Hotel Developer Keeps Asking, and City Planning Keeps Giving

Dream 2 Construction Site

Construction site in the foreground, and Dream Hotel in the background.

If you need any more proof that City Hall is ready to give developers whatever they ask for, there’s a block in the heart of Hollywood you should take a good look at. Hollywood International Regional Center (HIRC), a developer that specializes in hotels funded with EB 5 money, has spent years remaking the stretch of Selma between Cahuenga and Wilcox, and they’re not done yet. Richard Heyman, HIRC Managing Partner, filed his first application for this site about ten years ago, and since then he and his associates have come back asking for numerous changes to their project/s. A review of the associated documents seems to show that the Department of City Planning (DCP) has been more than willing to accommodate the developers’ requests. Construction has been going on almost continuously since 2014, and it looks like it’ll be going on a while longer.

Because tourism is thriving these days, there’s a push to build party hotels in Hollywood. HIRC has already finished one and has a few more in the works. In addition to the completed Dream hotel, there are two other HIRC projects under construction, and the City Planning Commission (CPC) just approved a fourth one. All four of these projects are within a one block radius of Selma and Wilcox. Actually, it almost seems like these four hotels could be considered one big project. But more on that later….

HIRC’s latest effort was on the agenda at the CPC hearing on July 12. This is an eight-story hotel to be built at the corner of Selma and Wilcox. Of course, since this hotel is being built in Hollywood, it has to have a rooftop deck with a pool and a bar/lounge, and even though it wasn’t mentioned in the hearing notice, live entertainment is also part of the package. Given the fact that Hollywood is already jammed with bars, and that crime is rising by double digits, and that area residents are complaining about noise from the party scene, you might ask if we really need another party hotel in Hollywood.

But the folks at the DCP don’t seem bothered by the problems Hollywood residents are facing. They apparently weren’t bothered by the fact that this project was already under construction. Yeah, that’s right. The developer had already started to build this hotel, even though it hadn’t yet been approved. How did that happen? It’s complicated. First we have to ask what the project actually is, and there’s no simple answer. Many Hollywood residents feel HIRC has not been honest about what they’re doing, and that the DCP has been too willing to look the other way. The closer you examine it, the more it appears that this new hotel at Selma and Wilcox is actually part of a complex that’s been in the works for years. But to tell this story, we have to go back to the previous decade….

Heyman’s first hotel on Selma was the Dream 1, which was approved back in 2008. According to the original determination letter, the hotel was going to have a total of 120 rooms, and the project would consist of about 73, 814 square feet with two levels of parking. But then the recession hit, and the project got delayed. In 2011 it was back on again, but this time with a few changes. Now it was going to have 136 guest rooms, but the size held about steady at 73,607 square feet. And while the project was originally required to have 107 parking spaces, now the number was reduced to 90.

So far this doesn’t seem like a big deal. A few more rooms, a little less square footage, and 17 less parking spaces. Who cares? But keep your eye on the parking, because it’s about to disappear.

A Zoning Administrator’s letter dated April 2014 shows further changes. “There will be 182 hotel rooms, 77 on-site parking spaces, 14 off-site parking spaces….” And now, while the height is the same, they’ve added another floor, meaning it’s now a ten story hotel with 79,376 square feet of floor area. Obviously the folks at HIRC are prone to changing their minds, and the folks at the DCP are ready to accommodate them.

But you’re probably saying, “What do you mean the parking disappeared? It’s still there. The ZA approved 77 on-site spaces and 14 off-site spaces. They’ve still got plenty of parking.” And that’s the great thing about misdirection. You were busy looking at the ZA’s letter, instead of keeping your eye on the hotel. Next time you’re in Hollywood, take a stroll down Selma past the Dream.

It has no on-site parking at all.

If you didn’t catch on to that trick, don’t worry. The people at the DCP don’t seem to have noticed either. Strangely enough, the Department of Building & Safety (DBS) granted a permit for the change, and apparently the DCP signed off on it, even though they hadn’t approved the change. I tried asking the folks at the DCP how they approved the permit even though they hadn’t approved the project revision. In response they sent a document that had no relation to the question.

Of course eliminating the on-site parking is completely illegal. But there’s another problem. You see, parking isn’t counted in calculating a project’s square footage. This means that the conversion of that space to other uses has boosted the hotel’s square footage significantly. You might think that the DCP would be upset over a developer unilaterally adding several thousand square feet to a project, but you’d be wrong. They’ve taken no action to enforce the terms of the Department’s determination letter.

Some people speculate that maybe HIRC has friends at City Hall. The developer seems to get pretty much everything they ask for. But they’ve made a lot of enemies in Hollywood. The developer’s aggressive push to build party hotels has angered a lot of folks in the community, and these days people are watching their moves much more closely.

In 2015 HIRC applied to build another, more modest project, next to the Dream 1. This was going to be a one-story restaurant, with 6,000 square-feet of retail space, and three levels of underground parking. Who could object to that? But then people who live in the neighborhood took a look at the application and saw that the name of the LLC that HIRC was using for this project was “6421 Selma Wilcox Hotel”. Seemed like an odd choice of names for a project that was supposed to be just a restaurant with some retail. It also seemed odd that a developer who specialized in building hotels was asking City Planning to approve something so much smaller. The DCP, of course, ignored the community’s concerns and signed off on the project.

It was no surprise to area residents when HIRC came back in 2016, now asking the DCP to approve an eight-story hotel on the same site. Again, since the legal entity being used to build the original project was “6421 Selma Wilcox Hotel”, it’s hard to believe that this was an unexpected evolution of HIRC’s plans. And the fact that the papers for this LLC were filed with the State of California in October 2014, well before HIRC applied to build the restaurant/retail project makes it appear that their goal was to build the hotel all along.

