Columbia Square

CS 01 Front 1

There are a number of different Hollywoods. It can be a noun or an adjective, a brand or a concept, a nostalgic fantasy or a nasty slur. But there’s also a physical place called Hollywood, and it’s been through a lot of changes over the years. About a century ago it became the center of the film industry, and what started out as a sleepy suburb grew rapidly. Its fortunes rose and fell as the studios left, radio and TV moved in, radio and TV moved on, and the internet conquered the world. For decades people have been asking how to bring media back to the Hollywood area to revitalize the local economy.

Columbia Square has played a key role in putting Hollywood, the place, back on the media map. Opening to great fanfare last year, the project brings together residential, office and commercial space to create a media campus. The owners were spectacularly successful in landing major industry tenants long before the project was completed. Columbia Square was widely hailed as a major step forward in Hollywood’s revitalization.

CS 07 EC Side

The El Centro side of Columbia Square

CS 08 Sidewalk

The front of the campus along Sunset

I have to say I’m pretty impressed myself. I was skeptical about how this modern media campus would come out, and I was pleasantly surprised. This was a complex project, and roused a certain amount of controversy when it was first proposed. But the developer did an admirable job, not just engaging the community, but actually responding to residents’ concerns. And here’s it’s probably a good idea to give some background….

Columbia Square, located on Sunset between El Centro and Gower, was first built in the late 30s by the Columbia Broadcasting System (CBS). Creating a major, state-of-the-art radio/recording studio in the area was seen as a boost, not just for Hollywood the place, but also Hollywood the brand. New York had dominated the national radio market since the beginning, but this was a sign that LA was trying to change that. The look of the building was an integral part of getting that message across. CBS chose modernist William Lescaze to design the project, and the building was one more landmark in LA’s long engagement with progressive architecture.

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The courtyard at the front of the complex

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Another shot of the courtyard

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One of the restored structures, now occupied by Neue House

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A view of the courtyard looking toward Sunset

As TV took over in the 40s and 50s, a number of popular shows originated from Columbia Square, but it was radio that kept hanging on through the years. Broadcasts continued to emanate from the studios until 2007, when the last tenant left. Then the building went dark, and for a while no one was sure what would happen to it. The property changed hands a few times, and different ideas were thrown around. In 2009 the City released an EIR for a project that included a 40-story tower. If you’ve been following development in Hollywood for any length of time, you can probably imagine how that went over.

But then a new developer took charge, and things changed dramatically. When Kilroy Realty Group acquired the property in 2012, they took the time to listen to the community and made some changes, crucially lowering the height of the tower to 22 stories. This is pretty amazing when you consider that the City had actually approved 28. They also decided to rethink the layout of the campus, allowing for more open space to engage the public. And they agreed to work with local preservationists to restore the historic Lescaze structures.

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Stairway leading to the rear of the campus

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A space to hang out in

The end result is a jewel. I’ve actually gone to Columbia Square a few times since it opened, just to walk around and take pictures. (And because the weather was different each time, the light in the photos keeps changing. Sorry if it’s a little jarring.) I think it’s important to mention the people involved in making this happen. The firm of House & Robertson designed the campus and the new buildings. In restoring the original structures they worked with Historic Resources Group. And the landscapes were created by Rios Clementi Hale Studios. The Los Angeles Conservancy was so impressed with the finished product that they gave the developer their 2017 Preservation Award. It’s worth reading the Conservancy’s description of the project to get an idea of how much time, money, and work went into the restoration process.

Columbia Square from the Los Angeles Conservancy

I’m so knocked out by the new complex, and by the way Kilroy approached the project, that I hate to voice any reservations. While I was writing this post I kept asking myself whether I wanted to make any critical comments, because in some respects the revitalized ColumbiaSquare is a model of what redevelopment should be. But there are a couple of things I think it’s important to note….

First, while the residential tower is beautiful, the prices are way beyond what the average person living in Hollywood could afford. And the addition of a couple hundred high-end apartments is just another step in the ongoing gentrification of the area. Even as I write this, more low-income tenants are being pushed out of their homes.

Second, while the City has tried to portray this, and other projects like it, as transit-oriented development, it’s highly unlikely that the people who live at Columbia Square will be taking transit on a regular basis. The City has been pushing this line for years, and the results have been disastrous. Transit ridership in LA is lower now than it was back in the 80s, and continues to decline. City Hall’s continued insistence that building high-profile, high-end megaprojects is going to get people on busses and trains just shows how clueless our elected officials are.

