Who Really Benefits?

Zimas 3

If you haven’t already seen it, I’d like to direct your attention to a piece that Dick Platkin wrote for CityWatch on re:code LA. If don’t know what re:code is, you’re not alone. In spite of our city officials’ claims that they’ve done extensive outreach, I bet less than one percent of the population has heard of it.

Briefly, it’s an attempt to redo the City’s zoning code, and there’s no question that the existing code is hopelessly out of date. The problem is, it seems like the people behind this effort seem more interested in serving developers than serving the people of LA.

But Platkin says it much better than I can. Click on the link below to learn more.

All That Glitters Is Not Gold

A Patch of Green in the Grey

LT X05 Pl Trees

Week before last I went downtown to attend a meeting at City Hall. When I got there, the room was packed. It was hard to even find a seat. The zoning administrators started off with the obligatory preliminaries, which went on for quite a while. I looked around me and realized that there were dozens of people besides me who wanted to speak. I knew I was in for a long, dull morning.

So I split. They didn’t need me, and it seemed crazy to sit there waiting for a chance to talk when I knew there were other people who would cover everything I had to say, and probably say it better than I could. I decided to grab some breakfast and find a quiet place to chill. I got some food and some coffee and headed over to the plaza by the Japanese American Cultural & Community Center (JACCC).

LT X10 Pl Guys

I love to hang out there. It’s spacious and usually pretty peaceful. Unless there’s an event going on, it’s unlikely you’ll find more than a handful of people on the plaza. One side is shaded by tall trees.

Opposite me I could see people coming and going at the JACCC. They do a lot of interesting programming. They even offer ukulele lessons.*

LT X12 Pl Uk

Take a look at the web site to find out about upcoming events.

JACCC

I spent a while looking at the kites on the west side of the building, as they rose and fell with the breeze.

LT X15 Pl Kites

Then I was ready to go. But as I was leaving I saw a grove of trees off to one side. I’d never really noticed them before, so I walked over to take a closer look.

LT X25 Pl Gdn Trees View

And as I neared the trees, I realized that they were part of a garden that rested just below the level of the plaza.

LT X30 Gdn Wide

As I stood there by the locked gate, an elderly woman walked past and told me that the garden was open to the public. All I had to do was go to the JACCC and sign in. So that’s what I did.

It was so cool to discover this peaceful patch of green in the middle of downtown. I walked around snapping photos and enjoying the quiet.

LT X45 Gdn Path

I’m sure the sound of traffic was all around me, but I was more focussed on the sound of the stream that runs through the middle of the garden. I would’ve loved to spend a while just sitting on a rock and gazing into the water. Unfortunately, I had other stuff to do, so I moved on after about fifteen minutes. But I will be back.

LT X50 Gdn Water

*
In surfing the net, I noticed this comment by a woman who’s apparently a regular at the JACCC. “It is ukulele heaven in DTLA.” An amazing claim, which I can’t verify. You’ll have to check it out yourself.

Dropping in at Tía Chucha’s

Tía Chucha's

Tía Chucha’s

One of the blogs I try to check in with on a regular basis is I Am San Fernando, which covers the East San Fernando Valley. That’s where I found out about Tía Chucha’s, a bookstore and cultural center located in Sylmar. I’ve been meaning to check it out for a while, and yesterday I finally made the trek out there.

It was worth the trip. The first thing that caught my attention was a mural on the side of the building.

Mural in back of Tía Chucha's.

Mural in back of Tía Chucha’s.

The place was kind of quiet when I got there, but it was afternoon, and most of their events take place in the evening. Tía Chucha’s hosts gatherings of musicians and poets, as well as offering a variety of classes. Right away I liked the place’s vibe, both colorful and comfortable. I took a few photos.

Tía Chucha's offers books...

Tía Chucha’s offers books…

...music...

…music…

...and art.

…and art.

I also flipped through a few books, and ended up buying Mahcic by Tomás Riley. I’ve only read a few of the peoms so far, but his work is pretty cool.

Mahcic by Tomás Riley

Mahcic by Tomás Riley

I liked the place so much I even put my name on their mailing list, which is something I rarely do these days, since I’m already overwhlemed by the amount of stuff that shows up in my inbox. But I was impressed with what Tía Chucha’s has to offer, and I’ll definitely be going back.