And if you spend a little time surfing the web, you’ll find documents indicating that not only was this project conceived as a hotel from the beginning, it was always intended to be the second phase of a complex that began with Dream 1. If you take a look at the web site for Space Global, a firm HIRC partnered with in raising EB 5 money from Chinese investors, the project is repeatedly referred to as Dream 2. In fact, information for investors posted on-line specifically refers to it as an extension of Dream 1, saying construction is expected to begin by the end of 2014. The text not only mentions Tao Restaurant & Lounge, but another restaurant, Beauty & Essex, which is on the far side of the project site. The web site features renderings of the completed project showing both hotels stretched across the length of the block, with Tao sandwiched in the middle.

This seems to be pretty strong evidence that back in 2014, around the time the DCP gave its final approvals for Dream 1, that HIRC already saw the two hotels, the restaurant and the renovated bar as one project. Now, ordinarily if you were going to build a hotel complex with just under 300 rooms, multiple locations selling alcohol, and live entertainment, it would seem reasonable to assume that it could have significant impacts on the neighborhood. HIRC could have revised their original application to reflect the project they apparently intended to build, but that might have meant submitting to a higher level of environmental review. Instead, in 2015 HIRC submitted an application for the property at Selma and Wilcox, directly adjacent to Dream 1, saying they just wanted to build a restaurant, some retail, and three levels of parking. Then in 2016, with the restaurant taking shape and heavy machinery digging a huge hole right next door, they came back and filed the application for the eight-story hotel that their promotional materials refer to as Dream 2.

So let’s get back to the July hearing held by the City Planning Commission (CPC) where they considered the Dream 2. It was actually more entertaining than most CPC hearings. Developer Grant King gave a stirring speech, hypnotizing the crowd with an account of his dramatic effort to rescue Dream 1 in 2012. “I took the last $75,000 I had in the world and bought a one-way ticket to China….” The union workers who attended to protest the failure of King and his partners to hire union labor may not have been moved by his story. I guess it never occurred to the intrepid developer that these union workers had probably never had anything near $75,000 in their bank account. I don’t doubt the Commissioners were enthralled by King’s story, but a number of them had serious reservations about the project. Commissioner Renee Dake-Wilson had some especially harsh words. While she emphasized that she didn’t believe the developer was engaged in “piecemealing” (seeking approvals in pieces, rather than all at once), she stated forcefully that she thought the original restaurant/retail project was “a sham in order to get this hotel going.”

But the last Commissioner to comment was President David Ambroz, who offered a ringing defense of the project. Responding to criticism of the developer’s first structure on Selma, he said, “I think the Dream is a well run hotel.” In response to another Commissioner’s suggestion that the rooftop bar/lounge be restricted just to hotel guests, Ambroz said, “I like going to these rooftops. I would not be in agreement with prohibiting public access.” The Commission President was apparently not impressed with Hollywood when he first arrived years ago, but he feels it’s come a long way because of projects like this. “The renaissance that has occurred there is a testament not just to Grant and his company, but others as well.” Ambroz was definitely sold on the project, and he seemed to be doing his best to sell it to everyone else.

However, there were concerns about parking, and that discussion was really interesting. The project would require a certain amount of off-site parking, and the Commissioners weren’t certain where that would end up. You see, parking is at a premium in Hollywood, and some of the Commissioners wanted to know where the developer would find those off-site spaces within the required 750 feet. Fortunately, HIRC’s rep stepped forward to explain that the developers had two other hotels under construction nearby, and he was certain that one of them could handle the overload. Which is actually really odd, because the CPC approved both those projects and they’re strongly opposed to providing excess parking. There’s also the bizarre idea of creating a covenant to provide parking at a building that doesn’t exist yet. And lastly, if the developer has already made plans to provide additional parking for the Dream 2 at one of these other locations, it makes it sound like these projects were conceived together. That really these hotels, all proposed by the same developer, all within a one block radius of Wilcox and Selma, all approved within the last ten years, should be seen as one project.

In the end, the CPC approved the Dream 2 by a 6-2 vote, with Commissioners Vahid Khorsand and Dana Perlman voting no. We’ll see what actually happens with the parking down the road. But I doubt Grant King is worried. For all the talk during the hearing about how enforcement is key, the Dream 1 was built with none of the required on-site parking, and the City hasn’t taken any action at all. Even if the off-site parking for the Dream 2 never materializes, King knows that the City of LA won’t do a damn thing about it.

Garcetti Talks about Sustainability, While City Keeps Cutting Down Trees

CH Cars Trees 1 EDITED

LA’s sidewalks are in really bad shape, and this poses safety risks for anyone who uses them.

LA’s urban forest is shrinking rapidly, and this poses health risks for anyone who relies on air and water to survive.

We need to address both of these problems, but it’s going to be a real challenge.

The City’s sidewalks have been in such bad shape for so long that in 2010 a class action lawsuit was filed, Willits vs. City of Los Angeles.  In 2016 the City finalized a settlement which will require it to spend about $1.37 billion over the next 30 years to remove barriers to access for pedestrians.  One of the items high on the list is repairing sidewalks that have been ruptured by tree roots.

At the same time, LA’s urban forest has been declining for years, and unless things change, it will continue to decline for years to come.  There are a number of reasons for this, including new residential development, a drier climate, and insect infestations. 

