Tenants Take a Stand

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There’s been a noticeable shift in City Hall’s public stance on evictions recently. A couple years ago, the Mayor and the City Council weren’t saying much, and certainly weren’t doing much, about the wave of displacement that was sweeping across LA. Ellis Act evictions had been rising steadily, thousands of tenants had been forced out of rent-stabilized apartments, and City Hall’s reaction was pretty much, “Who cares?”

But now that the issue is getting media attention and our elected officials are taking some serious heat for their inaction, the change in attitude at City Hall is noticeable. Mayor Garcetti has unveiled the Home for Renters campaign, designed to inform tenants of their rights. The Housing & Community Investment Department (HCIDLA) web site is offering booklets renters can download in English and Spanish to learn about how the law protects them. There’s also been an accompanying media blitz to get the word out. I have to wonder if City Hall’s sudden concern for LA’s renters will last beyond next year’s election, but right now you can tell the politicians are nervous.

One of the most striking examples of this turnaround can be found in the story of a group of tenants living in the apartment building at the corner of Yucca and Argyle in Hollywood. The building is home to 44 households, including singles, couples, families with children, seniors and veterans. It’s subject to LA’s Rent Stabilization Ordinance (RSO), which means that rents can only go up about 3% every year. A while ago they got word that the building was going to be sold to Champion Real Estate, a developer that had plans to build a luxury high-rise on the site. It seemed like it would just be a matter of time before the new owner started handing out eviction notices.

ya-yucca

But that hasn’t happened. Yet. And a large part of it has to do with the fact that the tenants decided they weren’t going to let themselves be pushed around. They connected with the LA Tenants Union (LATU), which helped them organize the Yucca Argyle Tenants Association (YATA). They spoke out. They took part in public actions. They got support from their neighborhood council. They let the world know they weren’t going without a fight.

In fact they made so much noise that the developer stepped forward with pretty unusual offer. I asked Sasha Ali, of YATA, for an update, and here’s her response.

The developer recently stated at the Hollywood United Neighborhood Council’s Planning and Land Use Management meeting that he is willing to offer affected tenants the right of return to the proposed development at their existing terms of rent. He also offered to relocate returning tenants in Hollywood during construction and subsidize their rent.

When you think about the fact that many tenants evicted under the Ellis Act have to fight to get the payments that the law requires, this is pretty impressive. It’s a sign that the media attention about displacement is having an impact. Remember, this is happening in Councilmember Mitch O’Farrell’s district, and O’Farrell has been getting a lot of heat about widespread evictions happening on his watch. Could he have asked Champion to make some concessions in order to cool things down? Well, O’Farrell is up for re-election next year.

There’s no way of saying for sure what will happen next. Sasha said that at this point, eviction notices have not been served, and in fact Champion hasn’t actually bought the building yet. The tenants have retained a lawyer to help them negotiate with the developer.

I’m glad that the tenants at Yucca and Argyle are demanding a fair deal, and I wish them the best. But the dynamics that have created this situation are still wreaking havoc across LA. The eviction juggernaut is being driven by the huge profits developers can reap by buying an existing building, knocking it down, and putting up something much larger. This usually works pretty smoothly, because the City Council is mostly willing to grant whatever entitlements the developer asks for. Want a zone change? Sure! Boost the floor area ratio? No problem! Reduce setbacks to zero? Hell, yeah! Developers feel pretty confident they can make a bundle on these projects because they know all they have to do is hand a wish list to someone like O’Farrell, and he’ll do everything he can to make their wishes come true.

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The City Council has no legal authority to stop Ellis Act evictions, but they need to stop incentivizing the practice. They need to stop handing developers massive profits by approving endless entitlements. If you want to talk about building higher density, fine. Let’s create community plans that will allow the City to increase density in an orderly way. Let’s revise our zoning so that developers can work within a consistent framework. (And I’m not talking about wasting time on a worthless sham like re:code LA.) And then let’s make the City Council abide by those plans, instead of making exceptions for every project that comes their way.

Hopefully things will turn out okay for the folks at Yucca and Argyle. But we need to stop the practices that create these situations in the first place. The City Council needs to stop handing out favors and start doing some planning.

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Manufacturing the Facts

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At a hearing last week, the City Planning Commission gave a green light to the proposed Ivar Gardens Hotel, which is planned for the intersection of Sunset and Cahuenga. But like a lot of projects planned for Hollywood in recent years, it wasn’t a smooth path to approval.

The hearing room was crowded with people. Most of those who were there to speak about the hotel were against, but there were also those who wanted to support it. A representative of the Central Hollywood Neighborhood Council gave it a thumbs up, and a woman from the Hollywood Chamber of Commerce went through the usual spiel about how the hotel will bring jobs and revenue.

Let me say up front, I can see good reasons for making something happen at the corner of Sunset and Cahuenga. The Jack in the Box that ‘s been sitting there for years isn’t exactly an architectural jewel. Sure, the block is underutilized. Could it be a good place for a hotel? Maybe. But a twenty one story hotel? At one of the busiest intersections in the city? I’m not so sure that’s a good idea. Still, I should try to keep an open mind. I should think about the possible benefits. And I should trust that the City of Los Angeles would only approve such a project after the most rigorous review. I should have faith that the City would never approve such a project unless it was absolutely certain that the positive would outweigh the negative.