If you want to check them out yourself, here’s the link.

Tía Chucha’s

Where’s the Water Coming From?

The Palladium, with Columbia Square rising in the background.

The Palladium, with Columbia Square rising in the background.

There’s a hearing at City Hall this Wednesday on a project proposed for the site surrounding the Palladium on Sunset. The project is called Palladium Residences, and there are two ways it could go. Either 731 residential units, or 598 residential units and a 250 room hotel. Both options include 24,000 sq. ft. of retail and restaurant space.

My question is, where is the water for this going to come from? I think by now everybody in LA knows there’s a drought going on. In fact, an extreme drought. Gov. Brown has declared a drought state of emergency and soon the Metropolitan Water District will be cutting deliveries to its Southern California customers, including Los Angeles. Angelenos have already been asked to voluntarily cut their water consumption by 20%, but the move by the MWD means we have no choice.

So let’s look at the Palladium project in this context. How will it impact water usage in the Hollywood area?

First, in its current state, the site needs very little water. Aside from the Palladium, it’s pretty much all parking lot, so unless there’s a show going on, consumption is zero. Whatever the developer builds, it’s going to cause a large increase in water usage. Even if we assume that the project will be built utilizing every water conservation measure imaginable, we’re probably looking at a net increase of between 100 and 200 acre feet per year.

But that’s just looking at the Palladium Residences in isolation. The site is surrounded by a number of other projects that are already under construction. Right next door, we have Columbia Square, which includes 200 residential units, over 400,000 sq. ft. of office space and 30,000 sq. ft. of retail.

Columbia Square

Columbia Square

On the opposite side and just to the north the new Camden is going up, offering 287 rooms.

The Camden

The Camden

Just across the street from that is 1601 Vine, an 8-story office building. Relatively speaking, office space doesn’t require a lot of water, but since the site was previously a parking lot, there will still be a net increase in water use.

1601 Vine

1601 Vine

A couple blocks to the west, the new 182-room Dream Hotel is rising over Selma.

The Dream Hotel

The Dream Hotel

And just beyond that is the Mama Shelter Hotel, with 70 rooms, which will occupy a building that was previously vacant.

Mama Shelter Hotel

Mama Shelter Hotel

Remember, all of these projects are being built on sites that previously consumed little or no water. It’s important to say, too, that all these hotels will have at least two restaurants, and will be hosting banquets, which drives water use way up. So putting all this together, conservatively speaking, we’ll probably see a net usage increase of at least 500 acre feet of water per year.

But wait. There’s more. Aside from the projects I’ve already mentioned, there are around 60 others proposed for the Hollywood area, many of them just as large as the ones listed above. So we’re not just talking about 500 additional acre feet of water per year. We’re talking thousands more. And that’s just Hollywood. If you look at Downtown, you’ll see a similar number of projects, some of them way bigger than anything proposed for Hollywood. There are also plans for major developments for Wilshire Blvd., the Crenshaw District and Boyle Heights.

Does anyone see a problem with this?

I’m not saying we should put a halt to development. But we do need to figure out how much development we can actually support. The DWP says that LA is in fairly good shape in the near term, but they’re only looking a couple of years ahead. Some scientists think this drought could last for several more years. By now everybody who lives in California knows that many of our reservoirs are at less than half of capacity, and the snow pack has shrunk to 6% of what’s normal for spring. The wells in the San Fernando Valley that we used to rely on have become contaminated, and it will take years before they’re cleaned up.

We need to figure out a water budget. First the DWP needs to prepare a realistic estimate of how much water we can rely on for at least the next five years. Then the Department of City Planning needs to make sure they have solid numbers regarding the water that will be consumed by each proposed project. With that information, they can make a cumulative assessment of the impact all these projects will have on our water resources, and prioritize them based on how beneficial they’ll be to the community. Let’s get real. We don’t have the water to build all this stuff. Even if we have supplies to last for the next year or two, these projects will be consuming water for decades, and some scientists believe this drought could get much worse than it already is. We need to know how much water we can realistically count on, and then we need to plan accordingly.

The Mayor has been telling us that we need to cut our water use by 20%, but at the same time he’s pushing this aggressive development agenda which is guaranteed to boost water consumption even as Angelenos are told they need to conserve. And let’s be honest. We haven’t made much progress in cutting our water use. Even with the threat of a massive drought, we’re using about as much water as we always have. So residential towers and high-rise hotels are just pushing us farther into the danger zone.

