Fantasy and Reality

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Last week a friend of mine called to tell me he’d just seen La La Land. The movie knocked him out, and he urged me to see it. I didn’t need too much urging, since I’d already heard good stuff about it. So last night I went down to the Arclight to see what all the fuss was about.

I loved the movie. I was hooked from the opening sequence, a massive dance number in the middle of a freeway traffic jam. In fact, it started off so well I was afraid the makers wouldn’t be able to sustain that level of energy and creativity throughout. But I didn’t need to worry. Writer/director Damien Chazelle shows amazing skill and style. I was completely swept up in this archetypal Hollywood romance, and pulled into the lives of the struggling actress and the stubborn musician.

I was so completely involved that I was totally bummed when the film stopped abruptly and the theatre’s fire alarm started sounding. But we all got up and went outside. The courtyard was packed and it was freezing cold while we waited to see what would happen. Fortunately, the fire department showed up right away and resolved the problem quickly. (I never found out what triggered the alarm.) We were back inside within twenty minutes.

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La La Land is a lovely fantasy about Los Angeles. While no one would mistake it for a realistic picture of this crazy town, it was good to see a movie that focussed on the positive rather than the negative. There’s plenty to hate in LA, but also plenty to love. Chazelle celebrates the city’s beauty and history without sliding into maudlin sentimentality. And while La La Land certainly doesn’t show the ugliest or scariest aspects of life in LA, it spends a fair amount of time delving into the downside. The two main characters are both struggling to get a break, and the film doesn’t shy away from their disappointment, frustration and bitterness. And while the movie features plenty of the shallow, superficial types that are often associated with LA, I liked the fact that it focussed on two people who are passionate about their art. Those people live here, too, even though we don’t see them on the screen too often.

I felt elated when I walked out of the theatre. The reality we’re living these days is so damn scary, it was good to see a movie that showed how joyous life can be. But going back home I passed through the real Hollywood. Walking down those streets on a cold December night it was clear that the divide between success and failure, wealth and poverty, is much wider, much more stark, than anything we see on the big screen. It’s great when you can settle down in a dark theatre and escape into a movie. But when the movie’s over, the world is still waiting for you outside.

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Traffic-Oriented Development

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For over a decade people at City Hall have been talking about transit-oriented development (TOD). In theory, if we create high-density residential and commercial developments near transit centers, people will be encouraged to take busses and trains instead of driving their cars. Makes sense, right? So for years the City has been telling us we have to build up instead of out, that we need to go vertical instead of horizontal. And they’ve approved a slew of high-rises, all the while insisting that this will get people out of cars and onto transit.

Before I go any further, I’d like you to watch a video. It lasts about twelve minutes, and it was shot during rush hour not too far from Hollywood and Vine.

I hope the video makes my point clear.* The City keeps approving high-rises, and when communities complain that congestion will get worse, planners and politicians invariably say that the people who live and/or work in these buildings will surely take transit. But they’ve been saying that for over a decade now, and it ain’t working. The MTA station at Hollywood and Vine is a hub for a number of bus lines, as well as the subway. But these people are all driving right past it.

I’m not against TOD, but to make it work, you’ve got to do some planning. Instead of creating a well thought out framework for all this development, the City keeps dumping project after project in the Hollywood area. Mayor Garcetti will tell you that the City did produce the Hollywood Community Plan Update (HCPU), and residents sued to overturn it. That’s true. Among the HCPU’s many shortcomings, the population figure it was based on was inflated by about 10%, in spite of the fact that US Census numbers were readily available. The judge who threw the plan out called it “fatally flawed”.

To give you an idea of how little City Hall cares about planning, let’s go back to those two buildings in the video. The residential high-rise on the southwest corner is just getting started, and the hotel on the northeast corner isn’t quite finished. But look at how bad traffic is already, long before these projects are completed. Unbelievably, the City is considering approval of a third high-rise at the very same intersection. How clueless can you get?!

As I said in the video, I don’t own a car and depend on transit to get around. I support planning to encourage transit use. But TOD isn’t working in LA. Why? I think primarily it’s because that’s not really what the City is building. If our elected officials were really interested in building TOD, they’d be pushing high-density housing made up mostly of affordable units. But instead, the City has been encouraging developers to build high-priced housing by offering them generous entitlements.

I got on the Department of City Planning web site and took a look at multi-family projects in Hollywood and North Hollywood that have been built near Red Line stations since the subway was completed. The Lofts and The Gallery at Noho Commons combined contain 724 units. Eastown, when the second phase is completed, will have over 1,000. The Jefferson has 270, and is the only one that offers any affordable housing, 27 units. So out of about 2,000 apartments, only 27 are accessible to people in lower income brackets. And if you’re not one of the lucky few to snag one of low cost units, you can expect to spend at least $2,000 a month for a one bedroom. Let’s not even talk about what it might cost to live at The Vermont, which sits just across from the Vermont/Wilshire station. And call it a hunch, but I don’t think the massive Wilshire Grand Tower, which is rising up next to the 7th/Figueroa station, will be offering any affordable units at all.