Yeah, right.

Before I start talking about the Department of City Planning, let me say that I believe that most of the folks who work there are smart and capable. In most of my dealings with them I’ve been impressed by how friendly and helpful they are. But I also believe the culture at the DCP has been warped by outside pressures, and I often get the impression that the state-mandated environmental review process is seen as a pointless waste of time. The documents that are supposed to assess the pros and cons of a project often seem like they’ve been slapped together as quickly as possible. In some cases the data is presented in misleading ways, and in other cases it’s clearly wrong.

Like with this hotel. To begin with, a project of this size really needs the highest level of environmental review, in other words, an Environmental Impact Report (EIR). But the folks at the DCP disagreed, and they went ahead with a much lower level of review, a Mitigated Negative Declaration (MND). By making this choice they’re basically saying that all of the impacts caused by this project can be mitigated to the point where they’re insignificant. Whether or not that’s true is not important to the City. What’s important here is that the MND is much easier to prepare and makes the approval process much faster.

So let’s get back to the hearing. Like I said, there were a few people who supported the project, but a solid majority came out against it, and the speakers represented a wide variety of interests. Many of them belonged to various unions, and they raised a number of issues, but the biggest one was jobs. They couldn’t believe the City was going to approve this project without any requirement for local hire. A woman representing the Los Angeles Film School came to the mike to say they were concerned about impacts during the construction phase. The LAFS is right across the street from the site, and their programs could be severely affected by the project, but apparently the developer has shown little interest in meeting to discuss these issues so far. A number of people expressed concern over increased traffic from the hotel. One group talked about the importance of properly assessing hazardous wastes at the site. Others asked why the City was ready to hand the developer entitlements worth millions, while the developer was offering a pathetically small package of benefits to the community. And yes, the Commission was asked why an MND was being used for a project that clearly required an EIR.

That’s what I wanted to know. And I also wanted to know why the MND being considered was such an inaccurate, dishonest piece of work. I know that’s a strong statement. But let’s take a look together.

The MND supposedly assesses greenhouse gas (GHG) emissions produced by the project. Honestly, I think the numbers are questionable, and the reductions promised by mitigation measures are pretty optimistic. There’s a lot of talk about building clean, green structures these days, but environmentalists are starting to realize that developers don’t always deliver what they promise. Still, let’s pretend the GHG numbers are accurate. The MND offers a table to show how small the impacts are.

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In assessing the production of CO2 emissions, the bottom line says the “project net total” will be 1,921.34 metric tons per year (MTY). But what it should actually say is “project net total increase”. If you look at the table carefully, you can see that the actual total is 3,102.31 MTY. They came up with the 1,921.34 figure by subtracting the estimated emissions produced by the existing fast food restaurant. In reality, the proposed hotel will be spewing out CO2 at a rate of 3,102.31 MTY, or over two and a half times what the site produces now. At a time when the state is struggling to reduce greenhouse gas emissions, and traffic in LA is getting steadily worse, can the DCP really claim that this is not a significant impact?

Under Public Services the MND talks about police protection. Now, the LAPD has been pretty up front in admitting that it’s struggling to deal with increases in crime across the city. The MND includes a table showing that crime has been steadily rising in Hollywood since 2013. In light of the fact that the LAPD has said they don’t have enough staff to deal with current levels of crime, how can the DCP claim this hotel, along with a number of other projects under construction in Hollywood, won’t put an even greater strain on law enforcement? In addition to the hotel’s security lighting and secure parking facilities, the MND claims that, “the continuous visible and non-visible presence of guests staying at the hotel at all times of the day would provide a sense of security during evening and early morning hours.” Actually, there are already plenty of people on the street in this area, and it doesn’t seem to be doing much to discourage crime.

To demonstrate how little the DCP cares about facts, under Population and Housing they say, “The Hollywood Community Plan (HCP) projected a 2010 population of approximately 219,000 persons….” This is true. The HCP did make that projection. What the MND doesn’t say is that the Plan was written back in the 1980s, and that according to the US Census, Hollywood’s actual population in 2010 was 198,228, about 20,000 people less than the figure they reference. The DCP surely knows that the projection was mistaken, because a judge threw out their HCP Update in 2011, largely because the population figures were wildly off base.

One of the biggest problems with the MND is its cavalier approach to cumulative impacts. This project is just one of more than sixty planned for the Hollywood area, but I haven’t seen a single environmental document come out of the DCP in the last five years that sees any significant cumulative impacts. The DCP always inserts endless bureaucratic double-speak citing regional planning reports and state guidelines. And they always find ways to ignore anyone who produces real data to call their conclusions into question. CalTrans has made numerous attempts to get the DCP to do a serious analysis of traffic impacts from all these projects. The DCP’s response is to pretend that CalTrans doesn’t exist.

I’ve saved the best for last, because it’s such a classic example of the City’s shameless dishonesty. Under Transportation/Traffic, a study included in the MND states that PM rush hour traffic at the intersections of Cahuenga/DeLongpre, Cahuenga/Sunset and Cahuenga/Hollywood flows at Level of Service A, in other words that there’s no congestion at all. Here’s a table from the MND.

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This is so absurd it’s laughable. Anyone who’s travelled north on Cahuenga during evening rush hour knows it’s a parking lot. And in case you don’t live in the area, here are a few photos of what traffic really looks like on Cahuenga after working hours are over.