The City could also potentially remove thousands of trees in its efforts to repair sidewalks, and this will only hasten the decline of our urban forest.  This is a serious threat, because the tree canopy is crucial to the City’s ecosystems.  Trees clean our air, help capture stormwater, and keep neighborhoods cool.  If you think the heat is intense now, remember that climate scientists project that LA is only going to get hotter over the next few decades.  Our tree canopy will play a major role in keeping the city cool.

As part of the Sidewalk Repair Program (SRP), the City is preparing to cut down 18 mature trees on the 1200 block of North Cherokee.  It could happen any day.  And the problem with this is that the City hasn’t completed the Environmental Impact Report (EIR) for the SRP.  The EIR will outline alternatives to removal, impose standards for tree replacement if removal is necessary, and define the requirements for maintenance and watering to insure new trees survive.

The City acknowledges that they have to do an EIR, and they’ve already started to work on it.  But now, without even having released a draft version, they’re going ahead and cutting down trees.  In other words, they’re rushing forward with the removal of trees, even though they know full well the damage it will do to our environment.

Why is Eric Garcetti allowing this?  How many times has the Mayor claimed that he’s championing sustainability?  How many times has he talked about the importance of expanding our urban forest?  Now the City is ready to start cutting down trees under the SRP, without even completing the EIR, and the Mayor’s Office is dead silent on the issue.

We can repair our sidewalks and we can grow our urban forest, but we need to plan to make sure we do the job right.  We need to finish the EIR.  We need to protect our tree canopy.  The stakes are high.  We can’t afford to blow it.

Does the Mayor really care about creating a sustainable LA?  Or are his promises just more empty words?  Maybe we should ask his Chief Sustainability Officer, Lauren Faber O’ Connor?  Why not give Ms. Faber O’ Connor a call and ask why the City is cutting down trees for sidewalk repair without even completing the EIR.

Lauren Faber O’ Connor, Chief Sustainability Officer

213 473-7078

And you can show your support for LA’s urban forest by attending a vigil/protest on Wednesday night.  Here are the details….

1200 Block of North Cherokee, Hollywood

Three blocks east of Highland, between Fountain and Lexington

Wednesday, August 1 at 8:00 pm

CH Cars Trees 3

 

Help Save the Regal Place Bungalow Court

RP 01 Stairs

LA’s bungalow courts are becoming extinct. In recent years we’ve seen a number of them demolished by developers. Even the Norton Court, which was eligible for the National Register of Historic Places, was torn down by real estate investors who valued cash over culture.

Now another bungalow court complex is threatened, but you can act to save it. The apartments at 3649-3657 Regal Place are slated for demolition, but community members believe the City should designate these units as a Historic Cultural Monument (HCM). Just above Cahuenga Blvd. near the foot of the Hollywood Hills, the first of these apartments were built in 1928. They stand directly across from Universal Studios, and according to film historian Joseph McBride, Steven Spielberg was living in one of these units when he became the youngest director ever to sign a multi-picture deal with a major studio.  McBride also says that Bobby Darin was a former resident.  Records from the County Assessor’s Office show that actress Yvette Mimieux owned the property in 1970.  The Cahuenga Pass Property Owners Association (CPPOA) strongly supports the HCM nomination. In their letter to the Cultural Heritage Commission, the CPPOA states that they believe the complex is the last bungalow court remaining in the Cahuenga Pass.

RP 20 Unit Sheraton

One of the units at Regal Place.

RP 30 Stairs Green

Stairs leading to the top of the complex.

RP 32 Top Unit

The complex is filled with trees and shrubs.

RP 40 Trees Wide

Looking down from the highest point in the complex.

Visiting these apartments, it’s easy to understand why bungalow courts were so popular in Hollywood’s heyday. This cluster of small units gathered around a central green space, shaded by tall trees, creates an intimate, peaceful space for tenants. You’d never guess that the Hollywood Freeway was just a few hundred feet away. It’s worth mentioning that the developer also plans to cut down five of the seven protected oaks on the property. While replacement trees will be planted, it would take decades before they could reproduce the shady canopy that currently shelters these units.

RP 50 Apt Frnt

One of the apartments at Regal Place.

RP 51 Randi Int 1

Interior of one of the units.

RP 56 Porch Back

A shady back porch to relax on.

RP 58 Arch

View of the neighborhood from one of the units.

Please ask Councilmember David Ryu to nominate this lovely bungalow court for HCM status.

Councilmember David Ryu:
david.ryu@lacity.org

Please copy Randi Aarons at:
lilrandi@yahoo.com

Be sure to include the address, 3649-3657 Regal Place, in your subject line.

RP 90 Window

Ignoring Danger, City Approves Distillery Next to School

Dist 05 HD

It’s been clear for a while that the Department of City Planning (DCP) doesn’t care much about how new development impacts communities, but a recent project approval shows a new level of reckless disregard for the safety of the people who live in LA.

Last year a company called Hollywood Distillery filed an application asking the City to allow the sale of alcohol for on-site and off-site consumption in conjunction with the operation of a craft distillery.  The distillery is located at 5975 Santa Monica Blvd., at the corner of Santa Monica and Gordon.  The site is zoned for commercial manufacturing, which you might think would include the manufacturing of spirits, and it might seem perfectly reasonable to allow Hollywood Distillery to sell their wares at the place they were being produced.

When I first heard the project was being appealed, I was puzzled.  Lots of places brew alcoholic beverages and have tasting rooms on site.  It seemed totally natural.  I couldn’t see a problem.

But there is a problem.  A serious one.

Distilleries are a special case.  They shouldn’t be considered alongside other typical manufacturing uses. Why?  Because sometimes things explode at distilleries.  Check out the following news articles.  They’re all reporting on incidents that happened in the US within the last year.

