Koreatown

This is the plaza above the Wilshire/Vermont Red Line station.

Ktwn 01 Plaza Woman

And here’s a wider view of the plaza.

Ktwn 10 Plaza Guy

The intersection at Vermont and Wilshire is a busy place. People live here, work here, eat here, shop here.

Ktwn 12 Bldg Bullocks

This is Koreatown. It’s the most densley populated neighborhood in LA County. While the exact boundaries are hard to nail down, roughly speaking the area is bordered by Beverly, Vermont, Olympic and Crenshaw.

It’s important to remember that even though it’s called Koreatown, the majority of the people who live there are Latino. About half the population is of Latin American descent, compared to about a third who are of Korean descent. The area came to be associated with Koreans because the vast majority of businesses are Korean-owned.

Ktwn 13 Vendor

On the sides of the residential complex that rises above the Wilshire/Vermont plaza, you can see April Greiman’s mural “Hand Holding a Bowl of Rice”.

Ktwn 15 Bowl

You can visit the artist’s web site by clicking on the link below.

April Greiman.

Ktwn 16 Bldg New 3Directly across the street is The Vermont, a recently completed residential development comprised of two high-rise towers. This is the kind of high-end project that developers are pushing for all over LA, since they can be extremely profitable. But, not all Koreatown residents are happy about this trend. One concern is that projects like this will push rents up, making it harder for long-time residents to afford housing. Just to give you an idea, a one-bedroom apartment at The Vermont starts at $2,300 a month. In the near future, this trend will almost certainly continue, since The Vermont was recently sold for $283 million. With that kind of money being thrown around, you can be sure that developers will be knocking each other down in their rush to stake a claim in Koreatown.

Ktwn 17 Wiltern 2There are some beautiful older buildings in Koreatown, such as the Wiltern Theatre, designed by Stiles O. Clements of Morgan, Walls and Clements. This firm was a major player in LA back in the thirties and forties, designing local landmarks like Chapman Plaza, La Fonda Restaurant, and the El Capitan Theatre. The auditorium was designed by G. Albert Lansburgh, who also created interiors for the Palace and the Orpheum in downtown. I saw Tom Waits there years ago, and I can tell you that the inside is just as impressive as the outside. The Wiltern is actually part of a larger structure called the Pelissier Building, which was completed in 1931. It’s an amazing example of art deco architecture, with its blue-green tile cladding worked into elaborate zig-zag moderne designs. They don’t make ’em like this any more.

And on this stretch of Wilshire you can also find a number of bland office towers occupied by banks and financial services.

Ktwn 18 Bldgs Tall 2

Among the oldest buildings in Koreatown are the churches.

Ktwn 19 Ch Imm Wide

Immanuel Presbyterian Church was constructed in 1928, and for decades was a center for the Anglo community that populated the area up through the middle of the twentieth century. In recent years, many of these older churches have become home to multi-cultural congregations, and have services conducted in multiple languages.

Ktwn 19b Ch Imm Sign

The media has given a lot of attention to Koreatown in recent years, but mostly the stories tend to focus on the night life. Sure, there are plenty of good restaurants, and tons of bars and clubs. But Koreatown is more than just a place where you can scarf kalbi and guzzle soju til you pass out. Like any community, it has many different sides. It’s a place where art, business, technology and politics mingle and collide on a daily basis. Aside from the Korean American population, there are Central Americans, African Americans, Latinos and Anglos. Really it’s impossible to define in terms of a single ethnicity or culture.

Koreatown is relatively young, even by LA standards. The number of Koreans in the city was pretty small until the sixties. It wasn’t until 1965, when the US rewrote its immigration policies, that Koreans started arriving in large numbers. The area we now call Koreatown didn’t really come together until the seventies. Since then it has continued to grow, in terms of both population and area.

The Korean Consulate is located on Wilshire not too far from Vermont. As I was walking by one day, I saw that community members had created a memorial to the victims of the Sewol ferry disaster.

Ktwn 20 Ferry

Here in the US, the coverage of the Sewol incident was pretty limited and faded from the scene quickly. In Korea, it sparked a huge scandal, as a growing body of evidence suggested it could have been prevented. A series of protests were held in Seoul, with many people accusing the government of a cover-up and demanding that President Park Geun Hye resign. Here’s an article from the Washington Post that gives further details.