According to a story published by the LA Times earlier this year (Measuring Income along LA’s Metro Stations, March 4, 2016), the median income in almost all communities served by the Red Line is well below the County median of $55,870, ranging roughly from $22,000 to $46,000 a year. (Universal City is the lone exception, with residents there making well above the County median.) For the people in the lowest income bracket, renting an apartment at the newer “TOD” buildings would consume pretty much all their earnings, and even at the higher end of the scale it would mean spending over half what they make in a year. The City says these high-density projects encourage transit use, but most transit riders couldn’t afford to live in them.

Could this be one of the reasons that transit ridership is lower now than it was back in 1985? There may be many reasons for the decline, but you’ve got to wonder why the MTA is serving fewer people than it did three decades ago. The drop in ridership is even more disturbing when you realize that the population of LA County (the area served by the MTA) has grown by over a million since 1985. Does anyone see a problem here? City Hall has been telling us for years that their policies will get people off the road and onto transit. Instead, we’ve seen a net loss in transit ridership since the eighties, in spite of the fact that the population has continued to climb. And the traffic that used to just clog the main thoroughfares is now spilling over onto side streets.

The City’s claim that they’re promoting transit-oriented density is bogus. What they’re really doing is allowing developers who spend a fortune lobbying City Hall to cash in on projects that don’t serve the majority of Angelenos. They’re backing projects geared towards the affluent, which is what developers want because that’s where the highest profits are. Meanwhile lines of cars sit on our streets and freeways at rush hour, burning fossil fuels and spewing greenhouse gasses into the atmosphere.

You call this transit-oriented development? I call it a disgusting sham.

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*
Just in case you’re thinking traffic is bad because it’s a Hollywood Bowl night, it’s not. The video was shot on Tuesday, October 25. Nothing was on the schedule that evening. But I can tell you the back-up on these streets can get way worse when something is happening at the Bowl.

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I Can’t Vote for Measure M

Construction moves forward on MTA's Regional Connector in Little Tokyo.

Construction moves forward on MTA’s Regional Connector in Little Tokyo.

I ride public transit almost every day. I really believe we need to invest in building a better transit system. And I used to think we were doing that, but not any more.

Measure M, the LA County Traffic Improvement Plan, is an ambitious attempt to do a lot of things. By adding another half cent to our sales tax, the County hopes to fund a variety of projects, with a good part of the money going toward enlarging the Metropolitan Transit Authority’s rail system. The MTA has already embarked on an ambitious program of building new rail lines and expanding others. You’d think that would be a good thing, but looking at the facts, I’m really not so sure.

For years now the MTA has been building rail all over LA County. First we got the Red Line and the Purple Line, then the Green, Blue and Gold Lines. The Expo Line was recently extended west, and the Crenshaw/LAX Line is currently under construction. You’d think that with this massive investment in rail, taking public transit would be so easy and fast that everyone would be jumping on board.

But that’s not what’s happening. In fact, transit ridership in LA County is lower than it was 30 years ago. When the LA Times reported this disturbing fact at the beginning of the year, the article sparked a lot of heated discussion. Some claimed that the Times was giving a distorted view. Others looked to the future, saying that stats would get better with time. But in the reading I did, there was one crucial fact that no one commented on. The County’s population has grown by over a million since 1990. To my mind, when you take that into account, there’s only one conclusion you can reach. Our current approach has been a disaster. If the population has grown by more than 10% over the past 30 years, how can we say that a decline in ridership during the same period represents anything but failure.

Another shot of construction on the Regional Connector.

Another shot of construction on the Regional Connector.

There are a lot of different theories floating around as to why ridership hasn’t grown along with the system, and I’m sure there are a number of factors in play. But I think one of the most important factors is the City of LA’s insane approach to planning. I read a lot of the stuff that comes out of City Hall, and over and over I hear the refrain that transit and land use must be considered together. Sounds logical, doesn’t it? It would make sense to think about where you’re putting housing at the same time as you think about where the next rail line goes. In theory, people could just step out of their apartment, walk down to the platform and catch a train wherever they’re going. Who needs a car?

The problem is, when the housing starts at $2,000 a month, and often goes much higher, you’re really not building housing for the people who use public transit. For the most part the people who depend on the MTA can’t afford that kind of rent. And the people who can pay that much are more likely to own cars. What’s even worse, as the rail network has expanded, City Hall’s policies have actively encouraged gentrification around new rail stops. It used to be pretty much anybody could afford to live in Hollywood. Not any more. As the Department of City Planning approves an endless parade of high-end housing projects and chic hotels, as they continue to hand out liquor permits to trendy restaurants and clubs, rents keep spiralling higher and the demographic most likely to use transit is being squeezed out. A similar scenario has already played out in North Hollywood, Downtown, and Highland Park, and you can look for more of the same in Leimert Park and Boyle Heights in a few years. So while City Hall claims to be thinking about transportation and land use together, in reality their policies are driving transit riders farther away from transit hubs.