Worker Injured in Explosion at Whiskey Distillery, January 2018

 

Vodka Distillery Explosion Sends Three to Hospital, November 2017

 

New Jersey Distillery Owner Injured in Explosion, December 2017

 

So you say, okay, a distillery might be dangerous.  But if the site is zoned for commercial manufacturing, it’s in an industrial area away from crowds of people.  Unfortunately, that’s not the case here.  This distillery is right next to a primary school.

Dist 01 HPC

Hollywood Primary Center serves pre-school through third grade students.  It’s located directly behind the distillery.  The only thing that separates the two is a wall about eight feet high.  And while the stories listed above involve a relatively small number of people who were injured or killed, accidents at distilleries can get much worse.  Check out this article from the National Fire Protection Association.  The article specifically mentions the danger of putting a distillery in an area where there could be a risk to the public.

Small Scale, High Proof

 

Dist 10 HD Bldg

The building that houses Hollywood Distillery at Santa Monica and Gordon.

Dist 15 HD Playground EDITED

The school playground appears to lie about 50 feet from the distillery.

So the Central Area Planning Commission heard the appeal on July 24, and of course they denied it.  The distillery got the green light.  The Commissioners specified that the Department of Building & Safety (DBS) and the LA Fire Department (LAFD) had to review the site before permits were issued, but that’s not good enough.  Property owners violate conditions of approval all the time in LA, and there’s rarely any meaningful enforcement.  And even if everything is in order when City personnel inspect the property, there’s no guarantee things will still be in order six months down the road.  Assuming DBS and LAFD allow this to go forward, we basically have to trust the owners to follow the rules.  I’m sure they have no intention of allowing an explosion, but I’m also sure the owners of the distilleries in Pennsylvania, Texas, and New Jersey had the same intentions.

If you don’t think the City should allow distilleries next to schools, please contact Councilmember Mitch O’Farrell’s Planning Director, Craig Bullock.  Here’s a possible subject line:

No Distilleries Next to Schools!

Craig Bullock, CD 13 Planning Director

craig.bullock@lacity.org

And please copy the City of LA’s Director of Planning, Vince Bertoni.

Vince Bertoni, Director of Planning

vince.bertoni@lacity.org

Dist 20 Playground

Harbor Gateway Community Fights Toxic Project

HG Sm 01 Open

Site at Vermont and Redondo where Prologis wants to build a massive distribution center.

Back in February I was at a City Planning Commission (CPC) hearing.  I’d come to talk about one of the items on the agenda, but while I was waiting for that to come up, I noticed a group of people sitting together holding signs that said “NO on 7”.  These people wanted to voice their opposition to a new distribution center that had been proposed for their community.  Logistics REIT giant Prologis was seeking permission to build a 341,000 sq. ft. warehouse with 36 truck loading positions and parking for up to 71 trailers that would operate 24/7.  Amazingly, the site they had in mind was right across the street from a residential neighborhood in the Harbor Gateway area.

HG Sm 10 Hearing

The community shows their opposition at the City Planning Commission hearing.

A long list of speakers got up to talk.  First there were the applicants and their reps, all of whom boasted about what a great project this was.  There were also a number of union members who came forward to tell the Commissioners that the distribution center would create lots of jobs.  And staff from Councilmember Joe Buscaino’s office showed up to speak in support of the project.

But the people who actually live in the community were dead set against it, talking about impacts from diesel truck exhaust, and noise from a distribution center that was going to operate 24/7.  They explained to the Commissioners that the site was just across the street from apartments and houses.  They pointed out that a healthcare facility, a convalescent home and a public park were all within a few hundred feet of the proposed distribution center.  The CPC listened to all this, and then voted to approve the project.  While Commissioners Vahid Khorsand and Veronica Padilla-Campos voted against, everyone else gave the distribution center a thumps up, and it passed easily.  The final tally was 6-2.

HG Sm 20 Apts

Residential neighborhood directly across the street from the project site.

Even though I’d never heard of the project before that morning, it was pretty easy to see that the approval process was a joke.  The applicant wants to build a 300,000+ sq.ft. warehouse right across the street from a residential neighborhood.  The warehouse will generate hundreds of diesel truck trips every day, and will operate all night long.  This is a project that will have major impacts on the surrounding community, but instead of doing a full Environmental Impact Report (EIR), the Department of City Planning (DCP) allowed the applicant to slide it through with a much less rigorous Mitigated Negative Declaration (MND).  In other words, the DCP is saying that even though there could be negative impacts, don’t worry about it, because we can mitigate them to the point where they won’t be a problem.

HG Sm 30 Kei Ai

Kei-Ai Healthcare Center sits just across the street from the project site.

It’s a familiar game.  The City of LA plays it all the time.  The DCP lets the applicant run the environmental review process without providing any meaningful oversight.  DCP staff will offer some suggestions, the CPC will set some conditions, but the project that gets approved generally gives the developers pretty much everything they were asking for.  These days most of the Commissioners on the CPC seem to believe their job is to approve projects.  No matter what’s being proposed, the routine is pretty much the same.  They listen to testimony, ask DCP staff a few questions, spend a little time haggling over conditions, and then give it a green light.  Occasionally, as with this distribution center, one or two of the Commissioners will dissent, but almost without exception the majority gives the proposed project a thumbs-up and the developers and their reps walk out smiling.

HG Sm 40 Gard Conv

Gardena Convalescent Center is just over a block away from the project site.