Grieving Families Want Independent Probe

Not too far off Wilshire is the Pío Pico Koreatown branch of the LA Public Library. Pico was the last Mexican governor of California before it was annexed by the United States. For many years he was one of the wealthiest and most influential people in the state, but by the time he died he was living in poverty.

Ktwn 25 Lib Ext

I love libraries. Maybe it’s the quiet. Maybe it’s being surrounded by people reading.

Ktwn 25 Lib Int

Something about this billboard caught my eye. K-Pop isn’t just huge in Asia. It’s got a significant following in the US, too. EXO is built around an unusual concept. The band actually consists of two groups. EXO-K performs their songs in Korean, and EXO-M performs the same songs in Mandarin.

Ktwn 60 Boy Grp Bldg Wilt

With groups like this, obviously the music is not the focus. Some promoter has gathered a bunch of cute guys that will look good in music videos. People have been doing this for decades, but to me it’s interesting that the Korean media have managed to turn K-Pop into such a cultural phenomenon.

Also on Sixth Street, I dropped in on Red Engine Studios. Actually, that was because of a misunderstanding. I thought the place was a gallery. Turns out it’s a school. The guy at the door seemed uncertain about letting me in, but I guess he finally decided I looked harmless enough. They do have some cool art on the walls, and you can view it by visiting their site.

Red Engine Studios

Ktwn 60 RE Guys 2

There are lots of skateboarders in Koreatown. I saw guys riding up and down the sidewalks everywhere, and there was this vacant lot on Sixth where a bunch of kids were practicing their moves.

Ktwn 60 Skate Comp

When I think of Koreatown, I think of malls. As I said earlier, Koreatown got its name because Korean entrepreneurs have been spectacularly successful in creating a vibrant community for businesses to thrive.

There are newer malls, that were built to house dozens of small shops.

Ktwn 30 Mall S&S

And there are older malls, where a bunch of businesses are crowded around a tiny parking lot.

Ktwn 32 Mall Kids

This one looks like it dates back to the sixties. I’m kind of fascinated by how spaces like this change over time, evolving as the neighborhood changes around them.

Ktwn 32 Mall Rock

Of course there are also massive indoor malls. Like Koreatown Plaza.

Ktwn 33 K Plaza

I went into Music Plaza looking for traditional Korean Music. They didn’t have much of a selection. But if you’re looking for the latest K-Pop releases, this is the place to be. It may not look too busy in this photo, but I had to stand in line to make my purchase. And I feel pretty certain that they make way more on the merchandise than they do on the music.

Ktwn 35 Music Plaza

I’m not sure why this bookstore seems quintessentially Korean to me, but it has something to do with the colors.

Ktwn 37 KBC

Like every other mall, Koreatown Plaza has a sizeable food court.

Ktwn 38 K P Court

Walking around the area you see that health and beauty are definitely marketable commodities. There are lots of spas and beauty parlors.

Ktwn 50 Bty All Rev

It was the stacks of firewood that made me want to take a picture of Pollo a la Brasa.

Ktwn 68 Pollo

As large swaths of LA get gentrified and prettified, it’s cool to see an old school restaurant that isn’t too worried about its appearance. And in addition to keeping the grills going…

Ktwn 69 Pollo Waiting

…the logs also serve as benches while people wait for the bus.

Yeah, LA’s sidewalks are a mess, but I have to say I have an affection for the huge, overgrown trees that are breaking up the concrete. The thick branches spreading over this stretch of Eighth Street made it seem like a small forest.

Ktwn 70 Eighth Shade

Ktwn 70 KIWAAnd right here on Eighth Street is the Koreatown Immigrant Workers Alliance. KIWA has worked for years to defend the rights of workers, and is currently engaged in a campaign to fight wage theft, which is rampant in LA. One of their notable victories was helping Heriberto Zamora recover wages that had been denied him by Urasawa, a posh restaurant in Beverly Hills. Even after being cited by the California Division of Labor Standards Enforcement for multiple violations related to wage theft, Urasawa resisted paying Zamora what he was owed until just before their final hearing before the DLSE. To find out more about KIWA’s work, click on the link below.

