You may already know that LACMA is planning a major overhaul. I think it’s a good idea. The original design has been pretty badly compromised, and the campus is kind of a mess. The biggest mistake was the addition of the Anderson Building, but there are other changes that contributed to the general feeling of chaos. So, yeah, it’s time to hit reset. Peter Zumthor’s design for the new campus is pretty interesting. You never know how these things will work out in the long run, but I’m ready to climb on board. (I do have serious reservations about the plan for funding it, but that’s another story.)
I have to admit, though, I’ve got a fondness for this funky collection of buildings that don’t really fit together. There’s a lot about the current set-up that I’ll miss. So even though we’re probably still a long way away from starting construction, I thought I’d take a trip down to the old place and snap some photos.
The museum was originally designed by William Pereira, and in its first state there was a real sense of space and light. Now the plaza seems claustrophobic. Just to give a sense of Pereira’s orginal concept, take a look at the photo below.
On the left side you can see the Ahmanson Building, which has been there since the beginning. Back in the 60s you walked up a broad set of stairs onto a wide plaza that was surrounded on three sides by structures like this. It was a fantastic space, and a quintessential example of LA architecture. Now I move the camera to the right….
…and you can see the Anderson Building, which was built in the 80s. It was great to have more gallery space, but the building always seemed like a massive intrusion. And if you look at the central plaza…
…you can see that the columns and the bridge and the canopy intrude even further. Nowadays this space just seems really odd and awkward. It doesn’t work at all.
But there are still things to enjoy about the plaza. Like Jesús Rafael Soto’s Penetrable.
Penetrable by Jesús Rafael Soto
I love this installation, and kids love wandering through it. I know museums aren’t always a big favorite with children, so I think it’s great that Soto’s work is right out on the plaza, almost like it’s saying, “Come on in and play.”
Another one of the original Pereira buildings houses the Bing Theatre, which I’ll really miss.
LACMA used to have incredible film programming. They did amazing retrospectives on Marlon Brando, William Wyler, Erich von Stroheim, FW Murnau and others. My friend Brian and I used to joke that there were times we were going there so often it seemed like we were living at LACMA.
I’ll miss the cafe, too. I’ve spent lots of time there, either taking a break from the galleries or waiting for a movie to begin. Occasionally I’d take a cup of coffee outside…
…and find a quiet place somewhere. In spite of all the people milling around the campus, it’s not too hard to get away from the crowds.
Inside the Ahmanson Building, Tony Smith’s Smoke rises up through the atrium. It’s a cool piece, but it probably needs more room to breathe. Maybe when the new museum is built they’ll create a better space for it.
Smoke by Tony Smith
Same as above.
Same as above.
I’m glad that LACMA draws as many people as it does, but sometimes I miss the good old days, before the blockbuster exhibitions, when it was just you and the janitorial staff. Still, some of the galleries are less crowded than others. The spaces where they display contemporary American art are often pretty busy, but if you just head upstairs…
…you’ll find the older European art. I used to mainly look at painting from the last couple of centuries, but lately I’m getting into the older stuff. Like these Dutch landscapes.
Beach with a Weyschuit Pulled up on Shore by Willem van de Velde, the Younger
Landscape with Dunes by Jacob van Ruisdael
One of the great things about LACMA is that when you’ve maxed out on the art, you can leave the galleries and head for the park just behind the museum.
A view of the park from the museum plaza.
Another view of the park looking toward the west.
And since I’m talking about change, I might as well mention the May Co. building right next door.
The Academy of Motion Picture Arts & Sciences is planning to build a museum devoted to film on this site. The plan is to restore the May Co., and to construct a new wing behind it, which will be designed by Renzo Piano. Not sure when work will start, but you can click on the link below for more info.
This last shot is a view of Fairfax looking down towards Wilshire.
It’s interesting that with all the activity happening at LACMA and the May Co., just across the street you have Johnie’s, a classic coffee shop from the fifties designed by Armét & Davis, that’s been neglected for years. Closed since 2000, the City of LA recently declared it a historic landmark, but nobody seems to know what’s going to happen to it. The MTA is currently working on the Purple Line extension, and supposedly there will be a subway stop at Wilshire and Fairfax by 2023. Is it too much to hope that Johnie’s will be open again by then?