We need development, but it has to be planned development. If the City of LA wants to grow, it needs to find out first how much water we have, and how much each of these projects is going to consume. Much of the reason we’re in trouble today is that for decades the City allowed massive growth without proper planning. We’ve been sucking up water from all over the Southwest to build a vast metropolis in an area that has very little water of its own. We can’t do that any more. We need to start living within our means.

Another view of The Palladium, now with The Camden construction site in the background.

Another view of The Palladium, now with The Camden construction site in the background.

Midnight at Wilshire and Fairfax

W&F 1 Scaf

Last week I went to one of the screenings in UCLA’s preservation festival. I think I left around eleven, and then caught the bus on Wilshire. I got off at Fairfax, where I have to transfer. It took a while for the next bus to show up, so I took some photos while I was waiting. It seemed like there was a lot of stuff going on….

Night time is when the MTA crews show up to work on the Purple Line extension. You don’t see them during the day. Just metal plates lying all over the street. But at night these guys set up their barriers and their lights and go to work.

MTA crews work on the Purple Line at night.

MTA crews work on the Purple Line at night.

Just across the street, the old May Co. building is surrounded by scaffolding. It seems that the Academy is finally starting the process of transforming this dinosaur of a department store into a new museum devoted to film. I have no idea when it’ll be completed, but I’m glad to see that work has begun.

Scaffolding set up on the west side of the May Co. building.

Scaffolding set up on the west side of the May Co. building.

I was standing there on Fairfax snapping photos, when a few runners went speeding past. At first I thought it was just some people who lived in the neighborhood out for some exercise. But then another group ran by, and then another, and then it was a steady stream of people racing down Fairfax. My guess is that a couple hundred people went by, but it could have been more.

Runners stampeding down Fairfax toward Wilshire.

Runners stampeding down Fairfax toward Wilshire.

More runners heading down Fairfax.

More runners heading down Fairfax.

As usual, there was a homeless guy camped out in one of the recessed areas along the side of the May Co. building.

A homeless man taking shelter for the night.

A homeless man taking shelter for the night.

And of course there’s Johnie’s, blazing away in the darkness. The banks of lights that surround the building are slowly going out, but those that are left let you know that this classic coffee shop has not gone away. The place has been closed for years, but the flashing lights seem to be insisting that it’s still open for business. That it’s still alive.

Johnie's refuses to die.

Johnie’s refuses to die.

Putting Lives Back Together

SRHT Main All

LA is suffering from an affordable housing crisis, but there is some good news to celebrate. Thanks to the efforts of the Skid Row Housing Trust (SRHT), formerly homeless people are getting a roof over their heads and a place in the community. The SRHT is using innovative approaches to creating housing in the Downtown area.

Homelessness is a complex problem. It’s not just a matter of giving someone a place to live, because people living on the streets are often struggling with a variety of issues. In the first place, finding a job, which can be tough if you don’t have skills that are currently in demand. Depression, mental illness and substance abuse are also common problems, and these are not solved simply by giving someone the keys to an apartment.

But having a place to live is the first step. And the SRHT offers assistance to people grappling with other issues by creating permanent supportive housing. This means that the residents living in these communities have access to counseling, job training, health care and other services in order to get their life back on track.

The SRHT has been working on two new projects in Downtown. First, let’s take a look at the Star Apartments….

SRHT Star Frnt

The Star Apartments are located near the corner of Sixth and Wall. The project was designed by Michael Maltzan Architecture, and they used an interesting approach. The site was occupied by a one-story building, which they wanted to expand to create more units. The solution they hit on was stacking pre-fab cubes on top of the original structure, which in addition to being fast and economical, resulted in a striking piece of design.

SRHT Star Sky 1

You can read more on Maltzan’s web site.

Star Apartments

Next, check out the New Pershing Apartments at Fifth and Main. This project actually combines two structures, the Pershing Hotel and the Roma Hotel, built in 1889 and 1905, respectively. The new design, by Killefer Flammang Architects, preserves original elements of the exterior. In addition to the residential units, the New Pershing will also offer a courtyard, two recreation decks and planters for gardening.