Construction site for Purple Line extension at Wilshire and La Brea.

Construction site for Purple Line extension at Wilshire and La Brea.

Another problem I have with Measure M is the fact a large portion of the funding goes toward road and freeway improvements, and this is something many people have commented on. There are those transit critics who complain that the MTA is heavily subsidized by our tax dollars, but they never seem to mention that a huge share of our tax dollars also goes to subsidizing travel by car. If we’re trying to reduce our use of fossil fuels and cut down on greenhouse gas emissions, then our focus should be on investing in public transit. But Measure M continues our current policy of investing in both at the same time. How’s this working? Well, our recent experience with widening the San Diego Freeway tells the story. After years of work and millions of dollars, traffic is still awful. We do need to maintain roads and freeways, since busses travel on both, but massive investment in “upgrades” is just encouraging people to keep driving their cars.

I’d love to see us build a transit system that made travelling by rail and bus attractive to a majority of Angelenos. But that isn’t what’s been happenning. Instead, a bizarre tangle of policies has led to a decline in transit use even as the County has continued to grow. The City of LA seems dead set on continuing its drive to build upscale urban enclaves, forcing low-income Angelenos away from transit hubs. And for all the money Measure M would put into transit, it would also spend a lot of money on keeping people in their cars.

Sorry. I can’t vote for Measure M.

Another shot of construction at Wilshire and La Brea.

Another shot of construction at Wilshire and La Brea.

Oil and Water Don’t Mix

Protesters in front of CNN building on Sunset.

Protesters in front of CNN building on Sunset.

If you haven’t heard about the protests by Native Americans against the Dakota Access Pipeline (DAPL), don’t feel bad. A lot of people haven’t gotten the news because the mainstream media was slow to report the story, and still isn’t giving it the attention it deserves. That’s why a group of Indian activists showed up in front of CNN’s offices on Sunset Blvd. on Saturday to make their voices heard.

To give you a quick update, Energy Access Partners (EAP) is pushing for the construction of a pipeline which would carry crude oil from the Bakken fields in North Dakota and Montana down to South Dakota, Iowa and Illinois. The Standing Rock Sioux and other Indian tribes are fighting the project, citing damage to sacred grounds and the potential for contamination of the Missouri River if the pipeline should rupture.

Protesters claim the mainstream media has failed to highlight the risks posed by the DAPL.

Protesters claim the mainstream media has failed to highlight the risks posed by the DAPL.

I don’t know the area and my knowledge of Native American religion is almost non-existent, so I won’t comment on the first claim. But it doesn’t take much more than common sense to realize that concerns about a possible rupture and massive environmental damage are absolutely valid. EAP claims that the pipeline would be safe, but just last month there was a spill in Alabama which saw the release of over 300,000 gallons of fuel. A link to the story in The Guardian is below. Funny how the incident didn’t get much attention in the US.

Pipeline Rupture in Alabama from The Guardian

And Californians will remember the pipeline leak earlier this summer which spilled 30,000 gallons of crude.

Oil Spill in California from Alternet

But let’s cut to the chase. Pipeline accidents happen all the time. Here’s a list from Wikipedia documenting hundreds that have happened just in the US since 2000. Many of them are small, with no significant damage to life or property, but the list contains a number of major incidents.

List of US Pipeline Accidents Since 2000 from Wikipedia

The petroleum industry keeps saying these accidents won’t happen, yet somehow they keep happening, and sometimes the damage to the environment is severe. What’s worse, when there is a disaster, the oil companies do everything they can to deny responsibility, and spend years in court fighting to reduce their liability.

EAP claims that the pipeline will promote energy independence for the US, but really they’re just feeding the country’s addiction to oil. The best way to foster energy independence is to reduce our use of fossil fuels. A huge body of evidence points to the conclusion that our reliance on fossil fuels is causing the climate to change. Glaciers are disappearing, the snowpacks are receding, and the polar caps are melting. And EAP wants to build another pipeline to boost our domestic oil supply? It’s obvious they just don’t give a damn.

Lydia Ponce, of AIM SoCal, (right) posing with her sister.

Lydia Ponce, of AIM SoCal, (right) posing with her sister.

I spoke to Lydia Ponce of the American Indian Movement (AIM), Southern California. She talked about the multiple incidents where police have used force against the protesters at Standing Rock. She also pointed out that the DAPL is just the latest episode in this country’s long history of allowing big business to exploit land and resources at the expense of native people. It’s actually been going on since the US was founded. Is it ever going to stop?

If you want to support the Indian communities that are fighting the DAPL, contact your elected officials now. Let Congress and the President know that we can’t afford the risks this pipeline poses, and we can’t afford to let oil companies continue to poison our water and our skies.

Click the link below to find out how to contact your elected officials.