But the people who live in the neighborhood aren’t smiling.  And they’re not taking this lying down.  I contacted one of the residents, Rosalie Preston, to ask if the community was planning to fight the project.  She sent me a copy of the appeal they’d submitted.  Preston points out that the community is already considered disadvantaged by the California Environmental Protection Agency (CalEPA) because of its proximity to the 110.  The freeway carries hundreds of diesel trucks through the area every day, causing CalEPA to rank it in the highest percentile for pollution burden.

I really hope the appeal will be granted, because the community has already spent way too much time opposing this awful project.  But if the appeal is denied and this goes to court, I’ll be laughing my head off on the day the judge hands the City of LA another embarrassing defeat.  The City has lost a number of high-profile cases related to development and planning.  This will just be one more demonstration of how badly broken the approval process is.

But let’s take look at the appeal, and see why the community has a problem with the CPC’s decision to approve the project….

An EIR, Not an MND

There’s really no question about this.  According to State law, an EIR is required if “substantial evidence in the record supports a fair argument that the project may result in significant adverse impacts.”  The Prologis Distribution Center will bring hundreds of diesel trucks in and out of this residential community, all through the day and all through the night.  Prologis argues that they can mitigate air quality and noise impacts to the point where they’re not significant.  It’s not surprising to hear developers make idiotic claims like this, but it’s depressing that the City is happy to take their word for it.  The fact that the DCP allowed Prologis to get away with an MND shows just how little they care about how new development impacts LA’s communities.

Toxic Emissions

Diesel trucks emit a range of harmful substances, and the claim that hundreds of trucks will travel through this community every day without having significant impacts on the health of the residents is absurd.  Among the components of diesel exhaust are particulate emissions.  The California Air Resources Board (ARB) regulates two classes of particulate emissions.

PM2.5: Up to 2.5 microns in size.

PM10: Up to 10 microns in size.

The ARB web site offers this information….

“The ARB is concerned about Californians’ exposures to PM2.5- and PM10-sized particles because of the potential harmful health effects that can result.  PM 2.5 and PM10 particles easily penetrate into the airways and lungs where they may produce harmful health effects such as the worsening of heart and lung diseases. The risk of these health effects is greatest in the elderly and the very young. Exposure to elevated concentrations of PM is also associated with increased hospital and doctor visits and increased numbers of premature deaths.”

The consultants who wrote the MND claim that the PM levels residents will be exposed to fall within the limits set by ARB, but the appeal calls this into question.  To predict the emissions that will be generated by a proposed project, environmental consultants use a program developed by the State known as CalEEMod.  The appellants looked at the numbers used by the authors of the MND for these estimates, and then compared them to the numbers actually given in the MND.  “When we reviewed the Project’s CalEEMod output files, we found that several of the values inputted into the model were not consistent with information disclosed in the IS/MND.”  The appellants believe that the numbers used by Prologis’ consultants represent only about half of the truck trips the project would generate.  This means the actual levels of PM pollution would be double, and the health impacts to the community much more severe than Prologis has stated.

Site Clean-Up

It’s known that former industrial uses on the site left toxic chemicals in the soil, including tetrachloroethylene (a likely carcinogen), trichloroethene (a known carcinogen), total petroleum hydrocarbons and heavy metals.  A Phase I Environmental Site Assessment was done in 2016.  It concluded that the site was rife with contaminants and recommended additional investigation.  Anybody with common sense should understand that there’s no way to talk about mitigating the impacts until all the information is available.

The appeal covers a lot of other issues, but it all boils down to the fact that Prologis isn’t being honest about the impacts that will be caused by the project.  And as usual, the Department of City Planning and the City Planning Commission are letting the developer get away with it.  There’s certainly an argument to be made regarding the jobs the project will create, and the increase in economic activity throughout the area.  But even if the CPC believes the economic benefits outweigh the health concerns, they’re still required by law to fully assess the impacts and to make every reasonable effort to protect the health of the community.  They haven’t done that.  By allowing Prologis to use an MND instead of an EIR, they’ve let the developer off the hook and let the community down.

But that’s nothing new.  Anybody who’s been following development in LA over the years knows about the cozy relationship that business interests have with City Hall, and by extension, with the DCP.  Developers and real estate investors know it’s just a matter of working the machine, and if they play the game right, pretty much anything they ask for will be approved.

City Hall is supposed to protect us.  Instead they’re selling us out.  The people opposing this project are just the latest victims of the City’s disrespect for State-mandated environmental review.  By allowing Prologis to slide through this process without properly assessing the project’s impacts, the DCP is putting residents’ health at risk.

That’s not acceptable.  Unfortunately, once again the CPC has ignored the law, and once again residents have been forced to pursue an appeal and possibly a law suit just to protect their community.  Once again the City of LA has put the interests of developers over the rights of citizens.

 

HG Rosecrans Rec Ctr from Google by Carmelita Ibarra

Rosecrans Recreation Center, directly north of the project site.   Photo by Carmelita Ibarra from Google Images.

Protesting Immigrant Detentions

CP 01 Los Ninos

If you’ve been following the news for the past few weeks, you don’t need me to tell you that there’s been a nationwide uproar over the separation of immigrant children from their parents. Today demonstrations were held across the US to protest this practice, and to demand that children still in detention be reunited with their families.

CP 02 City Hall

Thousands of people gathered in Downtown to hear a range of speakers. Numerous organizations were represented, including CHIRLA, Black Lives Matter, ACCE, and the Korean Resource Center.

CP 05 Build Together

Participants marched from Broadway down First street to Alameda, and then to the Metropolitan Detention Center (MDC). Just to be clear, the children being detained are not at the MDC. Those in California are being held at smaller facilites throughout the state.