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The Gower side of the campus

CS 44 Gower Side Benches

Landscaping and benches along Gower

But let’s end on a positive note. I want to congratulate Kilroy, and all the others involved, in coming up with a project that has so much to recommend it. This is an unusual instance where a major developer respected the local context, and more important, the local community. The new Columbia Square is a beautiful piece of design, and it’s brought some major media players to the area, along with hundreds of jobs. Over all, it’s an important step forward for Hollywood the brand, the concept, the industry, and the place.

CS 50 Vert

We Still Haven’t Crossed the Finish Line

front of N.F. Stokes Residence

front of N.F. Stokes Residence

I was thrilled last week when I heard that LA’s Cultural Heritage Commission voted unanimously in favor of designating the N.F. Stokes Residence a historic cultural monument. The building, at 1905 Grace, dates back to 1917 and is one of the few structures from that era still standing in the Hollywood area. At the same meeting the CHC voted to consider the Mosaic Church, at Hollywood and La Brea, for designation as well. There were a number of people in the community who have worked long and hard to save these buildings, and reading the e-mails from those involved it seemed like everyone was breathing a collective sigh of relief.

But the fight isn’t over yet.

I don’t want to rain on anyone’s parade, but we have to remember that the Stokes house won’t actually be declared a monument until the City Council votes on it. That’s when it becomes official. And as for the Mosaic Church, I was at a meeting last week where a developer’s representative flatly declared that the building did not deserve monument status. Now, you might be thinking, Hey, the CHC vote was unanimous. They clearly believe that both buildings are worth saving! How could the City Council ignore their recommendation?

Better think again. Not too long ago Mayor Garcetti pushed for the demolition of the Oswald Bartlett House over the loud objections of the preservation community, and he got his way. That house is gone. Over the past few months the Mayor has overridden the City Planning Commission to revive two major developments that faced strong opposition from the neighboring communities. There are no guarantees here. Recent history has shown that the Mayor and the City Council will do what they want. Which is often exactly what the developers want.

So we need to keep the pressure on. If you live in Council District 4, where the Stokes Residence and the Mosaic Church are both located, you might want to contact newly elected Councilmember David Ryu. His support will be crucial. Here’s his info.

Councilmember David Ryu
323 957-6415

And if you don’t live in CD 4, you can still contact your councilmember and let them know you think these buildings are worth saving.

Mosaic Church

Mosaic Church

Hollywood Journal – It Wasn’t What I Wanted

Egyp Pylons Angle

Things change, and sometimes change is hard to accept. Part of the reason I spent years keeping a journal on Hollywood was to record the transformations that were taking place. One of the biggest upheavals was in the way films were exhibited. Hollywood is home to a handful of movie palaces, all of them built over the course of a decade starting in the early twenties. Up through the eighties, those palaces were still playing first run movies, and on opening weekend you might see lines going down the block.

But in the eighties multi-plexes started springing up, and the huge Hollywood theatres couldn’t compete. They either had to change or die. The Egyptian Theatre was shuttered in 1992. I was really upset. I’d seen so many movies there, including 2001, Alien and Point Break. When it suffered major damage in the 1994 Northridge quake, I was sure the next step was demolition. So I was overjoyed when I heard the American Cinematheque had bought the building and was going to renovate it.

Overjoyed, that is, until the theatre reopened and I saw the results. The auditorium was less than half its original size and the screen was significantly smaller. Plus, there were a number of minor changes that bugged me. I wrote it all down in the journal entry below. I was ticked off.

On the plus side, though, the Cinematheque was on Hollywood Boulevard and they were showing some great stuff. I eventually signed on as a volunteer, and ended up giving tours of the theatre, which made me look at the changes in a whole new light. In the first place, there was no way the Cinematheque could run the Egyptian as a 2,000 seat house. It just wasn’t possible to fill an auditorium that big on a regular basis. They had to find a way to solve that problem, and the solution was building two smaller theatres inside the original structure. Second, the theatre I remembered was very different from the theatre Sid Grauman had built in nineteen twenty two. He created a silent movie palace. As soon as sound came in, the theatre had to start adapting to stay viable, and numerous changes had been made over the years. In the process of renovating the Egyptian, the Cinematheque actually revealed parts of the original structure that had been concealed for decades. Third, the process of renovating a historic building is incredibly complex and costly. The Cinematheque had to follow the City’s code for historic preservation and find the money to pay for everything. They were lucky to connect with a couple of very talented architects, Craig Hodgetts and Ming Fung. The team came up with a number of innovative and elegant solutions to some difficult problems.