Find Your Elected Officials

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Manufacturing the Facts

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At a hearing last week, the City Planning Commission gave a green light to the proposed Ivar Gardens Hotel, which is planned for the intersection of Sunset and Cahuenga. But like a lot of projects planned for Hollywood in recent years, it wasn’t a smooth path to approval.

The hearing room was crowded with people. Most of those who were there to speak about the hotel were against, but there were also those who wanted to support it. A representative of the Central Hollywood Neighborhood Council gave it a thumbs up, and a woman from the Hollywood Chamber of Commerce went through the usual spiel about how the hotel will bring jobs and revenue.

Let me say up front, I can see good reasons for making something happen at the corner of Sunset and Cahuenga. The Jack in the Box that ‘s been sitting there for years isn’t exactly an architectural jewel. Sure, the block is underutilized. Could it be a good place for a hotel? Maybe. But a twenty one story hotel? At one of the busiest intersections in the city? I’m not so sure that’s a good idea. Still, I should try to keep an open mind. I should think about the possible benefits. And I should trust that the City of Los Angeles would only approve such a project after the most rigorous review. I should have faith that the City would never approve such a project unless it was absolutely certain that the positive would outweigh the negative.

Yeah, right.

Before I start talking about the Department of City Planning, let me say that I believe that most of the folks who work there are smart and capable. In most of my dealings with them I’ve been impressed by how friendly and helpful they are. But I also believe the culture at the DCP has been warped by outside pressures, and I often get the impression that the state-mandated environmental review process is seen as a pointless waste of time. The documents that are supposed to assess the pros and cons of a project often seem like they’ve been slapped together as quickly as possible. In some cases the data is presented in misleading ways, and in other cases it’s clearly wrong.

Like with this hotel. To begin with, a project of this size really needs the highest level of environmental review, in other words, an Environmental Impact Report (EIR). But the folks at the DCP disagreed, and they went ahead with a much lower level of review, a Mitigated Negative Declaration (MND). By making this choice they’re basically saying that all of the impacts caused by this project can be mitigated to the point where they’re insignificant. Whether or not that’s true is not important to the City. What’s important here is that the MND is much easier to prepare and makes the approval process much faster.

So let’s get back to the hearing. Like I said, there were a few people who supported the project, but a solid majority came out against it, and the speakers represented a wide variety of interests. Many of them belonged to various unions, and they raised a number of issues, but the biggest one was jobs. They couldn’t believe the City was going to approve this project without any requirement for local hire. A woman representing the Los Angeles Film School came to the mike to say they were concerned about impacts during the construction phase. The LAFS is right across the street from the site, and their programs could be severely affected by the project, but apparently the developer has shown little interest in meeting to discuss these issues so far. A number of people expressed concern over increased traffic from the hotel. One group talked about the importance of properly assessing hazardous wastes at the site. Others asked why the City was ready to hand the developer entitlements worth millions, while the developer was offering a pathetically small package of benefits to the community. And yes, the Commission was asked why an MND was being used for a project that clearly required an EIR.

That’s what I wanted to know. And I also wanted to know why the MND being considered was such an inaccurate, dishonest piece of work. I know that’s a strong statement. But let’s take a look together.

The MND supposedly assesses greenhouse gas (GHG) emissions produced by the project. Honestly, I think the numbers are questionable, and the reductions promised by mitigation measures are pretty optimistic. There’s a lot of talk about building clean, green structures these days, but environmentalists are starting to realize that developers don’t always deliver what they promise. Still, let’s pretend the GHG numbers are accurate. The MND offers a table to show how small the impacts are.

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In assessing the production of CO2 emissions, the bottom line says the “project net total” will be 1,921.34 metric tons per year (MTY). But what it should actually say is “project net total increase”. If you look at the table carefully, you can see that the actual total is 3,102.31 MTY. They came up with the 1,921.34 figure by subtracting the estimated emissions produced by the existing fast food restaurant. In reality, the proposed hotel will be spewing out CO2 at a rate of 3,102.31 MTY, or over two and a half times what the site produces now. At a time when the state is struggling to reduce greenhouse gas emissions, and traffic in LA is getting steadily worse, can the DCP really claim that this is not a significant impact?

Under Public Services the MND talks about police protection. Now, the LAPD has been pretty up front in admitting that it’s struggling to deal with increases in crime across the city. The MND includes a table showing that crime has been steadily rising in Hollywood since 2013. In light of the fact that the LAPD has said they don’t have enough staff to deal with current levels of crime, how can the DCP claim this hotel, along with a number of other projects under construction in Hollywood, won’t put an even greater strain on law enforcement? In addition to the hotel’s security lighting and secure parking facilities, the MND claims that, “the continuous visible and non-visible presence of guests staying at the hotel at all times of the day would provide a sense of security during evening and early morning hours.” Actually, there are already plenty of people on the street in this area, and it doesn’t seem to be doing much to discourage crime.