CP 07Cruelty

While this country was built by immigrants, the criminalization of people crossing US borders is nothing new. Waves of hysteria regularly sweep across the nation, inciting fear and hatred of people who come here to escape persecution or build a better life. This most recent chapter is frightening, but it is just one more chapter in a long history of demonizing immigrants.

I didn’t get a shot of it, but there was one poster that I thought summed things up well. It said….

“France Wants Their Statue Back”

CP 10 Fake News

Patricia Morison, 1915 – 2018

Morison Dressed to Kill

Edmund Breon and Patricia Morison in Dressed to Kill, 1946

I grew up watching the Sherlock Holmes films made in the 40s with Basil Rathbone and Nigel Bruce. A few months ago I found out a number of them were on YouTube, and one night I took a look at Dressed to Kill. I don’t know how many times I’d seen it before, but this time I was really struck by the woman who played the heavy, Hilda Courtney. Somehow I’d never noticed how good this actress was, and I stopped the movie to look her up on IMDB.

I didn’t start the movie again for quite a while. I spent a long time reading about Patricia Morison, an actress who spent years in Hollywood and never attracted any serious attention. She made films at Paramount, Universal, and Fox, but never got the parts that might have made her a star. Like so many talented actors, nobody knew what to do with her. In 1948, frustrated by her lack of success, she quit Hollywood and went back to the New York stage, and that’s when she became a star.

I won’t spend a lot of time reciting the details of her career, because you can read the Wikipedia entry for yourself. But just briefly, Cole Porter chose her for the lead in his production of Kiss Me Kate, and she was a hit. Her ability as an actress and her singing voice made her a favorite with audiences on Broadway. She later appeared in The King and I, and was active for the rest of her life on stage, in film, and on television.

So tonight I got off the subway at the Hollywood/Vine station. As I walked up to street level, I looked at the Pantages and saw this.

Morison 3

Morison actually passed away a few weeks ago. She had lived in LA from the 60s up to the time she died, and obviously made an impression on many people. In 2012 she had appeared at the Pantages in an evening titled Ladies of an Indeterminate Age. In 2015 she celebrated her 100th birthday at the Pasadena Playhouse with an event that included her singing selections from Kiss Me Kate. And throughout her later years she spent a good deal of time supporting a number of organizations including The LGBT Community Center, The Actors Fund and The Hollywood Museum.

As I write this, a few different things are going through my mind. First, I can’t say I’m sad to see her go, because it sounds like she had a long and full life and was loved by many people. Second, the fact that I discovered her so late is a reminder of how often we don’t recognize talent when it’s right in front of us. I’d seen Dressed to Kill many times, and her performance never made any impression on me until a few months ago. I can’t blame the Hollywood producers for ignoring her, because I did, too. And what’s really maddening is that I think the reason I didn’t notice her was that she was so good. I just now took a quick look at a scene from Dressed to Kill. It’s a very smart, very assured performance, and most important, she doesn’t do anything to call attention to her performance. This is the mark of a true actor, and it’s also one of the biggest dangers for someone who wants to make a living on stage or in film. If you’re really good, you disappear into the role. People don’t notice you. There are plenty of “actors” who make a name for themselves by grabbing your attention. We tend to overlook the ones who play the part without making a scene.

Third, I think about how random life is. Because I happened to watch Dressed to Kill a few months ago, when I stood across from the Pantages earlier tonight, I recognized the name Patricia Morison and it meant something to me. I’m glad I knew who she was, and in some small way I could appreciate the tribute. If I had postponed watching Dressed to Kill until later this year, I would have walked past the Pantages without thinking twice.

Life is funny that way.

If you want to find out more about Patricia Morison, here’s the obit from the New York Times. She’s definitely somebody worth knowing.

Patricia Morison, Broadway’s First Kate to Be Kissed

Morison Pasadena Playhouse 2014

 

The Feminine Sublime

FS 01

Last Friday I went to the Pasadena Museum of California Art to take in a show called The Feminine Sublime. It features works by five artists, and it explores different ways of perceiving landscapes and experiencing the environment. Up until the 20th century, men dominated painting, and they often viewed the natural world as something that needed to be tamed or transcended. These women have a different perspective, and are looking for different ways to engage with the environment.

The only artist whose work I was familiar with is Constance Mallinson. Her piece offered a panorama of the refuse that our culture produces. A vast, multi-colored mound made up of the stuff that we use and discard on a daily basis stretches out beneath a threatening, grey sky.

FS 10

Still Life in Landscape

FS 12 D

Still Life in Landscape (detail)

FS 14

Still Life in Landscape (detail)

FS 16

Still Life in Landscape (detail)

The name of this painting by Yvette Gellis is Oil, Earth, Fire, Wind and Water. The title says plenty.  The image is beautiful and violent. Harsh strokes of grey and black cut across the peaceful blues and reds that seem to float in the background.

FS 20

Oil, Earth, Fire, Wind and Water

FS 22

Oil, Earth, Fire, Wind and Water (detail)

Looking at Marie Thiebeault‘s web site I found out she lived near the Port of LA, which is probably the most heavily contaminated area in the city. She talks about “witnessing […] the continual growth and rebuilding of this industrial expanse” and references “radar dishes, abandoned spy stations, and relics of WWII”. In her view, “… landscape can best mirror our culture’s complex relationship with nature, as well as contain and unfold the expanse of one’s imagination.”