I love seeing movies at the Egyptian these days. If the screen isn’t quite as big as it used to be, it’s still one of the largest you’ll find in LA. And the sound is way better than it was when the Egyptian was operating as a commercial movie theatre. So while the journal entry below shows my initial disappointment, as the politicians say, my views have evolved. When the theatre first reopened, I wanted it to be the way I remembered it in years past. That wasn’t possible. Things change.

Here’s a link to a page on the American Cinematheque web site that shows images of the Egyptian over the years.

Egyptian Theatre Past

And here’s a link to the Hodgetts and Fung web site that shows images of their renovation/restoration.

H+F Egyptian Theatre

Egyp Hier

January, Nineteen Ninety Nine

Well, last night I finally made it over to the American Cinematheque. And I’ve gotta say I’m pretty disappointed with what they’ve done to the Egyptian. I mean, if you just want to look at it as a modern, mid-sized theatre it’s fine. But, aside from preserving some of the decorative elements, it has nothing to do with what the Egyptian was. It seems like the auditorium is about half its original size. The screen is considerably smaller. The seats are cozy but narrow, and there’s very little leg room. I was more comfortable the other night at the Beverly. Why do they have that sign up that says it’s Grauman’s Egyptian? It’s not. Did any of the people involved seriously think they were restoring or renovating the original theatre? All they’ve done is build a mid-sized auditorium inside the shell of a movie palace. They’ve completely changed the interior and the exterior of the building. The experience of going to this new Egyptian Theatre is totally different, and it’s certainly not a change for the better.

Now that I’ve got that out of my system, I also have to say I’m really glad to have the American Cinematheque on Hollywood Boulevard. I’m pretty impressed by their programming so far. It seems like they really want to offer all kinds of films. In spite of what they’ve done to the Egyptian, I look forward to going back.

Last night we saw Cruising, and Friedkin was there to talk about it. I really liked the film. It was interesting to hear the director’s comments, too.

Egyp Columns

Erasing Hollywood’s History

A view of 1905 Grace from Grace Ave..

A view of 1905 Grace from Grace Ave..

UPDATE: A time has been set for the meeting to consider this building as a historic landmark. Here are the details:

Tuesday, May 12, 2015, 10:00 am
200 North Spring St.
Room 1050, City Hall

You might also want to take the time to read the comment at the end of this post from John Girodo of Hollywood Heritage. He gives more information about what’s happening.

Thursday night I heard some disturbing news. An American Colonial mansion that was built in 1917, located at the corner of Grace and Franklin in Hollywood, is slated for demolition. A developer wants to knock the building down, probably with the intention of constructing high-end residential units.

Hollywood Heritage is trying to have the mansion nominated as a historic monument, but things don’t look good. The Office of Historic Resources will be holding a hearing to consider the nomination, but it’s on such short notice that it will be hard to rally the community. The meeting is scheduled for Tuesday, May 12. The last I heard, the time hasn’t been set.

It seems like the City is trying to rush this through, which doesn’t surprise me given their recent record. In just the last year the City has allowed developers to level the Mole-Richardson Building on La Brea and the Oswald Bartlett House in Los Feliz. Those are just the two most recent casualties of the current wave of development.

Can anybody stop this? I don’t know. It would be great to have a good turnout at the meeting on Tuesday. Hollywood Heritage says people must show up in person to express their views, but it’s hard to plan on attending when the time hasn’t even been set. Hopefully the OHR will nail that down pretty soon. It also might be helpful to find out what CD 4 candidates Carolyn Ramsay and David Ryu have to say about this. They’ve both said they want to preserve Hollywood’s history. Let’s find out if they really mean it.

Carolyn Ramsay

David Ryu

If you can’t make it to the meeting on Tuesday, you might still let the OHR know how you feel about this. The link is below.

Office of Historic Resources

[For an update on 1905 Grace, click here.]