To demonstrate how little the DCP cares about facts, under Population and Housing they say, “The Hollywood Community Plan (HCP) projected a 2010 population of approximately 219,000 persons….” This is true. The HCP did make that projection. What the MND doesn’t say is that the Plan was written back in the 1980s, and that according to the US Census, Hollywood’s actual population in 2010 was 198,228, about 20,000 people less than the figure they reference. The DCP surely knows that the projection was mistaken, because a judge threw out their HCP Update in 2011, largely because the population figures were wildly off base.

One of the biggest problems with the MND is its cavalier approach to cumulative impacts. This project is just one of more than sixty planned for the Hollywood area, but I haven’t seen a single environmental document come out of the DCP in the last five years that sees any significant cumulative impacts. The DCP always inserts endless bureaucratic double-speak citing regional planning reports and state guidelines. And they always find ways to ignore anyone who produces real data to call their conclusions into question. CalTrans has made numerous attempts to get the DCP to do a serious analysis of traffic impacts from all these projects. The DCP’s response is to pretend that CalTrans doesn’t exist.

I’ve saved the best for last, because it’s such a classic example of the City’s shameless dishonesty. Under Transportation/Traffic, a study included in the MND states that PM rush hour traffic at the intersections of Cahuenga/DeLongpre, Cahuenga/Sunset and Cahuenga/Hollywood flows at Level of Service A, in other words that there’s no congestion at all. Here’s a table from the MND.

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This is so absurd it’s laughable. Anyone who’s travelled north on Cahuenga during evening rush hour knows it’s a parking lot. And in case you don’t live in the area, here are a few photos of what traffic really looks like on Cahuenga after working hours are over.

Rush hour on Cahuenga, July 2014.

Rush hour on Cahuenga, July 2014.

Rush hour on Cahuenga, same day as above.

Rush hour on Cahuenga, same day as above.

Rush hour on Cahuenga, July 2016.

Rush hour on Cahuenga, July 2016.

Rush hour on Cahuenga, same day as above.

Rush hour on Cahuenga, same day as above.

A lot of the people who spoke at the CPC hearing complained that traffic was bad enough and that this project would only make things worse. Knowing that this was a hot topic, Commission President David Ambroz realized he had to do something to prop up the MND’s ridiculous claim that rush hour traffic flowed smoothly. So he called on a guy from the DCP to get up and talk about the traffic study. And this guy rambled on for a few minutes about how the analysis was done in accordance with LA Department of Transportation standards, and that LADOT had approved the analysis, and that any variation may have been due to the fact that counts were taken during a holiday week. In other words, he didn’t claim that the traffic study actually reflected reality. Just that the people who compiled it followed the rules.

But it gets better. At the hearing, Commission President Ambroz mentioned that he lives in Hollywood, and that he’s familiar with the site for the proposed hotel, which means that he must know how bad the traffic is on Cahuenga at rush hour. And that means he also knows that the traffic report in the MND is substantially incorrect. But of course, he would never acknowledge that, because then he’d have to ask for the report to be done again, and done correctly. Instead, Ambroz sat there, somehow keeping a straight face, while the bureaucrat from the DCP went through his routine, trying to legitimize a traffic study that most of the people in the room knew was rubbish.

And then the Commission voted to adopt the MND and send the project on to the City Council. Interestingly, some of the Commissioners did vote no, not because of the MND, but because they felt the community benefits being offered by the developer were totally inadequate. This in spite of the fact that a last minute deal was cobbled together where the developer committed to 50% local hire.

So is the hotel a done deal? Not quite yet. It still has to go before the Planning & Land Use Management Committee (PLUM), and then on to the full City Council. Many of the people in the room were disappointed in the CPC’s decision. Afterwards I wrote to Elle Farmer of Unite Here, a labor group that spoke against the project, to ask how they felt about the outcome. Here’s a quote from their response.

We are still in this, and we still oppose the project as it currently stands, with no real community benefits, and no care for the environmental protection process.

And Unite Here is not satisfied with the last minute promise of local hire, as they feel it’s impossible to enforce.

I also asked for a statement from the Los Angeles Film School. Here’s an excerpt.

We support a vibrant Hollywood community and believe we played a major role in kickstarting the current renaissance. We are also the largest and most impacted stakeholder of this proposed project. Although the Commission did not grant a continuance, representatives for the developer did convey their willingness to sit down with us and discuss the project and its impacts to our campus after the hearing. We look forward to that opportunity.

And what am I looking forward to? The day when the DCP can put together an MND that actually reflects reality. And in the process shows a willingness to put the interests of the community ahead the interests of developers.

Seen on the Street

Unknown Artist, Sunset west of Highland

Unknown Artist, Sunset west of Highland

Nothing against museums, but there’s something really cool about artists who put their work right out on the street. A, it’s free. B, it makes walking around the city so much more interesting. And C, the best street art engages you in a way that’s more immediate than the experience you get in a museum. You’re strolling down to the liquor store to get a six pack and bang, you run up against something somebody stuck on the side of a building. Or a chalk drawing on the sidewalk. Or a billboard towering overhead.