FS 30

Exposure

FS 32

Exposure (detail)

I like posting about art because it gives me a break from writing about all the awful stuff that’s going on in this city, but when it comes to photographing art, I have to admit I don’t have the equipment or the skill to do it properly. I’m bringing that up here because these images don’t begin to do justice to Virginia Katz‘ work. The surface of this piece is dense and complicated, and it has the effect of pulling you through the surface into something dark and mysterious.

FS 40

Land – Into the Abyss

FS 42

Land – Into the Abyss (detail)

FS 44

Land – Into the Abyss (detail)

The two pieces by Marion Estes are seductive and disturbing. The bright colors and vivid patterns immediately drew me in, but both paintings depict the catastrophic damage we’re doing to the environment. Looking at them was an unnerving experience. I was both fascinated and afraid.

FS 50

The Great Defrost

FS 52

The Great Defrost (detail)

FS 60

Burchfield’s Plea

FS 62

Burchfield’s Plea (detail)

FS 64

Burchfield’s Plea (detail)

My one complaint about the show? It was too small. I felt like it should have been three or four times larger. These are all gifted painters and they all have a lot to say.

The Feminine Sublime will be on view through June 3. You should go.

Pasadena Museum of California Art

FS 90

Predatory Development: Crossroads Hollywood

CH Sunset Project Site EDIT

New development is necessary. In order for a city to grow, in order for its economy to stay healthy, it’s important to have new construction to bring investment to communities and adapt to the city’s changing needs. But new development isn’t always a good thing. New projects bring new impacts, and the larger the project the more important it is to consider carefully how it will affect the surrounding community. Most large projects are a mixed bag. Pro-business groups will inevitably argue that they bring tax revenue and jobs, and both of these are important. But large projects can also have serious negative impacts, and we need to weigh those, too. Often it’s a matter of trying to figure out if the good will outweigh the bad, and in many cases it’s hard to say for sure.

On the other hand, in some cases it’s pretty easy to make the call. Crossroads Hollywood is a clear example of predatory development. While the backers of the project tout its benefits in terms of tax revenue, jobs and economic activity, they completely ignore the downside. And the downside is considerable.

First, let’s take a look at what this whole thing entails.

Crossroads Hollywood includes about 1,381,000 square feet of floor area, consisting of 950 residential units (of which 105 are for Very Low Income Households), 308 hotel rooms, and approximately 190,000 square feet of commercial space. The project does include the preservation and rehabilitation of the historic Crossroads of the World mall and the Hollywood Reporter building. All other buildings on the project site would be demolished, including 84 Rent Stabilized apartments. The developers are also asking for a Master Conditional Use Permit to allow the sale of a full line of alcoholic beverages at a total of 22 establishments, and another Master CUP to allow eight uses with public dancing and live entertainment.

I’ve gotta say, it’s pretty ambitious. The investors behind Crossroads, Harridge Development Group, are thinking big. They’re also thinking only of themselves and the massive profits they’ll reap from this project. They don’t really give a damn about the community. If approved, Crossroads Hollywood will be devastating for the environment, devastating for housing, and devastating to the health and well-being of the Hollywood community.

Let’s take a look at the project’s environmental impacts….

These days any developer is going to tell you their project is good for the planet. They learned long ago they need to play that angle to sell it to the public. But Harridge’s claims about Crossroads being environmentally friendly are mostly just hype.

The State of California has designated Crossroads Hollywood an Environmental Leadership Development Project. (ELDP). In order to qualify, the developer has to show that it won’t result in any net additional emissions of greenhouse gases (GHGs). But a project on the scale of Crossroads represents a huge increase in square footage, so it’s to be expected that there will be a huge increase in energy use. The report by the California Air Resources Board (ARB) estimates the Crossroads project will produce 9,440 MTCO2e (Metric Tons of Carbon Dioxide Equivalent) during demolition and construction, and then 14,294 MTCO2e during the first year of operation, though they say that number will decline each year over the life of the project. This is a huge increase in emissions. So how can the State say it achieves a net reduction?

Simple. The developer buys carbon credits. Like many other states, California has an exchange where businesses that aren’t producing their maximum allowed CO2 emissions can sell what they don’t produce as “credits”. Other businesses that want to offset their own emissions can buy the credits to satisfy regulators. So while Crossroads Hollywood will be putting tens of thousands of tons of additional GHGs into the atmosphere, the State says that buying credits actually makes the project carbon neutral. There are people who have reservations about the carbon credit system, but it’s become widely accepted as a tool for reducing global warming, so let’s go along with the idea that this does represent a net reduction in CO2 emissions.

The problem is that this project isn’t just producing massive amounts of CO2. It’s also spewing out tons of ozone, nitrogen dioxide, and particulate matter. This is bad news for the people who live in the area. The South Coast Air Quality Management District (SCAQMD) has evaluated cancer risk from air pollution in its Multiple Air Toxics Exposure Study IV (MATES IV). You can see by the map below that Hollywood is near the top of the scale.

Crossroads Air Quality MATES IV from EIR

But it gets worse. After going through pages of boiler plate language about localized significance thresholds and standard methodologies, the Crossroads Environmental Impact Report (EIR) gets around to analyzing impacts during the construction phase of the project. After listing nearby sensitive uses, including Selma Elementary School/Larchmont Charter School (same campus), Hollywood High, and Blessed Sacrament School, and acknowledging that young people are at higher risk of chronic lung disease from air pollution, the EIR claims, “…, localized construction emissions resulting from the Project would result in a less-than-significant air quality impact.”