A view of 1905 Grace from Franklin Ave..

A view of 1905 Grace from Franklin Ave..

Sucking the Soul out of Hollywood

Hlwd VC Corner Op

I was saddened, but not really surprised, to hear that the Villa Carlotta had been bought by a developer that wanted to turn it into an extended stay hotel. This kind of thing is going on all over Hollywood these days. Developers and real estate interests with tons of cash buying up older buildings, kicking out the tenants, and reinventing the place as a playground for the upscale crowd.

Hlwd VC Edge

It’s especially sad with the Villa Carlotta, though, because of the community that had grown inside those walls. Take a look at this article from Vanity Fair, written by a tenant, to get a sense of what’s being lost as these people are forced out by the owner.

Ciao, Villa

Here’s another article from the LA Times.

Changing Neighborhood Engulfs Their Old Hollywood Home

Hlwd VC Window H

There are larger issues, too. Not only are these people losing their homes, but they’ll have a hard time finding anything else that they can afford. Rents are going up all over LA. Owners of older apartments are jacking up rents, and units in many of the new buildings start at around $2,000 a month.

It’s well known that LA is in an affordable housing crisis, and taking the 50 units in the Villa Carlotta off the market is just one more turn of the screw. Hopefully SB 2222 will put a stop to this. It was recently signed into law by Governor Brown, and requires that developers who acquire a rent-controlled property maintain the same number of affordable units regardless of what they plan to do with the property. But LA has lost thousands of affordable units in recent years. The new law may be too little too late.

Hlwd VC Pots

In The Times piece the writer describes the meeting the developer had with the tenants to let them know they were being evicted. The way they were spinning it was that the tenants should be glad, because the developer was going to spend a lot of money refurbishing the building. This just shows how clueless they are. These people aren’t just losing their home, they’re losing a place where they made friends and partied, a place where they shared food, stories, art and music. For these people it wasn’t just a place to live, it was a community. The Villa Carlotta is a lovely relic of old Hollywood, but even more special than the building are the people who lived there.

Of course, the new owners don’t care about the people. All they care about is money.

Hlwd VC Door

The Neighborhood Is Changing, and Not for the Better

The main gate that used to lead to the Cat & Fiddle.

The main gate that used to lead to the Cat & Fiddle.

I was with with my brother and my nephew last week when we decided to go to the Cat & Fiddle for dinner. What a shock to find out that they were closing the place down. Apparently the owners are looking for a new location, but at this point they haven’t found anything. When I dropped in a couple days ago, the restaurant was almost cleaned out. I’ve had so many good times at the Cat & Fiddle, hung out there with so many good friends. It was strange to be standing there, surrounded by boxes and furniture. Nobody sitting in the booths. Nobody standing at the bar. No music. No conversation. Just silence.

The silent courtyard.

The silent courtyard.

The empty booths.

The empty booths.

The deserted bar.

The deserted bar.

According to the LA Weekly, the building was purchased by its current owners, an investment group headed by Jesse Shannon, in 2005. When the Cat & Fiddle’s lease was up, apparently Shannon wouldn’t consider renewing it. At this point he has not revealed who the new tenant will be. No doubt one more upscale bar/club/restaurant of the type that’s been spreading like a virus through Hollywood for the past decade. Shannon does say that his group plans to spend millions to renovate the building.

This is good news. I hope he’s serious. The building is a beautiful example of the Spanish Colonial Revival style, with some very cool Churrigueresque decoration. I hope the money Shannon spends is matched by a real desire to restore the building, rather than to make it a glitzy magnet for club-hopping kids.

A few links. The first is to the story in the LA Weekly. Next, a link to a Facebook page that was created in the hope that the Cat & Fiddle could stay at its old location. It has some photos that show how full of life the place was. And last, an article on LA Eater in which Shannon talks about the reasons for not renewing the restaurant’s lease.

Farewell to the Cat & Fiddle

Let’s Save the Cat & Fiddle

Why the Cat & Fiddle Had to Go

I look forward to checking out the next incarnation of the Cat & Fiddle whenever it finds a new location, but I’m really sad to see it leave the building on Sunset. Sad because it was such a great place to hang out. And also sad because it’s just the latest casualty of the gentrification craze that’s sweeping through LA. The new tenant may have an amazing menu and a fabulous bar, but I seriously doubt it will have one tenth of the character that the Cat & Fiddle had.

