Co.

Construction of the new Academy Museum has begun.

Construction of the new Academy Museum has begun.

A while ago I was at LACMA, and as I walked down a flight of stairs on the west side of the campus I looked over at the May Co.. It had a big hole in it. Construction had started on the new museum for the Academy of Motion Picture Arts & Sciences.

May Co. building with a section removed.

May Co. building with a section removed.

Looking through the May Co. to Fairfax.

Looking through the May Co. to Fairfax.

It’s taken a long time to get to this point. The project has been hampered by controversy, ranging from construction impacts on the community to issues with the design. Hopefully all that’s been resolved. At any rate, the May Co. is being taken apart so that it can be put back together again, this time with a massive annex that will contain a state of the art theatre.

A view of the site facing Fairfax.

A view of the site facing Fairfax.

The rear of the building.

The rear of the building.

The original May Co. building was designed by Albert C. Martin and Samuel Marx and it opened in 1939. For decades it was a major department store, but as malls began to draw more shoppers it went into decline. LACMA took it over 1994, but it seemed like they never used it much. In 2014 the Academy made a deal to lease the property with the goal of building a museum. After a long search, Renzo Piano was brought on as architect.

A view of the site facing Wilshire.

A view of the site facing Wilshire.

A view of the empty structure.

A view of the empty structure.

And a closer view of the interior.

And a closer view of the interior.

I’m glad things are moving forward. People have been talking for years about how LA should have a museum devoted to film, and it’s high time somebody made this happen. According to the Academy web site, “The Museum will provide interactive, immersive, and engaging exhibitions that will pull back the curtain on moviemaking and highlight the history and future of the arts and sciences of film.” Sounds good to me.

Heavy machinery and piles of debris.

Heavy machinery and piles of debris.

Check out the Academy’s web site to learn more.

Academy Museum

They’ve also got a cool timeline for the May Co., showing photos of the building through the years.

May Co. Building Timeline

I know it hasn’t been easy for the Academy to deal with all the challenges of creating a new museum, but it looks like they’re on their way. Let’s hope it’s smooth sailing from here on.

The corner of the building at Wilshire and Fairfax.

The corner of the building at Wilshire and Fairfax.

Developers Hijack Coastal Commission

CCC Web Page 2

You may have already heard about the California Coastal Commission firing its Executive Director, Charles Lester. This is a statewide issue, and beyond the scope of what I usually cover in this blog, but the CCC’s actions will have direct consequences for LA’s coastline. On top of that, it’s directly related to the threat this city faces from developers who want to gut our laws and public agencies so they can cash in.

On Wednesday the CCC board voted seven to five to fire Lester. The move is widely seen as a coup by the developer-friendly commissioners, and I have to say I totally agree. The commissioners who voted to get rid of Lester claim that this is all about performance, but the charges they’ve made publicly aren’t convincing in the least. Their criticisms of Lester’s management skills were not only disputed by the five members who voted to retain him, but also by numerous people who’ve worked with him. The seven who led the coup against the Director refused to present their complaints at Wednesday’s hearing, claiming that they were protecting Lester’s privacy. This is rubbish. Lester chose to have a public hearing to dispute his dismissal. The Commission’s legal counsel even advised them that they were free to discuss anything relating to his performance at the hearing. They chose not to because they knew their claims were bogus.

The California coastline is one of the state’s major resources. Precisely because it’s breathtakingly beautiful and largely unspoiled, developers see a huge opportunity. With the CCC now controlled by developer puppets, there are billions of dollars to be made, and you can rest assured that investors will not be shy about carving up our shoreline.

It’s real simple. Lester should stay. The seven who voted to fire him should step down. But that’s not likely to happen unless there’s a massive outcry from the public, and that’s where you come in. If you care about California’s coastline, you need to take action. You can start by sending Governor Brown an e-mail telling him how you feel about this.

Governor Brown

Next, contact your state assembly and senate reps and give them a piece of your mind, too. If you don’t know who your reps are, you can find them by clicking on the link below.

Find Your California Representative

For a detailed account of the whole mess, check out this story in the Times.

Firing of Charles Lester Leaves Deep Divisions from LA Times

Numerous individuals and organizations have spoken out about this travesty. You can read the statements from the Sierra Club and Heal the Bay below.

Sierra Club Statement

Lester Ousted as Chief of Coastal Commission

Again, if you care about preserving the coastline, you need to make your voice heard. The only thing that will turn this situation around is a firestorm of public protest. Let’s turn up the heat on the folks in Sacramento.

Watchin’ the Tide Roll Away….

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What’s the point of living in LA if you never go to the beach?

That’s a question I’ve been asking myself a lot lately. I love the beach, but I hardly ever get out that way. I guess it’s one of those things, you figure it’ll always be there, so you keep putting it off. But a few weeks ago, I made up my mind I was going out to Santa Monica.

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It was a grey day, and I was wondering if anybody else would be out and about. The beach itself wasn’t very crowded.

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Not crowded with people, at least. There were plenty of seagulls.

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The pier was pretty lively, though. There were lots of folks strolling around, and lots of opportunities for them to spend their money. Aside from the amusement park and the restaurants, there was an artist doing portraits and a band playing for passersby.

People hanging out on the pier.

People hanging out on the pier.

An artist waiting for customers.

An artist waiting for customers.

Musicians setting up their stuff.

Musicians setting up their stuff.

I was glad to see there was still an arcade. These days they’re almost extinct. But this one seemed to be doing decent business.

Entrance to Playland.

Entrance to Playland.

Some people still like the old school games...

Some people still like the old school games…

...though I didn't see anybody playing skeeball.

…though I didn’t see anybody playing skeeball.

How could you resist?

How could you resist?

I don’t know why I’m so fascinated with arcades. I never play the games, but I like wandering through them. Maybe it’s just a nostalgic thing.

The amusement park was drawing plenty of customers. The kids on the Scrambler seemed to be having a great time.

The entrance to Pacific Park.

The entrance to Pacific Park.

Spinning out on the Scrambler.

Spinning out on the Scrambler.

I love walking along the sand, but what really draws me to the beach is the ocean.

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On the day I was there, it looked cold and grey and endless.

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Heavy clouds hung overhead, but there was a rim of silver light lining the horizon.

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I was glad I came.

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