It’s interesting how people’s attitudes to street art have changed. Back in the 70s guys who went around blasting walls with spray paint were vandals. Ten years later a lot of those same guys were showing their stuff at the Whitney Biennial. You can still find artists who sneak around with an aerosol can in the dead of night, but you can also find artists doing large scale public projects with backing from a foundation.

Here’s a sampling of some stuff I’ve found roaming around LA….

People are constantly pasting stuff up all over Hollywood. A lot of it’s junk, but this caught my eye one morning as I walked past the Pacific Theatre.

Unknown Artist, Wilcox north of Hollywood

Unknown Artist, Wilcox north of Hollywood

These images of bottles have been showing up in various places over the past year or so. Honestly, I can’t figure out what it’s about, but I think they’re kind of cool.

Unknown Artist, Beverly near Detroit

Unknown Artist, Beverly near Detroit

Unknown Artist, Cahuenga near Franklin

Unknown Artist, Cahuenga near Franklin

Unknown Artist, Cahuenga near Franklin

Unknown Artist, Cahuenga near Franklin

Is anything more tempting to guerilla artists than an abandoned structure? This building at the corner of Argyle and Yucca was demolished a while ago, but I got a few photos before it disappeared.

Unknown Artists, Yucca and Argyle

Unknown Artists, Yucca and Argyle

This is a shot of the same building from the freeway.

Unknown Artists, Yucca and Argyle

Unknown Artists, Yucca and Argyle

Some artists keep it simple and rough.

Unknown Artist, Wilcox north of Sunset

Unknown Artist, Wilcox north of Sunset

Others spend a lot of time and effort to make it as polished as possible.

D*Face, Santa Monica near Flemish Lane

D*Face, Santa Monica near Flemish Lane

The image above is by D*Face, a classic example of someone who started out doing his own thing on the street, and over time became an established professional. To see more of his work, check out his site.

D*Face

Sometimes it’s a political statement.

Unknown Artist, Wilcox near Hollywood

Unknown Artist, Wilcox near Hollywood

Unknown Artist, Wilcox near Franklin

Unknown Artist, Wilcox near Franklin

Other times it’s just a statement.

Unknown Artist, Selma and Ivar

Unknown Artist, Selma and Ivar

Unknown Artist, Sunset near Gardner

Unknown Artist, Sunset near Gardner

I was out in Boyle Heights a while ago and I saw these banners decorating a fence that surrounded a construction site.

A row of banners at a construction site, First and Boyle

A row of banners at a construction site, First and Boyle

Lesther Cabrales, First and Boyle

Lesther Cabrales, First and Boyle

Izzy Jaquez and Diego Escamilla, First and Boyle

Izzy Jaquez and Diego Escamilla, First and Boyle

I was told that the project was put together by Self Help Graphics, a non-profit that’s been serving local communities for over forty years. Here’s the link.

Self Help Graphics & Art

Found this at a construction site in Downtown. Somehow it really seems to capture the vibe in LA right now.

Unknown Artist, Fifth west of Broadway

Unknown Artist, Fifth west of Broadway

I think I saw this at a construction site on Hill. Honestly, I can’t remember exactly where it was.

Unknown Artist, Unknown Location

Unknown Artist, Unknown Location

Obviously phone kiosks aren’t getting a lot of use these days. Local artists have come up with lots of different ways to transform them.

Unknown Artist, Hill near Fourth

Unknown Artist, Hill near Fourth

I’d seen these giant faces peering down from walls around town, but I didn’t realize they were part of a project by this guy who calls himself JR. Follow the link below to find out more. There’s a video you can watch that gives the lowdown.

Wrinkles of the City at DesignBoom

JR, Fifth near Main

JR, Fifth near Main

JR, Alameda and Traction, rear of building

JR, Alameda and Traction, rear of building

The image above can be found in back of Angel City Brewery on Alameda. And the mural you see below is right next to it.

Dabs & Myla and How & Nosm, Alameda and Third, rear of building

Dabs & Myla and How & Nosm, Alameda and Third, rear of building

Finally this billboard by Robert Montgomery on Broadway near the UA Theatre. Not much to say about this one. I’ll let the work speak for itself.

Robert Montgomery, Broadway near Ninth

Robert Montgomery, Broadway near Ninth

Is the MTA Sending Mixed Messages?

Ford Woman

I was kind of surprised some weeks ago when I walked into the Hollywood/Highland Metro station and saw that the place was plastered with ads for a new line of cars from Ford. Not that I was surprised to see advertising in a Metro station. That’s become pretty routine, and even though I think some of the ads are intrusive and obnoxious, I’ve accepted it because I know the MTA needs the revenue

But advertising cars at subway stops? Isn’t that sending mixed messages to Metro riders? I thought we were supposed to be discouraging Angelenos from driving and encouraging them to take public transit. I don’t know how many subway riders will go out and buy cars because of this campaign, but Ford must think they can line up some customers or they wouldn’t have spent the money.