A photo of the Cat & Fiddle from September of this year.

A photo of the Cat & Fiddle from September of this year.

Taking a Closer Look

Hlwd CS 03 Frnt Hills 2

It’s so strange how you can pass by something a million times, and not really even notice it. Until it’s in danger of disappearing. The Fifth Church of Christ, Scientist, at the corner of Hollywood and La Brea, was built just after I was born. I’ve been driving by it or walking by it all my life. I remember thinking that it was kind of an unusual building, but I never stopped to take to take a closer look. It was always just part of the landscape.

So recently I did take a closer look, and I started to realize what a beautiful building it was. The site is no longer home to a Christian Science congregation. For the last few years it has housed Mosaic, a non-denominational Christian church. The current congregation recently renovated the building, and I’ll talk more about that later.

Actually, the first version of the church was built back in 1915, according to the Pacific Coast Architecture Database. Back then Christian Science was a growing denomination, and the original design stuck to a pretty traditional classical revival style. But in the 1950s the congregation must have decided they needed a different look, and they hired an architect named Howard G. Elwell.

Very little is known about Elwell. One source I found said that he was active in the LA area as early as 1916. I’ve searched the net, but there’s not much documentation of his work. I found a few photos of a movie theatre in Victorville. I found some images of a doctor’s office he may have designed, but the site is unknown. Apparently he also worked on some houses in Pasadena and San Marino.

But the guy definitely had talent. A walk around the church at Hollywood and La Brea shows that it was created by someone fluent in the modern style. Here are a couple photos of the building as it originally appeared.

Fifth Church of Christ, Scientist seen from Hollywood Blvd. circa 1977

Fifth Church of Christ, Scientist seen from Hollywood Blvd. circa 1977

Fifth Church of Christ, Scientist, also from Hollywood Blvd. circa 1977

Fifth Church of Christ, Scientist, also from Hollywood Blvd. circa 1977

It’s too bad they’re in black and white, because the color scheme was one of the unique aspects of the design. If I remember correctly, the curved section at the corner was clad in lavender tile, and the arched windows were painted a similar pastel shade. The effect was subtle and unobtrusive, which is maybe part of the reason it didn’t attract my attention.

Here’s how the church looks today.

Mosaic, Hollywood seen from Hollywood Blvd.

Mosaic, Hollywood seen from Hollywood Blvd.

The Mosaic congregation did a nice job of renovating the building. They didn’t touch the structure, but they completely rethought the textures and colors. Removing the tile cladding to reveal the brickwork gives the corner of the church a rustic look, and painting the arched windows grey creates a nice contrast. The building definitely has more of a presence than it did before.

a view of the church from La Brea Ave.

a view of the church from La Brea Ave.

another view of the church from La Brea Ave.

another view of the church from La Brea Ave.

But the structure still retains Elwell’s design, which is a unique and interesting adaptation of the modern style. The building has the dignity appropriate to a church, but without the rhetorical flourishes that make some other sacred structures look pompous. It occupies the site beautifully, with the curved wall at the corner giving way to symmetrical rows of arched windows on either side. And while some churches are basically a façade stuck on a box, Elwell thought about the whole structure, making sure that the rear of the building adheres to the same pattern of curved surfaces and strong verticals.

a view of the church from the parking lot

a view of the church from the parking lot

another view from the parking lot, this time facing La Brea Ave.

another view from the parking lot, this time facing La Brea Ave.

Now here’s the bad news. This building will probably be gone in a year or so. Developers want to build a project called Horizon Hollywood, which will consist of 400 residential units with retail and restaurants on the ground floor. Some people think the renderings look pretty nice. Honestly, to me the project looks like another set of generic mixed-use towers. But here’s a link to a write-up at Building Los Angeles. You can judge for yourself.

Hollywood and La Brea’s High-Rise Complex

Personally I’d rather have the church. But I don’t think there’s much chance of saving it. The building has not been designated as a historic landmark. And I don’t see any way it could be incorporated into the high-rise project.

But they won’t start construction on the Horizon Hollywood for a while, so if you’re interested in architecture you might want to take a trip over there. It’s a striking example of mid-century modern, and one of the few known buildings by Howard G. Elwell.