KIWA

Koreatown is changing rapidly, but pieces of the past still remain. I hadn’t been to Dong Il Jang for decades, and I’d been thinking about stopping by for a while.

Ktwn 91 Dong Int

The waitresses were friendly. The food was good. Even though I hadn’t been there for years, it felt familiar. And it was just reassuring to know that it was still there.

Ktwn 92 Dong Food

Don’t Destroy the Past

W&B in W Hlwd

This is pretty last minute, but I just found out about a historic building in West Hollywood that could be demolished as part of a proposed development. I hadn’t heard anything about it until I opened up my e-mail this afternoon. A friend forwarded a message to let me know that this structure, designed by Wurdeman & Becket back in the thirties, might be wiped off the map unless we take immediate action.

The building, located at 9080 Santa Monica Blvd. in West Hollywood, was originally the Jones Dog and Cat Hospital. Architects Walter Wurdeman and Welton Becket created a classic example of the streamline moderne style to house the veterinarian’s practice. As a firm, Wurdeman and Becket were active in the thirties and forties, their most famous creation being the Pan-Pacific Auditorium, which burned to the ground many years ago. After Wurdeman’s death, Becket’s new firm, Welton Becket & Associates went on to design some of the city’s most striking structures and played a huge role in defining the look of mid-century Los Angeles.

For more info about the building, click on this link.

Los Angeles Conservancy

And then if you decide you want to tell the West Hollywood City Council how you feel about this, here’s another link. See the left hand column for contact info.

Save the SMB Streamline Moderne

LA has made great strides in preservation over the last several years, but we’re still losing important parts of our past. The recent demolition of a building by Morgan, Walls & Clements on La Brea was a shock, and should be reminder to those of us who care about our city’s culture that we need to be vigilant and vocal.

Evergreen Cemetery

EC 01 EntI first saw Evergreen Cemetery in a movie. I was watching Sam Fuller’s 1959 film Crimson Kimono, much of which was shot on location in LA.* There’s a scene where a detective speaks with an elderly Japanese man in a cemetery. It stuck in my mind, and I got on the net to see if I could track the location down.

It wasn’t hard. There’s a fair amount of information available on Evergreen Cemetery, and the more I learned, the more I wanted to know. It was founded in 1877, and is located in Boyle Heights. Like every cemetery, it serves as a reminder and a record of the past, but it also holds a special place in LA history for a couple of reasons. First, it was unusual because in addition to serving the white community, it also served the African-American, Mexican and Japanese communities. Evergreen is an important reminder of the city’s multicultural heritage. Second, it’s the final resting place of a number of people who shaped not just LA history, but US history. Tombstones belonging to actors, journalists, business leaders, war heroes, musicians, can all be found at this cemetery.

EC 15 Tmstns Lots

Charlotta Bass, publisher of the California Eagle, an early black-owned newspaper, and vice-presidential candidate for the Progressive Party in 1952 is interred here. So is rancher and farmer Isaac Lankershim, who played a major role in the early development of the San Fernando Valley. You’ll find the grave of Earl Gilmore, who, after taking over his father’s oil company, expanded his business interests in many directions, and created the Farmers Market at Third and Fairfax. The cemetery holds a monument to the 442nd Regimental Combat Unit, made up of Japanese-American soldiers, that served with distinction in World War II. And there is also the Nineteenth Century Chinese Memorial Shrine, which was restored back in the 1990s with the help of the Chinese Historical Society of Southern California.

EC 05 Tmstns Wall

Not too long ago, I went to visit Evergreen Cemetery with some people I know. There were a few others visitors, but most of the time it seemed like we were alone in this vast graveyard. The patchy grass was green in some places, brown in others. The sun was hot when we weren’t standing in the shade of the large trees. A few graves had fresh flowers on them. Many of them seemed like they hadn’t been touched in years. Aside from the occasional murmur of voices, or the sound of traffic passing on Cesar Chavez Ave., it was very quiet. Very peaceful.