Ford Bike

This seems especially troubling at a time when transit ridership is dropping. Nobody’s sure exactly why this is happening, but with many MTA lines seeing a decline in the number of riders, do we really want to be tempting the people who do ride the subway with ads for affordable cars?

I know the MTA is dealing with an operating deficit, and the ad revenue is probably really helpful, but I still have to question the wisdom of this strategy. It used to be the MTA was telling us, “Dump your car. Ride public transit.” Now it seems the message is, “Go ahead and get a car. We give up.”

Ford Blur

Who’s Really Standing Up for Artists?

Tensions running high at the Villa Carlotta on Sunday night.

Tensions running high at the Villa Carlotta on Sunday night.

In case you haven’t been following recent events at the Villa Carlotta, I’ll give it to you real quick. It’s a piece of Hollywood history, built in the 20s, and home for many years to musicians, artists, writers and other creative folk. But it was rent-controlled, and not too long ago the owner decided he wasn’t making enough money off it, so he sold the property to a developer who planned to turn it into an extended-stay hotel. As part of the process, it was deemed necessary to get rid of the existing tenants. Many of them were forced out using the Ellis Act.

Windows boarded up at the Villa Carlotta.

Windows boarded up at the Villa Carlotta.

Of the 50 apartments in the Carlotta, four are still occupied. Some of the tenants decided to fight the evictions, and not just because they wanted to hang on to their homes. There are a number of reasons to object to what the developer is doing here. First, the Carlotta is a historic building, and as such it’s protected by state law. In order to turn it into a hotel, the current owner planned extensive alterations to the structure. The remaining tenants, worried that the modifications would do irreparable damage, took their case to the Cultural Heritage Commission, which sided with them. Second, Ellis Act evictions have caused the loss of thousands of rent-controlled units in LA. A recent study by UCLA found that this city is the least affordable major city in the nation, and mass evictions are only making things worse.

And third, up until this whole mess started, the Carlotta was home to a community of creative people. According to many of the former tenants, it was a place where budding screenwriters and struggling artists could meet friends and make connections, where they could share their work and shape their ideas.

The lobby where tenants used to gather, now deserted.

The lobby where tenants used to gather, now deserted.

This aspect of the story took on new importance when it was announced that the Hollywood Arts Council had decided to hold a fundraiser at the Carlotta. The HAC apparently thought it would be the ideal place for the event, which was held to raise money for arts education at nearby Cheremoya Elementary School. The remaining tenants at the Carlotta were surprised by the announcement. It seemed odd that an organization which has the stated goal of supporting the arts in Hollywood had decided to hold their event at a venue that was nearly vacant because dozens of artists had been forced to leave.

They contacted the HAC and explained the situation, asking if the organization would consider moving the event. The answer was polite, but firm, no. Bothered by the apparent hypocrisy of the HAC’s actions, the tenants decided to protest.

Sylvie Shain, one of the few remaining inhabitants, had imagined the protest as an elaborate performance piece. Former tenants were asked to come to the event wearing white, and they would stand for the ghosts of the Villa Carlotta. Alternately, attendees could show up dressed in red to symbolize of the affordable housing massacre that’s taking place. The idea was to dramatize the plight of renters throughout the City.

Protesters holding a banner to protest evictions.

Protesters holding a banner to protest evictions.

The same message in English.

The same message in English.

Unfortunately, things didn’t work out as planned. The first part of the protest, with people congregating on the sidewalk outside, went smoothly. But when Sylvie led a group into the building things got kind of chaotic. There were moments when I couldn’t figure out what was going on. But one thing is clear. At one point Sylvie was forcibly ejected from the building and temporarily denied re-entry.

On the positive side, the event got a fair amount of media coverage. Two local stations showed footage on the evening news, and Curbed did a piece as well. The Los Angeles Tenants Union joined the residents of the Carlotta, and LATU members spoke eloquently about the affordable housing crisis in LA, emphatically pointing out the damage that the Ellis Act is doing.

It’s important to say that artists aren’t just having a hard time finding housing in Hollywood. In recent years Silverlake and Echo Park have both seen an exodus of musicians, writers and others who can’t afford to pay what landlords are asking these days. And then there’s the sick joke of the Arts District in Downtown. In the late 70s, creative people started moving to the industrial districts in the City’s center. The community came together because people who were struggling to make music or art or whatever could find cheap rents in areas that nobody else wanted to live in. But then the developers discovered it, started marketing it as the Arts District, and housing prices soared. Many of the artists who had created the community were forced to leave because it got too damn expensive.

So let’s get back to the question I asked in the heading for this post. This past Sunday night, who was really standing up for artists? Was it the Hollywood Arts Council, knowingly holding their fundraiser at a site where dozens of creative people had been forced to leave? Or was it the scrappy band of tenants who staged an action to call attention to the fact that artists and others are being thrown out of their homes all over LA?