First let’s look at a couple of shots taken while the project was under construction, back in October of 2014. The first was taken from the corner of Fifth and Main.

SRHT Main Const 1

This next photo was taken on Main, directly across from the building.

SRHT Main Const 2

Now let’s look at the finished project.

SRHT Main Frnt

And another shot from Fifth and Main.

SRHT Main Full

Here’s the article that the Downtown News ran on the New Pershing earlier this month.

A Victorian Victory

You can find more information about the SRHT’s activities by visiting their web page. And if you want to support their efforts, I’m sure a donation would be welcome.

Skid Row Housing Trust

On-Line Archeology

RG Close 1a

I first saw Renée Green’s work years ago at MOCA. It’s hard to describe what she does, because she uses a variety of different media, and her projects don’t fall into any traditional category. My personal take on her work is that it seems like a meditation on the world around us, but not just her own meditation. She invites us to join her. She wants the audience to be a part of the experience.

I found out just recently about a project of hers called code: survey. There’s a physical installation in the cafeteria at Caltrans in Downtown LA, but that’s just one aspect of the piece. Really it’s much bigger than that. The project gathers images, words and sounds from a variety of sources, and allows the viewer to access all of it on-line. It’s like a multi-media collage of the history of LA, but it allows you to choose what you want to explore.

RG Full a

The link is below. You may have to play with it a little to get the hang of it. Each time you click on an image it allows you to go further, reading texts, listening to voices, choosing your own direction and making your own associations.

code: survey, a project by renée green

One piece of advice. Give yourself some time. Once you get started exploring, you may find it’s easy to get lost.

RG Close 2a

Alcohollywood

Hlwd Bars 1 Rd St

I want to go on record here. I like to drink. I’ve spent a fair amount of time hanging out in bars. But even I’m getting scared of how accessible booze is in Hollywood. The neighborhood is packed with bars and clubs, and it seems like every new restaurant that opens gets a full liquor license. If it was just a matter of dealing with crowded sidewalks and noisy drunks, I might be able to handle that. But the problems we’re seeing are actually much worse.

In fact, it’s getting so bad that last October LAPD Chief Charlie Beck wrote a letter to Linn Wyatt, the City’s Chief Zoning Administrator. In he talks about the “oversaturation of ABC [Alcohol Beverage Control] locations”. He mentions how these establishments “have generated numerous crime reports” which are straining police resources. And the crimes he lists include collisions involving pedestrians, DUIs, assault with a deadly weapon, robberies, thefts, fights, shootings and rapes. But don’t take my word for it. Click on the link to read the letter yourself.

Letter from Chief Beck

It doesn’t seem like anybody at the Department of City Planning read Chief Beck’s letter, because they keep on handing out liquor licenses like they were candy. I get the impression that public safety is something they don’t worry about much at the DCP.

Hlwd Bars 2 Vogue

But we’ve gotta draw the line somewhere. Recently I received a notice from the Department of City Planning regarding a project at the corner of Hollywood and Hudson. Hollywood Dreams, LLC plans to remodel an existing building to house a bar and four restaurants. They’re asking for five — yes, five — full liquor licenses. I was stunned. With all the problems we’re already seeing in the area, they want five more places selling liquor on the boulevard?!

I wasn’t the only one taken aback. Gilbert Mora and Robin Yoo of Behavioral Health Services were so concerned they made a list of existing ABC locations in the same census tract, roughly a half square mile. For this area, the California Department of Alcoholic Beverage Control says that no more than two on-site liquor permits should be authorized. By my count, there are already 15 on the list. (If you include stores and caterers that have off-site liquor permits, the number rises to 21.) So the City of LA has already allowed over 7 times what the state allows. And now this developer is asking for five more permits for a single location. Remember, too, that this is just one tract. There are dozens of other bars, clubs and restaurants that serve alcohol in Hollywood.

But let’s take a look at the actual statistics for crime in the neighborhood around this project. I went to CrimeMapping.Com and entered the address. Click on the link to see what’s happened within a one mile radius over the past two weeks.

6529 Hollywood Blvd.

As you can see, this neighborhood gets a lot of action. The crimes include assault with a deadly weapon, robbery, and vehicle theft. A total of 79 crimes. Still, we need to check out some other location for comparison. So let’s go down the road about a mile and see what it’s like on a stretch of Melrose where there are far fewer bars and restaurants that serve alcohol. I wonder what kind of crime they have down there.