Rush hour on Cahuenga, July 2014.

Rush hour on Cahuenga, July 2014.

Rush hour on Cahuenga, same day as above.

Rush hour on Cahuenga, same day as above.

Rush hour on Cahuenga, July 2016.

Rush hour on Cahuenga, July 2016.

Rush hour on Cahuenga, same day as above.

Rush hour on Cahuenga, same day as above.

A lot of the people who spoke at the CPC hearing complained that traffic was bad enough and that this project would only make things worse. Knowing that this was a hot topic, Commission President David Ambroz realized he had to do something to prop up the MND’s ridiculous claim that rush hour traffic flowed smoothly. So he called on a guy from the DCP to get up and talk about the traffic study. And this guy rambled on for a few minutes about how the analysis was done in accordance with LA Department of Transportation standards, and that LADOT had approved the analysis, and that any variation may have been due to the fact that counts were taken during a holiday week. In other words, he didn’t claim that the traffic study actually reflected reality. Just that the people who compiled it followed the rules.

But it gets better. At the hearing, Commission President Ambroz mentioned that he lives in Hollywood, and that he’s familiar with the site for the proposed hotel, which means that he must know how bad the traffic is on Cahuenga at rush hour. And that means he also knows that the traffic report in the MND is substantially incorrect. But of course, he would never acknowledge that, because then he’d have to ask for the report to be done again, and done correctly. Instead, Ambroz sat there, somehow keeping a straight face, while the bureaucrat from the DCP went through his routine, trying to legitimize a traffic study that most of the people in the room knew was rubbish.

And then the Commission voted to adopt the MND and send the project on to the City Council. Interestingly, some of the Commissioners did vote no, not because of the MND, but because they felt the community benefits being offered by the developer were totally inadequate. This in spite of the fact that a last minute deal was cobbled together where the developer committed to 50% local hire.

So is the hotel a done deal? Not quite yet. It still has to go before the Planning & Land Use Management Committee (PLUM), and then on to the full City Council. Many of the people in the room were disappointed in the CPC’s decision. Afterwards I wrote to Elle Farmer of Unite Here, a labor group that spoke against the project, to ask how they felt about the outcome. Here’s a quote from their response.

We are still in this, and we still oppose the project as it currently stands, with no real community benefits, and no care for the environmental protection process.

And Unite Here is not satisfied with the last minute promise of local hire, as they feel it’s impossible to enforce.

I also asked for a statement from the Los Angeles Film School. Here’s an excerpt.

We support a vibrant Hollywood community and believe we played a major role in kickstarting the current renaissance. We are also the largest and most impacted stakeholder of this proposed project. Although the Commission did not grant a continuance, representatives for the developer did convey their willingness to sit down with us and discuss the project and its impacts to our campus after the hearing. We look forward to that opportunity.

And what am I looking forward to? The day when the DCP can put together an MND that actually reflects reality. And in the process shows a willingness to put the interests of the community ahead the interests of developers.

How Many Hotels Do You Need?

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Hotel construction is booming in Hollywood. Obviously, tourism is big business and brings a lot of money into the area, so it makes sense to build accommodations for visitors. But there are also tens of thousands of people who actually live in the community, and they need to be considered, too. Is City Hall thinking about them? Why don’t we ponder that question as we do a quick rundown of the hotels that are coming to Hollywood. It’s quite a list. We’ll start with the ones that are currently under construction.

1 Camden

The Camden
There’s the nearly completed Camden at the corner of Vine and Selma. In addition to the beautifully appointed rooms, the Camden also offers a heated saltwater pool, a movie lounge, a dog den, and the “The Garden”, a “quiet zen filled space to meditate and reflect.”

2 Dream

Dream Hollywood
According to the web site, “Dream Hollywood is an ultra-luxury merger of familiar and fantasy, where the line between entrée and exclusivity is refreshingly blurred.” Geared toward the “creative class”, it offers 179 “hyper-chic, yet comfortable” rooms and suites, along with a rooftop pool, restaurant and lounge “destined to become a player in the Hollywood skyline scene.”

3 Argyle Hotel b

Argyle Hotel
Currently under construction, the Argyle Hotel will rise 16 stories above the intersection of Yucca and Argyle. It will feature 225 rooms, 6,000 square feet of meeting space and 3,000 square feet of restaurant space. There are also two residential high-rises planned for this same intersection, one already under construction. Afternoon rush hour traffic on Argyle is already pretty bad. Expect it to get way worse.

4 1850 Cherokee

1850 Cherokee
The owner of this formerly rent-controlled apartment building realized he could make more money by evicting the tenants and turning it into something else. He used the Ellis Act to get rid of the residents a few years ago, saying that he was going to build condos on the site. When that project fell through, he decided to turn the building into a boutique hotel. The owner asked the City for a zone change to make it happen, and no surprise, the City let him have it.

A similar scenario has also played out at the historic Villa Carlotta on Franklin. The owners evicted the tenants from their rent-controlled units with the aim of turning it into a boutique hotel. It was only through the efforts of dedicated activists that the change of use was thwarted. But the evictions have already taken place, and 50 rent-controlled units were taken off the market.