The larger concern is that it seems like historic buildings are once again being threatened by the current development boom. We’ve already lost the Morgan, Walls and Clements building on La Brea near Melrose. This one is probably a goner. And there’s talk of demolishing the Pacific Theatre on Hollywood Boulevard. For a while it seemed like LA was getting better at preserving the past. But these days I get the feeling that money is more important than history.

[For an an update on the status of the Mosaic Church, click here.]

Hlwd CS Frnt Angle 1

The two black and white photos above come from the Security Pacific National Bank Collection of the Los Angeles Public Library’s photo archive. No photographer is credited.

Hollywood Journal – Relaxing at the Roosevelt

Another visit to the lobby of the Roosevelt Hotel. I used to like hanging out there back in the nineties because the lobby was big and dark and quiet. It was a great place to chill, in large part because it was usually pretty empty. Since then it’s been remodelled, and they’ve managed to attract a young, hip crowd, so the place is a little more lively these days. I’m glad they’re doing more business, but I spend less time there now.

The photos were taken recently, and while the lobby is substantially the same, it has changed some in the past fifteen years. And as I’ve mentioned before, in transcribing these entries from my journal I’ve left the errors alone. The correct spelling for the name of the hotel is “Roosevelt”.

January, Nineteen Ninety Nine

Today I was on Hollywood Boulevard. I think it was around four o’ clock. And I decided to go to the Rooseveldt. Have a beer. Kick back. It’s been a while since I stopped in there.

The lobby was pretty empty. I walked up to the bar. Ordered a beer. Then strolled over to the table by the piano and sank into a big, soft chair.

It was so nice. So quiet. I sat there looking at the patterns on the ceiling. I finished my beer and thought, what the hell, why not have another.

Rsvt Chand

The guy comes in to play the piano. I ask him if he knows any Mancini. He says not a lot. I mention Charade. No dice. He throws out a few titles. Pink Panther. Baby Elephant Walk. I’m disappointed but I settle for The Pink Panther.

There are quite a few people in the lobby by now. A man with a cell phone sitting across the table from me. At the next table over a woman reading a paperback. And there are a couple of guys sitting to my left. One of them is talking about Barry Fitzgerald. He’s trying to name movies Fitzgerald was in. The man with the cell phone jumps into the conversation. He offers Going My Way. Then he says Ten Little Indians. I want to correct him, he’s thinking of And Then There Were None. But these days I’m reluctant to start chatting with strangers.

So they go on talking. The guy who was going on about Barry Fitzgerald says he works in movies. I think he said either as an actor or a stunt man. The guy with the cell phone says he’s a producer. In the exchange that follows I’m obviously not setting down what was said verbatim. I’m just trying to give an outline of the conversation.

The actor (stunt man?) asks,

What did you produce?

The producer answers,

The Buddy Holly Story.

At this point I can’t restrain myself.

You produced The Buddy Holly Story? I say. I liked that movie.

I never thought it’d make any money, the producer says.

What else did you make?


That was a cool movie.

Who was in Diner, asks the actor.

Oh, wow, a lot of people. Mickey Rourke.

And Kevin Bacon, says the woman with the paperback.

Now I know there are a lot of people in this town who will claim to have produced, directed, written all sorts of famous films. Who knows if this guy was legit. But I think I was on my third beer by that time and obviously not feeling very skeptical. The guy probably could’ve said he produced Dinner at Eight and I would have believed him.

The conversation moves on to other subjects. Italian food in New Jersey. Mexican food in LA. I ask the pianist for something by Gershwin. He plays Someone to Watch over Me.

I felt pretty good when I left.

Rsvt Chat

Hollywood Journal – Some Photos

While I was keeping my Hollywood Journal, I tried to take photos to document some of the changes that were occurring. These were taken while the Hollywood & Highland Center was being constructed, and they sort of go along with the first entry I wrote (Hollywood Journal – Intro). Sorry the quality isn’t better. I’m not a great photographer, and these were taken with a disposable camera.

It’s important to remember that Hollywood & Highland was being built as the same time as the Red Line was under construction below Hollywood Boulevard. Because one of the subway stops is built into the complex, the two projects had to be done concurrently. It was a crazy time, because the construction of that stretch of the Red Line was a mess. Hollywood Boulevard sank six inches, in part because the contractor was was not following proper procedures during tunneling. It was reported that they were using telephone books instead of metal wedges to prop up the supports.