6500 Melrose Ave.

So just a mile down the road, there have been only 38 crimes in the past two weeks. Less than half. Does anybody think that just maybe there’s a link between the amount of alcohol being consumed in Hollywood and the amount of crime that’s occurring there?

Hlwd Bars 3 Fox

And it’s only going to get worse. There are many other developers that want to get permits in the area. Ten more hotels are planned for Hollywood, including three that are under construction right now on Selma Ave., which is just a block south of Hollywood Blvd.. The DCP has already given full liquor licenses to all three.

This is ridiculous. Enough is enough. There’s a hearing on Tuesday, March 10 at 9:30 am, and I’m going to be there. I want to ask the zoning administrator why they keep handing out these permits when there’s a clear threat to public safety. If you feeling like joining me, the more the merrier. Here’s the address.

Los Angeles City Hall
200 North Spring Street, Room 1020
(Enter from Main Street)

And if you can’t make it to City Hall, you can still send an e-mail to the DCP. Here’s the info. It’s a good idea to include the case number in the subject line.

Staff Contact:
Matthew Quan
Matthew.Quan@lacity.org
Case No: ZA 2014-2008(MCUP)

If you do send an e-mail to the DCP, please copy me on it. I’m wondering how many other people out there are as ticked off as I am. Here’s my address.

thehorizonandtheskyline@gmail.com

I’m fine with people coming to Hollywood to have a good time, but this has gotten way out of hand. We need to stop handing out liquor permits to anyone who asks for one.

Hlwd Bars 4 Loaded

Time to Move On

LAC 0B Tunnel

You may already know that LACMA is planning a major overhaul. I think it’s a good idea. The original design has been pretty badly compromised, and the campus is kind of a mess. The biggest mistake was the addition of the Anderson Building, but there are other changes that contributed to the general feeling of chaos. So, yeah, it’s time to hit reset. Peter Zumthor’s design for the new campus is pretty interesting. You never know how these things will work out in the long run, but I’m ready to climb on board. (I do have serious reservations about the plan for funding it, but that’s another story.)

I have to admit, though, I’ve got a fondness for this funky collection of buildings that don’t really fit together. There’s a lot about the current set-up that I’ll miss. So even though we’re probably still a long way away from starting construction, I thought I’d take a trip down to the old place and snap some photos.

The museum was originally designed by William Pereira, and in its first state there was a real sense of space and light. Now the plaza seems claustrophobic. Just to give a sense of Pereira’s orginal concept, take a look at the photo below.

LAC 05 Plz Wom

On the left side you can see the Ahmanson Building, which has been there since the beginning. Back in the 60s you walked up a broad set of stairs onto a wide plaza that was surrounded on three sides by structures like this. It was a fantastic space, and a quintessential example of LA architecture. Now I move the camera to the right….

LAC 10 And Rt

…and you can see the Anderson Building, which was built in the 80s. It was great to have more gallery space, but the building always seemed like a massive intrusion. And if you look at the central plaza…

LAC 25 Plaza Brg

…you can see that the columns and the bridge and the canopy intrude even further. Nowadays this space just seems really odd and awkward. It doesn’t work at all.

But there are still things to enjoy about the plaza. Like Jesús Rafael Soto’s Penetrable.

Penetrable by Jesús Rafael Soto

Penetrable by Jesús Rafael Soto

I love this installation, and kids love wandering through it. I know museums aren’t always a big favorite with children, so I think it’s great that Soto’s work is right out on the plaza, almost like it’s saying, “Come on in and play.”

Another one of the original Pereira buildings houses the Bing Theatre, which I’ll really miss.

LAC 32 Bing Lobby 2

LACMA used to have incredible film programming. They did amazing retrospectives on Marlon Brando, William Wyler, Erich von Stroheim, FW Murnau and others. My friend Brian and I used to joke that there were times we were going there so often it seemed like we were living at LACMA.

LAC 40 Cafe Red

I’ll miss the cafe, too. I’ve spent lots of time there, either taking a break from the galleries or waiting for a movie to begin. Occasionally I’d take a cup of coffee outside…

LAC 27 Red Tbl

…and find a quiet place somewhere. In spite of all the people milling around the campus, it’s not too hard to get away from the crowds.