You can probably guess what my answer would be.

Sylvie put together a beautiful brochure for the event, which you can view by clicking on the link below.

Ghosts of the Carlotta

And if you’d like more info about the situation at this historic building, here’s a link to the Save Villa Carlotta Facebook page.

Save Villa Carlotta

VC 6 Fac Clouds

Talking About Displacement

MTA construction along Crenshaw Blvd.

MTA construction along Crenshaw Blvd.

Speaking at a recent Los Angeles Current Affairs Forum, MTA CEO Phil Washington talked about how the growth of LA’s transit network has been accompanied in some areas by gentrification and displacement. Washington is concerned about the fact that low-income residents are being pushed out of the communities they call home, and he wants the MTA to do more to address the problem.

It’s good to hear somebody at the MTA talking about this. The question is what can actually be done. Earlier this year the MTA Board agreed that when new residential units were built on the agency’s land their goal would be to set aside 35% for low-income renters or owners. That’s fine, but it’s not nearly enough. What we really need is to have the City and the County commit to changing their planning practices. Mayor Eric Garcetti and Supervisor Mark Ridley-Thomas serve on the MTA Board. They should both support Washington and take a public stand against displacement. Then they should push for the City and the County to create policies to address the problem.

While gentrification is happening all over the city, the growth of LA’s transit system definitely seems to be a catalyst. Downtown, Koreatown, Hollywood, and Highland Park have already seen thousands of low-income residents displaced. Leimert Park and Boyle Heights seem to be next on the list as the MTA continues its rapid push to expand, bringing an influx of developer dollars to neighborhoods near rail stops. As property values skyrocket, rents go up, too, and low-income tenants who can’t afford to pay must find somewhere else to live. Tenants in rent-controlled apartments can be forced out by landlords who use the Ellis Act to convert their units to condos.

I’m really glad to hear Washington talking about displacement, and I hope others back him up on this issue. This is a conversation we need to have, and it should have started long ago.

MTA construction in North Hollywood

MTA construction in North Hollywood

Showdown on Sunset

Tgt Curve

If you haven’t already heard, the Department of City Planning is holding a hearing this coming Friday on a proposal to restart the half-completed Target on Sunset. The project was stopped by a judge because it violated the Station Neighborhood Area Plan (SNAP). The City wants to create a sub-area within the SNAP which would allow Target to finish the building as is.

For those of you who haven’t been following this long, nasty struggle, the project that Target originally proposed for the corner of Sunset and Western was in compliance with the SNAP, and it seemed like pretty much everybody was on board with the idea. Then, at the behest of city officials, Target significantly increased the height of the project, making it more than double what the plan allowed. The revised design would have also required a number of other variances. At that point, community members who had supported the original project came out against the new, larger version. They filed a law suit, and Target, inexplicably, forged ahead with construction. When the judge sided with the plaintiffs, construction screeched to a halt. And this hulking, half-finished curiosity has been sitting at the corner of Sunset and Western ever since.

Tgt Crnr Side

Why is this happening? Local residents worked with the City for years to formulate the Station Neighborhood Area Plan. The whole idea was to create a framework for development that would stimulate growth without trashing the community. Why did members of the community invest years of time and effort into writing the SNAP if a city official can sweep it aside with a wave of their hand? (Many point the finger at then-Councilmember Eric Garcetti, who’s been pushing for taller buildings all over LA.)

Target gambled when they started construction on a project that was facing a legal challenge. They lost. Why should we bail them out? They should go back to the drawing board and create a project that complies with the law. And if they don’t want to do that, they should forget the whole thing and just sell the site.

But instead of making Target deal with the consequences of their actions, the City of LA is running to the rescue by creating a new sub-area within the SNAP. This is so depressing. But certainly not surprising. When you look at the amount of money that developers have given to the Mayor and City Council, it’s easy to see who’s really running things.

My feeling is that this is probably a done deal. The Department of City Planning is putting on a show this Friday to make it look like the public has had a chance to be heard. After the hearing is over, my bet is that they’ll approve the sub-area, and Target will go ahead and finish their building.

But don’t let my pessimistic, defeatist attitude infect you. In spite of my misgivings, I still sent an e-mail to the hearing officer to let the DCP know I was completely opposed to this stunt. I urge you to write as well, or better yet, show up at the meeting and let them know how you feel. We may not win, but we can go down fighting.

Here’s the info for the meeting.

Friday, October 2, 2015, 10:00 am
City Hall, 10th Floor, Room 1020
200 N. Spring St.

You can send an e-mail to the hearing officer at the address below. Be sure to include the case number in your subject line.

Blake Lamb
Blake.Lamb@lacity.org
Case No. CPC-2015-74-GPA-SP-CUB-SPP-SPR

And here’s the link to the meeting notice.

Target Sunset Hearing Notice

Tgt Sunset