5 Crossroads

Crossraods Hollywood
This massive project would be situated near the intersection of Sunset and Highland. Three skyscrapers are planned, including a 32-story hotel tower featuring 308 guest rooms and 10,500 square feet of ground-level retail and restaurant space. The developers are also asking for a Master Conditional Use Permit for “the sale of alcoholic beverages and for live entertainment in connection with a total of 22 alcohol-related uses”. You read that right. Twenty two new places for folks to buy alcohol in this one project. In addition, approximately 80 rent-controlled units will be demolished to build this behemoth, which the developer says will be replaced by approximately 80 affordable units. Even if the current tenants are granted right-of-return, where they’re supposed to live during the construction phase isn’t clear.

6 Ivar Gardens

Ivar Gardens
The Department of City Planning(DCP) decided this 21-story hotel at the extremely congested intersection of Sunset and Cahuenga didn’t need a full Environmental Impact Report. Instead, planners have been trying to rush this through with a Mitigated Negative Declaration, a much lower level of environmental review. The traffic study claims that PM rush hour traffic northbound on Cahuenga flows freely with no significant delays. Anyone who’s made that trip at rush hour knows how ridiculous that claim is. But that didn’t stop the LA Department of Transportation from approving the report. Just further proof that when a developer with deep pockets wants something to happen, the City of LA is only too happy to oblige.

1919 Wilcox
One more example of how Hollywood area developers are pushing hotels into residential neighborhoods. While a small hotel does exist on Franklin just to the south, apartment buildings are directly adjacent to this proposed project on the north and west boundaries of the site. Residents were not happy to learn that they might have a 6-story, 150 room hotel next door. It didn’t help matters that the developer is seeking a liquor permit for a 1,200 sq. ft. bar/lounge in the lobby and a 3,500 sq. ft. restaurant/lounge on the north side of the site. Who cares if Chief Beck has written to the DCP warning about the oversaturation of locations that serve alcohol in Hollywood and the resulting problems with violent crime? Certainly nobody at the DCP. They keep handing out liquor permits like there’s no tomorrow.

1717 Wilcox

Also on Wilcox, but closer to Hollywood Blvd., is this planned 134-room hotel with a 2,500 sq. ft. ground floor restaurant and a rooftop bar. You can never have too many rooftop bars, right? Who cares if the people in the apartment building next door don’t like it? And as traffic on Cahuenga continues to spill onto neighboring streets, you can bet these two projects will help turn Wilcox into a parking lot at rush hour.

The point of all this is not to say that we shouldn’t have hotels in Hollywood. The point is that these 8 hotels are just a few of the over 60 projects currently proposed for the Hollywood area. All of these projects will have impacts on infrastructure, air quality, traffic, and LAPD response times, but the City of LA isn’t making any serious effort to assess the cumulative effects of all this development. Whenever possible the DCP tries to approve these projects with a quick MND, and even when they do an EIR there’s no credible attempt made to calculate the collective impacts caused by this massive building binge. The Hollywood Community Plan Update was thrown out by a judge, in large part because the City inflated its population figures, but that hasn’t stopped the City from going full speed ahead. With no community plan in place, the DCP continues to approve thousands of new residential units, hundreds of thousands of square feet of commercial, and who knows how many new hotels.

No doubt all these classy new hotels will make Hollywood a great place for tourists. Just not so great for the people who actually live in the community.

Seen on the Street

Unknown Artist, Sunset west of Highland

Unknown Artist, Sunset west of Highland

Nothing against museums, but there’s something really cool about artists who put their work right out on the street. A, it’s free. B, it makes walking around the city so much more interesting. And C, the best street art engages you in a way that’s more immediate than the experience you get in a museum. You’re strolling down to the liquor store to get a six pack and bang, you run up against something somebody stuck on the side of a building. Or a chalk drawing on the sidewalk. Or a billboard towering overhead.

It’s interesting how people’s attitudes to street art have changed. Back in the 70s guys who went around blasting walls with spray paint were vandals. Ten years later a lot of those same guys were showing their stuff at the Whitney Biennial. You can still find artists who sneak around with an aerosol can in the dead of night, but you can also find artists doing large scale public projects with backing from a foundation.

Here’s a sampling of some stuff I’ve found roaming around LA….

People are constantly pasting stuff up all over Hollywood. A lot of it’s junk, but this caught my eye one morning as I walked past the Pacific Theatre.

Unknown Artist, Wilcox north of Hollywood

Unknown Artist, Wilcox north of Hollywood

These images of bottles have been showing up in various places over the past year or so. Honestly, I can’t figure out what it’s about, but I think they’re kind of cool.

Unknown Artist, Beverly near Detroit

Unknown Artist, Beverly near Detroit

Unknown Artist, Cahuenga near Franklin

Unknown Artist, Cahuenga near Franklin

Unknown Artist, Cahuenga near Franklin

Unknown Artist, Cahuenga near Franklin

Is anything more tempting to guerilla artists than an abandoned structure? This building at the corner of Argyle and Yucca was demolished a while ago, but I got a few photos before it disappeared.

Unknown Artists, Yucca and Argyle

Unknown Artists, Yucca and Argyle

This is a shot of the same building from the freeway.

Unknown Artists, Yucca and Argyle

Unknown Artists, Yucca and Argyle

Some artists keep it simple and rough.