Construction site on Hollywood Boulevard.

Construction site on Hollywood Boulevard.

A different angle on the site.

A different angle on the site.

Above are two views of the construction site from Hollywood Boulevard. In both you can see part of the office building that used to stand on the northwest corner of Hollywood and Highland. Also, in the background you can see the former Holiday Inn, which is now Loews Hollywood Hotel. Those familiar with the area will notice that in those days it didn’t have the facade which was added back when it was known as the Renaissance.

Looking down Orchid to the El Capitan.

Looking down Orchid to the El Capitan.

This is a shot of the El Capitan from Orchid. This part of the street no longer exists, since it was closed off in order to construct Hollywood & Highland. You can still enter Orchid from the north on Franklin, but it no longer continues through to Hollywood Boulevard.

The Walk of Fame during construction.

The Walk of Fame during construction.

The stars on the sidewalk in front of the project were removed during construction, and then replaced when the project was finished.

Looking west on Hollywood Boulevard.

Looking west on Hollywood Boulevard.

Above is a shot looking west. It’s too bad the image isn’t very sharp, but you can see the remnants of a cool mural depicting whales in the ocean. It was painted on the side of the Chinese Theatres. Also, in the distance, you can see the Roosevelt Hotel.

The construction site, again facing west.

The construction site, again facing west.

Another shot of the construction site facing west.

The First National Building stands alone against the sky.

The First National Building stands alone against the sky.

In the first two photos above you can see the office building that used to stand on the northwest corner of Hollywood and Highland. It had to be demolished to make way for the new mall, and I remember how its disappearance created this amazing sense of space. Before the new structure rose up, you had a mostly unobstructed view of the hills. And for a while the First National Building, which still stands today, seemed to tower over everything.

Looking across the construction site towards the El Capitan.

Looking across the construction site towards the El Capitan.

Another view of the construction site, looking towards the El Capitan.

Next to the Chinese Theatre, you can see the Chinese Two and Three, not long before demolition.

Next to the Chinese Theatre, you can see the Chinese Two and Three, not long before demolition.

During the eighties movie exhibitors began building multiplexes instead of stand-alone theatres. In order to compete, the company that owned the Chinese built two more auditoriums right next door, the Chinese Two and Three. They didn’t look like much from the outside, but they both offered large screens and excellent sound. When Hollywood & Highland was built these two theatres were demolished, and were replaced with six more inside the mall.

Hollywood Journal – Leave the Dome Alone

Another entry from my Hollywood journal, this one very brief.

The wrangling over Pacific Theaters’ plans for the Cinerama Dome continues. There was a good deal of anger in the Hollywood community over the proposed project. The Community Redevelopment Agency had received letters of protest from over a hundred concerned citizens, including Steven Spielberg and Richard Schickel. And the people at Pacific had started paying attention.

I also mention a couple of record stores I used to frequent. Eastside was in a strip-mall on Hillhurst. It’s long gone now. Record Recycler was on Sunset near Vermont. It’s actually still around, though it hasn’t been at that location for years. The owner moved the store down to Torrance. Those of you who are into used vinyl can get more info by clicking here.

For a while I was in the habit of hitting the Roosevelt Hotel for a drink at the end of the day. I loved zoning out in the lobby and listening to the guy at the piano. Totally relaxing. I should point out that the photo below was not taken at the time I wrote this journal entry. I snapped it on a recent visit. I wanted to show a little bit of the Roosevelt lobby, but it’s important to say that it’s been remodeled since this entry was written.

And finally, in transcribing this journal I’ve decided to leave the errors in, which is why “Roosevelt” is misspelled in the last paragraph.

June, Nineteen Ninety Eight

Yesterday I called Pacific Theaters again to see if there was any change in the Cinerama Dome situation. And apparently, yeah, they’ve made some concessions. It’s still hard to say whether this so-called remodeling is gonna work out okay, but from what the woman told me, it sounds like they’re finally thinking a little bit about design. I heard they were talking to the L.A. Conservancy. Thank God for the Conservancy.

This afternoon I went and bought some records, first at Eastside, then at Record Recycler.

A little after six I walked into the lobby of the Rooseveldt. Ordered a beer. Sat down in a chair over by the piano. The guy actually played Three Coins in the Fountain. Mercy.

Rsvt Lobby