Inside the Ahmanson Building, Tony Smith’s Smoke rises up through the atrium. It’s a cool piece, but it probably needs more room to breathe. Maybe when the new museum is built they’ll create a better space for it.

Smoke by Tony Smith

Smoke by Tony Smith

Same as above.

Same as above.

Same as above.

Same as above.

I’m glad that LACMA draws as many people as it does, but sometimes I miss the good old days, before the blockbuster exhibitions, when it was just you and the janitorial staff. Still, some of the galleries are less crowded than others. The spaces where they display contemporary American art are often pretty busy, but if you just head upstairs…

LAC 80 Gallery

…you’ll find the older European art. I used to mainly look at painting from the last couple of centuries, but lately I’m getting into the older stuff. Like these Dutch landscapes.

Beach with a Weyschuit Pulled up on Shore by Willem van de Velde, the Younger

Beach with a Weyschuit Pulled up on Shore by Willem van de Velde, the Younger

Landscape with Dunes by Jacob van Ruisdael

Landscape with Dunes by Jacob van Ruisdael

One of the great things about LACMA is that when you’ve maxed out on the art, you can leave the galleries and head for the park just behind the museum.

A view of the park from the museum plaza.

A view of the park from the museum plaza.

Another view of the park looking toward the west.

Another view of the park looking toward the west.

And since I’m talking about change, I might as well mention the May Co. building right next door.

LAC 95 May

The Academy of Motion Picture Arts & Sciences is planning to build a museum devoted to film on this site. The plan is to restore the May Co., and to construct a new wing behind it, which will be designed by Renzo Piano. Not sure when work will start, but you can click on the link below for more info.

Academy Museum

This last shot is a view of Fairfax looking down towards Wilshire.

LAC 97 May Side

It’s interesting that with all the activity happening at LACMA and the May Co., just across the street you have Johnie’s, a classic coffee shop from the fifties designed by Armét & Davis, that’s been neglected for years. Closed since 2000, the City of LA recently declared it a historic landmark, but nobody seems to know what’s going to happen to it. The MTA is currently working on the Purple Line extension, and supposedly there will be a subway stop at Wilshire and Fairfax by 2023. Is it too much to hope that Johnie’s will be open again by then?

Sucking the Soul out of Hollywood

Hlwd VC Corner Op

I was saddened, but not really surprised, to hear that the Villa Carlotta had been bought by a developer that wanted to turn it into an extended stay hotel. This kind of thing is going on all over Hollywood these days. Developers and real estate interests with tons of cash buying up older buildings, kicking out the tenants, and reinventing the place as a playground for the upscale crowd.

Hlwd VC Edge

It’s especially sad with the Villa Carlotta, though, because of the community that had grown inside those walls. Take a look at this article from Vanity Fair, written by a tenant, to get a sense of what’s being lost as these people are forced out by the owner.

Ciao, Villa

Here’s another article from the LA Times.

Changing Neighborhood Engulfs Their Old Hollywood Home

Hlwd VC Window H

There are larger issues, too. Not only are these people losing their homes, but they’ll have a hard time finding anything else that they can afford. Rents are going up all over LA. Owners of older apartments are jacking up rents, and units in many of the new buildings start at around $2,000 a month.

It’s well known that LA is in an affordable housing crisis, and taking the 50 units in the Villa Carlotta off the market is just one more turn of the screw. Hopefully SB 2222 will put a stop to this. It was recently signed into law by Governor Brown, and requires that developers who acquire a rent-controlled property maintain the same number of affordable units regardless of what they plan to do with the property. But LA has lost thousands of affordable units in recent years. The new law may be too little too late.

Hlwd VC Pots

In The Times piece the writer describes the meeting the developer had with the tenants to let them know they were being evicted. The way they were spinning it was that the tenants should be glad, because the developer was going to spend a lot of money refurbishing the building. This just shows how clueless they are. These people aren’t just losing their home, they’re losing a place where they made friends and partied, a place where they shared food, stories, art and music. For these people it wasn’t just a place to live, it was a community. The Villa Carlotta is a lovely relic of old Hollywood, but even more special than the building are the people who lived there.

Of course, the new owners don’t care about the people. All they care about is money.

Hlwd VC Door