Unknown Artist, Wilcox north of Sunset

Unknown Artist, Wilcox north of Sunset

Others spend a lot of time and effort to make it as polished as possible.

D*Face, Santa Monica near Flemish Lane

D*Face, Santa Monica near Flemish Lane

The image above is by D*Face, a classic example of someone who started out doing his own thing on the street, and over time became an established professional. To see more of his work, check out his site.

D*Face

Sometimes it’s a political statement.

Unknown Artist, Wilcox near Hollywood

Unknown Artist, Wilcox near Hollywood

Unknown Artist, Wilcox near Franklin

Unknown Artist, Wilcox near Franklin

Other times it’s just a statement.

Unknown Artist, Selma and Ivar

Unknown Artist, Selma and Ivar

Unknown Artist, Sunset near Gardner

Unknown Artist, Sunset near Gardner

I was out in Boyle Heights a while ago and I saw these banners decorating a fence that surrounded a construction site.

A row of banners at a construction site, First and Boyle

A row of banners at a construction site, First and Boyle

Lesther Cabrales, First and Boyle

Lesther Cabrales, First and Boyle

Izzy Jaquez and Diego Escamilla, First and Boyle

Izzy Jaquez and Diego Escamilla, First and Boyle

I was told that the project was put together by Self Help Graphics, a non-profit that’s been serving local communities for over forty years. Here’s the link.

Self Help Graphics & Art

Found this at a construction site in Downtown. Somehow it really seems to capture the vibe in LA right now.

Unknown Artist, Fifth west of Broadway

Unknown Artist, Fifth west of Broadway

I think I saw this at a construction site on Hill. Honestly, I can’t remember exactly where it was.

Unknown Artist, Unknown Location

Unknown Artist, Unknown Location

Obviously phone kiosks aren’t getting a lot of use these days. Local artists have come up with lots of different ways to transform them.

Unknown Artist, Hill near Fourth

Unknown Artist, Hill near Fourth

I’d seen these giant faces peering down from walls around town, but I didn’t realize they were part of a project by this guy who calls himself JR. Follow the link below to find out more. There’s a video you can watch that gives the lowdown.

Wrinkles of the City at DesignBoom

JR, Fifth near Main

JR, Fifth near Main

JR, Alameda and Traction, rear of building

JR, Alameda and Traction, rear of building

The image above can be found in back of Angel City Brewery on Alameda. And the mural you see below is right next to it.

Dabs & Myla and How & Nosm, Alameda and Third, rear of building

Dabs & Myla and How & Nosm, Alameda and Third, rear of building

Finally this billboard by Robert Montgomery on Broadway near the UA Theatre. Not much to say about this one. I’ll let the work speak for itself.

Robert Montgomery, Broadway near Ninth

Robert Montgomery, Broadway near Ninth

Who’s Really Standing Up for Artists?

Tensions running high at the Villa Carlotta on Sunday night.

Tensions running high at the Villa Carlotta on Sunday night.

In case you haven’t been following recent events at the Villa Carlotta, I’ll give it to you real quick. It’s a piece of Hollywood history, built in the 20s, and home for many years to musicians, artists, writers and other creative folk. But it was rent-controlled, and not too long ago the owner decided he wasn’t making enough money off it, so he sold the property to a developer who planned to turn it into an extended-stay hotel. As part of the process, it was deemed necessary to get rid of the existing tenants. Many of them were forced out using the Ellis Act.

Windows boarded up at the Villa Carlotta.

Windows boarded up at the Villa Carlotta.

Of the 50 apartments in the Carlotta, four are still occupied. Some of the tenants decided to fight the evictions, and not just because they wanted to hang on to their homes. There are a number of reasons to object to what the developer is doing here. First, the Carlotta is a historic building, and as such it’s protected by state law. In order to turn it into a hotel, the current owner planned extensive alterations to the structure. The remaining tenants, worried that the modifications would do irreparable damage, took their case to the Cultural Heritage Commission, which sided with them. Second, Ellis Act evictions have caused the loss of thousands of rent-controlled units in LA. A recent study by UCLA found that this city is the least affordable major city in the nation, and mass evictions are only making things worse.

And third, up until this whole mess started, the Carlotta was home to a community of creative people. According to many of the former tenants, it was a place where budding screenwriters and struggling artists could meet friends and make connections, where they could share their work and shape their ideas.

The lobby where tenants used to gather, now deserted.

The lobby where tenants used to gather, now deserted.

This aspect of the story took on new importance when it was announced that the Hollywood Arts Council had decided to hold a fundraiser at the Carlotta. The HAC apparently thought it would be the ideal place for the event, which was held to raise money for arts education at nearby Cheremoya Elementary School. The remaining tenants at the Carlotta were surprised by the announcement. It seemed odd that an organization which has the stated goal of supporting the arts in Hollywood had decided to hold their event at a venue that was nearly vacant because dozens of artists had been forced to leave.

They contacted the HAC and explained the situation, asking if the organization would consider moving the event. The answer was polite, but firm, no. Bothered by the apparent hypocrisy of the HAC’s actions, the tenants decided to protest.

Sylvie Shain, one of the few remaining inhabitants, had imagined the protest as an elaborate performance piece. Former tenants were asked to come to the event wearing white, and they would stand for the ghosts of the Villa Carlotta. Alternately, attendees could show up dressed in red to symbolize of the affordable housing massacre that’s taking place. The idea was to dramatize the plight of renters throughout the City.