Give me a break. Four years of construction, including demolition and excavation, thousands of diesel truck trips and extensive use of heavy machinery will have “less-than-significant” impacts on the kids at these schools? And it’s also important to point out there have been projects under construction on Selma for years now, many of them within three blocks of Selma Elementary. These kids have been inhaling construction dust and diesel fumes since 2015, and the folks behind Crossroads want to keep that going til 2021. But don’t worry. It won’t harm the students a bit.

So let’s talk about transportation. I will give the authors of the EIR credit. Usually traffic assessments for projects like these are ridiculously dishonest. In this case, the EIR acknowledges that traffic is already bad in the area, and that the project will make it worse. Here are a few shots of what it looks like at rush hour.

CH High Red

Northbound traffic on Highland, the western boundary of the project.

CH Selma

Traffic heading west on Selma toward Highland.

CH Traffic LP EDITED

Traffic heading north on Las Palmas toward Selma.

The EIR does analyze existing weekday rush hour conditions as required by the California Environmental Quality Act (CEQA). The problem here is, Hollywood is a special case. In addition to really awful congestion at rush hour, you can also have heavy traffic at night and on weekends because of the constant parade of concerts, movie premieres, food fairs and other miscellaneous events. There are multiple happenings in Hollywood every month, many of them involving street closures. And don’t even ask what it’s like during the Hollywood Bowl season.

I wouldn’t expect the authors of the EIR to include all this, because they’re not required to. But they should at least talk about additional traffic generated by the eight live entertainment venues that are included in the project. Crossroads Hollywood isn’t just meant to be a place where people live and work. It’s intended to be a destination. While I’m sure some of the spaces offering entertainment will be fairly small, it seems likely that at least one of them will be a dance club offering live DJs. And I wouldn’t be surprised if popular singers and bands start showing up on a regular basis. Which means that a community already overwhelmed with events that draw tons of cars and disrupt transit will have to bear an even heavier load once Crossroads is up and running.

CH Apt 1

Apartment building to be demolished if the project is approved.

And what about the impacts that eight places featuring live entertainment will have on the LAPD’s workload? Not to mention the 22 establishments selling alcohol. Incredibly, the EIR doesn’t even discuss these things in the section dealing with police protection. They conclude again that project impacts will be “less-than-significant”. Obviously the authors of the EIR haven’t seen the research indicating that high alcohol outlet density has been linked to higher rates of violent crime.  Back in 2014, LAPD Chief Charlie Beck wrote to the Department of City Planning (DCP) pointing out that the “oversaturation” of alcohol outlets in Hollywood was contributing to increased crime, including robbery, shootings, rape, and assault. The DCP obviously paid no attention, because they’ve gone on granting liquor permits, and violent crime in Hollywood has risen every year since then. LAPD stats for Hollywood as of April 21 show violent crime has gone up 28.9% over the same period last year. The LAPD is understaffed, and doing their best to cope with a difficult situation. Too bad the DCP has no interest in helping them out. Apparently the folks at City Planning have no concern for the safety of Hollywood residents, or for the people who visit the area. And it looks like Harridge shares their total indifference.

This same indifference extends to the project’s noise impacts. Remember, the developer is asking permits for live entertainment in 8 venues. It seems like at least some of these will be outdoors. Check out this table from the EIR that lists the spaces where they plan to have amplified sound.

CH Outdoor Uses

It’s hard to say how much overlap there will be, since they don’t distinguish between those spaces intended for live performances and and those that will just have recorded sounds. But it’s pretty clear that there’s going to be a lot of music, and a lot of it will be outdoors. The EIR acknowledges that there could be significant impacts from noise, but don’t worry, they have a plan to take care of that. What’s their plan? They’re going to build a 12-foot wall on the project’s eastern boundary, between Crossroads of the World and Blessed Sacrament Church. And according to the EIR, that fixes everything.

This is so ludicrous it’s hard to believe they expect people to buy it. A single 12-foot wall is going to addres any concerns about noise. Live outdoor performances have been a problem for years in Hollywood. Area residents can tolerate a lot, and nobody gets bent out of shape if someone puts on a show during the day. But in recent years more and more club owners have been pushing the limits at night. There have been a lot of complaints about DJs ripping it up on rooftop bars in the small hours. The EIR’s claim that amplified music will only be heard in the immediate vicinity is bull. People who live in the hills have told me they can hear late night noise from down on the boulevard, and they’re not happy about it.

But Crossroads Hollywood wasn’t meant to benefit the community. It was meant to benefit the investors who are hoping to reap huge profits. This project will put more cars on the road and more poison in the air. It will create more crime than the LAPD can handle and more headaches for residents trying to get a good night’s sleep. And what do we get in return? Yeah, there’s the tax revenue, but the City is already seeing record revenues and still can’t balance its budget. More housing? Yeah, the vast majority of it priced way beyond the reach of most people who live in Hollywood. When we put the 105 Very Low Income units gained against the 84 Rent Stabilized units lost, we see a net increase of 21 units that will be accessible to the low income families that really need housing. The gain of 21 units will quickly be erased by the project’s gentrifying impact. If Crossroads is built, you can expect to see a lot of other investors buying up apartments and kicking people out. And will the project create jobs? Sure, mostly low-paying jobs in bars, restaurants, and hotels. Most of the people who will work there could never afford to live there.

This is predatory development. A project designed by investors for investors. The reason the EIR doesn’t see any serious problems for the community is because the needs of the community were never considered in any meaningful way.

It’s just about money.

Next week the City will be holding a hearing on Crossroads Hollywood. If you want to show up and speak your mind, here’s the info.

Tuesday, May 15, 2018, 9:00 am

Los Angeles City Hall
200 North Spring St., Room 350

ENTER ON MAIN STREET.

CH Crossroads of the World

Crossroads of the World