Protesters holding a banner to protest evictions.

Protesters holding a banner to protest evictions.

The same message in English.

The same message in English.

Unfortunately, things didn’t work out as planned. The first part of the protest, with people congregating on the sidewalk outside, went smoothly. But when Sylvie led a group into the building things got kind of chaotic. There were moments when I couldn’t figure out what was going on. But one thing is clear. At one point Sylvie was forcibly ejected from the building and temporarily denied re-entry.

On the positive side, the event got a fair amount of media coverage. Two local stations showed footage on the evening news, and Curbed did a piece as well. The Los Angeles Tenants Union joined the residents of the Carlotta, and LATU members spoke eloquently about the affordable housing crisis in LA, emphatically pointing out the damage that the Ellis Act is doing.

It’s important to say that artists aren’t just having a hard time finding housing in Hollywood. In recent years Silverlake and Echo Park have both seen an exodus of musicians, writers and others who can’t afford to pay what landlords are asking these days. And then there’s the sick joke of the Arts District in Downtown. In the late 70s, creative people started moving to the industrial districts in the City’s center. The community came together because people who were struggling to make music or art or whatever could find cheap rents in areas that nobody else wanted to live in. But then the developers discovered it, started marketing it as the Arts District, and housing prices soared. Many of the artists who had created the community were forced to leave because it got too damn expensive.

So let’s get back to the question I asked in the heading for this post. This past Sunday night, who was really standing up for artists? Was it the Hollywood Arts Council, knowingly holding their fundraiser at a site where dozens of creative people had been forced to leave? Or was it the scrappy band of tenants who staged an action to call attention to the fact that artists and others are being thrown out of their homes all over LA?

You can probably guess what my answer would be.

Sylvie put together a beautiful brochure for the event, which you can view by clicking on the link below.

Ghosts of the Carlotta

And if you’d like more info about the situation at this historic building, here’s a link to the Save Villa Carlotta Facebook page.

Save Villa Carlotta

VC 6 Fac Clouds

Talking About Displacement

MTA construction along Crenshaw Blvd.

MTA construction along Crenshaw Blvd.

Speaking at a recent Los Angeles Current Affairs Forum, MTA CEO Phil Washington talked about how the growth of LA’s transit network has been accompanied in some areas by gentrification and displacement. Washington is concerned about the fact that low-income residents are being pushed out of the communities they call home, and he wants the MTA to do more to address the problem.

It’s good to hear somebody at the MTA talking about this. The question is what can actually be done. Earlier this year the MTA Board agreed that when new residential units were built on the agency’s land their goal would be to set aside 35% for low-income renters or owners. That’s fine, but it’s not nearly enough. What we really need is to have the City and the County commit to changing their planning practices. Mayor Eric Garcetti and Supervisor Mark Ridley-Thomas serve on the MTA Board. They should both support Washington and take a public stand against displacement. Then they should push for the City and the County to create policies to address the problem.

While gentrification is happening all over the city, the growth of LA’s transit system definitely seems to be a catalyst. Downtown, Koreatown, Hollywood, and Highland Park have already seen thousands of low-income residents displaced. Leimert Park and Boyle Heights seem to be next on the list as the MTA continues its rapid push to expand, bringing an influx of developer dollars to neighborhoods near rail stops. As property values skyrocket, rents go up, too, and low-income tenants who can’t afford to pay must find somewhere else to live. Tenants in rent-controlled apartments can be forced out by landlords who use the Ellis Act to convert their units to condos.

I’m really glad to hear Washington talking about displacement, and I hope others back him up on this issue. This is a conversation we need to have, and it should have started long ago.

MTA construction in North Hollywood

MTA construction in North Hollywood

Showdown on Sunset

Tgt Curve

If you haven’t already heard, the Department of City Planning is holding a hearing this coming Friday on a proposal to restart the half-completed Target on Sunset. The project was stopped by a judge because it violated the Station Neighborhood Area Plan (SNAP). The City wants to create a sub-area within the SNAP which would allow Target to finish the building as is.

For those of you who haven’t been following this long, nasty struggle, the project that Target originally proposed for the corner of Sunset and Western was in compliance with the SNAP, and it seemed like pretty much everybody was on board with the idea. Then, at the behest of city officials, Target significantly increased the height of the project, making it more than double what the plan allowed. The revised design would have also required a number of other variances. At that point, community members who had supported the original project came out against the new, larger version. They filed a law suit, and Target, inexplicably, forged ahead with construction. When the judge sided with the plaintiffs, construction screeched to a halt. And this hulking, half-finished curiosity has been sitting at the corner of Sunset and Western ever since.

Tgt Crnr Side

Why is this happening? Local residents worked with the City for years to formulate the Station Neighborhood Area Plan. The whole idea was to create a framework for development that would stimulate growth without trashing the community. Why did members of the community invest years of time and effort into writing the SNAP if a city official can sweep it aside with a wave of their hand? (Many point the finger at then-Councilmember Eric Garcetti, who’s been pushing for taller buildings all over LA.)

Target gambled when they started construction on a project that was facing a legal challenge. They lost. Why should we bail them out? They should go back to the drawing board and create a project that complies with the law. And if they don’t want to do that, they should forget the whole thing and just sell the site.

But instead of making Target deal with the consequences of their actions, the City of LA is running to the rescue by creating a new sub-area within the SNAP. This is so depressing. But certainly not surprising. When you look at the amount of money that developers have given to the Mayor and City Council, it’s easy to see who’s really running things.

My feeling is that this is probably a done deal. The Department of City Planning is putting on a show this Friday to make it look like the public has had a chance to be heard. After the hearing is over, my bet is that they’ll approve the sub-area, and Target will go ahead and finish their building.

But don’t let my pessimistic, defeatist attitude infect you. In spite of my misgivings, I still sent an e-mail to the hearing officer to let the DCP know I was completely opposed to this stunt. I urge you to write as well, or better yet, show up at the meeting and let them know how you feel. We may not win, but we can go down fighting.

Here’s the info for the meeting.

Friday, October 2, 2015, 10:00 am
City Hall, 10th Floor, Room 1020
200 N. Spring St.

You can send an e-mail to the hearing officer at the address below. Be sure to include the case number in your subject line.

Blake Lamb
Blake.Lamb@lacity.org
Case No. CPC-2015-74-GPA-SP-CUB-SPP-SPR

And here’s the link to the meeting notice.

Target Sunset Hearing Notice

Tgt Sunset

Church Clears Another Hurdle

Mosaic Front

A quick update on the status of the Mosaic Church at Hollywood and La Brea. Earlier this week, the Cultural Heritage Commission voted unanimously to recommend that the structure be designated a cultural-historic monument. Click on the link below to get all the details.

Hollywood Church Closer to Becoming Historical Monument from Park La Brea News

This is good news, but as Helen Berman of Save Residential Hollywood points out, the fight is far from over. Developers LeFrak and Kennedy Wilson want to demolish the church so they can build a large mixed-use complex. They claim the building isn’t worthy of historic status, and they have very deep pockets. No doubt, they’ll be pushing hard to scuttle the designation.

So even though the groups hoping to preserve the church have won an important victory, they still have a long way to go. The CHC’s recommendation will go to the Planning and Land Use Management Committee next, and eventually the City Council will vote on the issue.

Thanks to Save Residential Hollywood for all their efforts so far. Here’s a link, in case you’d like to get involved.

Save Residential Hollywood

Thanks also to Councilmember David Ryu, who has come down firmly in support of granting the church historic-cultural monument status. If you’d like to thank him yourself, here’s his e-mail address.

david.ryu@lacity.org

Trees

T A Birds

I have to admit, I used to take trees for granted.

T A Branch

I was lucky. I grew up in a neighborhood filled with trees. As kids we used to play all day under a canopy of lush green.

T A Lvs Shad

And I’m still lucky. The street I live on now is lined with trees. On weekend mornings I go running, and it’s amazing how many different shades of green I see.

T B Surround

Parks are cool, too. When I was younger I thought going to a park was boring. Now I really enjoy just strecthing out on the grass in a shady spot.

T C Home

I’ve been reading lately how the drought, and our reaction to the drought, is affecting trees. Of course, we’ve all been in a panic to save water, and it’s probably no surprise we’ve made mistakes. The City of LA has been criticized for its decision to stop watering medians, which will have a negative impact on the trees planted there, and since everything is connected to everything, this will cause further negative impacts.

T B Bark X

I can’t blame the City Council, because I’m just as ignorant as they are when it comes to this stuff, but we all have to educate ourselves and think before we act. If not, our response to one crisis will just create another.

T D Glare X

The City of LA has had trouble with trees for years. One of the biggest problems is that trees have roots.

T C Sdwlk X

I’m sure everybody in LA knows of at least one place where the sidewalk is slowly busting upward. And not only is this a safety hazard, but it makes it really difficult for people with disabilities to get around. Years ago the City started cutting down ficus trees so they could repair the sidewalks, and in some neighborhoods the residents went wild. A lot of people love trees, and it is pretty traumatic to see one you care about being chopped down. After struggling with angry residents for a while, the City backed off. But that left them back at square one, and in some areas the sidewalks were really getting dangerous.

T C Sdwlk 2 X

I was at a meeting recently where a representative from the Bureau of Street Services talked about this issue. He said that after fighting for years with people who were ready to chain themselves to ficus trees, the Bureau has decided that it’s best to let the residents decide whether or not a tree should be removed.

DSC00207

But he did mention one site where the Bureau plans to pull out the chain saws. There’s a row of trees on Vine just below Sunset. They are large and dense, and I think beautiful, but that spot has become a magnet for the homeless. This stretch has also become a hot spot for crime, and so the City has decided the trees have to go.

T C Vn Man

I’ll miss them. These photos were taken after they’d been trimmed, and you don’t really get a sense of how dense and dark the canopy ordinarily was. In the middle of the city, with traffic all around, you could feel like you were standing in the forest.

T C Vn Bldg 2

Trees aren’t permanent, but they live so long it seems that way. Many of the species that we find in our neighborhoods have an average life span of a hundred years, and some will live for two or three hundred years. Though they change over time, they seem like a fixed part of the landscape.

T C Branch Twst X

My mother still lives in the house I grew up in. Not too long ago the house across the street from her was sold, and the new owner cut down a large tree that dominated the front yard. It took some getting used to. I had played under that tree when it was a kid. It was part of the landscape of my childhood.

T B Pods X

There’s a growing awareness of how important trees are to the ecology of the city. They take CO2 out of the atmosphere, protect the soil and cool our neighborhoods. I have to thank Councilmember Paul Koretz for introducing a motion on tree health (Council File: 15-0467). It’s still making its way through committees and city departments, but hopefully it will come up for a vote soon.

T D Fuzz Bl X

There’s a feeling I get when I’m walking through a quiet neighborhood at dusk. As the light fades, the trees lose their color. The shadows deepen. The branches and leaves rising up around you turn to silhouettes against the twilight sky.

T D Gath Dk X

It feels so peaceful.

T E Dark Mass X

A New Vision or Another Con?

A view of the Hollywood Freeway from Franklin

A view of the Hollywood Freeway from Franklin

A while ago I was walking down Franklin around rush hour, and I came across a sight that’s becoming way too familiar. Looking down Vine, I saw a line of cars that extended all the way down the block.

Looking down Vine at rush hour

Looking down Vine at rush hour

I pulled out my camera, because I’ve kind of gotten obsessed with documenting traffic in LA. You probably think this is a pretty weird pasttime, but it keeps me off the streets. Oh, wait. No, actually it doesn’t….

Intersection of Vine and Yucca

Intersection of Vine and Yucca

Anyway, I walked down Vine taking pictures, and guess what I saw when I got to Yucca?

Cars lining up in the left turn lane on Yucca

Cars lining up in the left turn lane on Yucca

If you guessed another long line of cars, you were right. If you don’t live in the area, this may not seem like anything remarkable. But having lived in Hollywood for a while, I can tell you that this is a pretty recent phenomenon. Yucca used to be very quiet. I’d say up to three or four years ago Yucca was empty even at rush hour. Obviously that’s changed.

I kept on walking, and you’ve probably already guessed that when I got to Argyle, I saw yet another line of cars crawling along.

More cars backed up on Argyle

More cars backed up on Argyle

But the thing that surprised me was, traffic on Argyle was backed up all the way to Hollywood Blvd..

Still more cars backed up on Argyle

Still more cars backed up on Argyle

I walked up Argyle, shooting more photos as I passed underneath the bridge.

Traffic crawling north on Argyle

Traffic crawling north on Argyle

Then I was back at Franklin, and by now everybody knows what I found when I got there.

Westbound traffic on Franklin

Westbound traffic on Franklin

You may be asking, where were all these cars heading? Well, they were all trying to get on the northbound Hollywood Freeway. And traffic on the freeway was moving pretty damn slow.

Northbound onramp for the Hollywood Freeway

Northbound onramp for the Hollywood Freeway

I think we’d all agree that LA’s streets are way too congested, and we’ve got to start thinking about transportation in new ways. Cars are a dead end. We’ve got to stop building to accomodate them. The recent expansion of the San Diego Freeway showed what a waste of time that is. We can add as many lanes as we want, and they’ll all end up choked with traffic.

So some people see the City Council’s adoption of the Mobility Plan 2035 as a major step in the right direction. It sure sounds swell. With chapters titled “Safety First”, “World Class Infrastructure” and “Access for All Angelenos”, the MP 2035 paints a picture of a utopian LA, where everybody can get everywhere they want without ever needing a car.

But a lot of people are skeptical about the benefits the plan will actually provide, and I’m one of them. I totally support increased access to all modes of transportation, and if you take the MP 2035 at face value, it sounds great. The question is, will the plan deliver what it promises, and to answer that question you have to look at what our elected officials have actually been doing for the last several years.

Under the heading Key Policy Initiatives, the plan includes the following goal….

Consider the strong link between land use and transportation

No doubt about it, land use and transportation have to be considered together. For years now the Mayor and the City Council have been pushing transit oriented density (TOD). In theory, planning for higher density near transit centers will create a new dynamic where people will find using public transit preferable to driving a car. Now, if we were building affordable housing near transit centers that allowed easy access to the areas where jobs were concentrated, this might actually work. But that’s not what the Mayor and the City Council have actually been doing. Instead, they’ve been pushing relentlessly for high-end, high-rise housing that caters to people with six figure incomes. Check out the proposed 8150 Sunset, Horizon Hollywood and Shenzhen Hazens project in South Park for three examples. There are many more in the planning stages. Do the rich ride the subway? I’m sure some of them do, but let’s be honest. In LA, this is the demographic that is least likely to use public transit, while people at the lower end of the economic spectrum often have no other choice.

This is not transit oriented density. It’s profit oriented density. The Mayor and the City Council can tell us they’re linking land use to transportation to make transit more accessible, but recent history shows that this is mostly a con used to push through projects that only benefit developers who are looking to make a pile of money. Not only have our elected officials’ efforts to create affordable housing been pathetic, but by pushing gentrification in areas that used to be affordable, they’re actually forcing low-income workers farther away from job centers.

So if you ask me whether the MP 2035 will deliver what it promises, I can’t say I’m optimistic. Even before Garcetti became the Mayor, when his council district covered much of central Hollywood, he pushed through a number of “TOD” projects, telling residents that this would solve our transportation problems. Take a look at the video below and let me know if you think it’s working.