EC 06 AngelBelow are a few links to sites I visited while researching the cemetery. The first offers a list of some of the people buried at Evergreen, and also provides a timeline. The second, from the KCET web site, gives a vivid and engaging account of the cemetery’s history. Plus it includes lots of cool photos. Last, a fascinating account of the Chinese Memorial Shrine. This story shows how an important piece of LA’s history was almost lost, and also how difficult preserving the past can be.

Evergreen Cemetery

Evergreen Cemetery at KCET

Nineteenth Century Chinese Memorial Shrine

*
The majority of the location work for Crimson Kimono was shot in Little Tokyo, but Evergreen Cemetery is located in Boyle Heights. If you’re interested in LA history, the film offers extensive views of the city in the fifties, with a focus on the Japanese-American community.

Hollywood Journal – Preservation Prevails

The Cinerama Dome under construction in 1963.

The Cinerama Dome under construction in 1963.

I spent a good part of 1998 freaking out over Pacific Theaters’ plans for “renovating” the Cinerama Dome. The initial proposal involved gutting the auditorium, removing the curved screen and putting a fast food restaurant in the lobby. The film and preservation communities protested loudly. To their credit, the people at Pacific met with the opposition and made a number of important concessions.

If you’re not into film, and if you don’t care about Hollywood history, you might be mystified by the uproar. So let me offer a little background….

Cinerama was a process that revolutionized the production and exhibition of films back in the early fifties. Three strips of film were projected in perfect synchronization to create the illusion of a continuous widescreen image, accompanied by stereophonic sound playback. The image was shown on a huge curved screen to produce an early version of what we now call immersive entertainment.

In the early sixties, Cinerama, Inc. unveiled an ambitious plan to create hundreds of Cinerama theatres based on a radical new model. They would construct geodesic domes using prefabricated panels, which would supposedly allow them to build a theatre in half the time and for half the cost of using conventional methods. They purchased a site on Sunset Blvd. in Hollywood and hired the firm of Welton Becket and Associates to design what would become the Cinerama Dome.

The premiere of It's a Mad, Mad, Mad, Mad World at the Dome in 1963.

The premiere of It’s a Mad, Mad, Mad, Mad World at the Dome in 1963.

Becket’s company was one of the major architectural firms in the city at that time, and played a large part in setting the look and tone of mid-century Los Angeles. To my mind the Dome is something of a companion piece to one of their earlier signature creations, the Capitol Records Building, which is just a few blocks away on Vine. Together these two icons helped to define space age architecture.

Of the theatres that were constructed to show films in the Cinerama process, only a handful are left today. The Dome is a unique creation designed by one of the most important architectural firms in the city’s history. That’s why so many of us got so crazy when we saw the initial plans to renovate it. I will always be grateful to Pacific for listening to the community and preserving the Dome.

The two pictures above are from the Los Angeles Public Library photo archive. The first shows the dome under construction. It was taken by Howard D. Kelly in 1963. The second shows the premiere of the film that the Dome opened with, It’s a Mad, Mad, Mad, Mad World. It was also taken in 1963, but no photographer is credited. Below are some photos I took of the Dome and the area surrounding it back in 1998. Sorry that the quality isn’t better. They were taken with a disposable camera, and have faded over the years. A couple of photos were taken from Morningside Court, which used to go through to De Longpre, but was closed off with the construction of the Arclight parking structure.

February, Nineteen Ninety Nine

For weeks I’ve been meaning to write abut the latest on the Cinerama Dome. Here it is.

Apparently the people from Pacific Theaters sat down and talked with the preservation people, and the end result was Pacific gave up a lot of the changes they were going to make. As I recall, these are some of the things pacific agreed to.

The entrance will remain at the front of the theatre.

The layout of the seating will stay basically the same, though they will be putting new seats in.

They won’t alter the ceiling of the auditorium.

And —

They’ll keep the curved screen.

I’m actually really grateful to Pacific for giving in on all this stuff. I doubt they understand why the Dome is such a great piece of architecture, so from their point of view the preservationists are going crazy over nothing.

Of course, we still don’t know what the Dome is gonna look like when they’re through. But at this point I’m cautiously optimistic.

The front of the Cinerama Dome in 1998.

The front of the Cinerama Dome in 1998.

Screen walls and landscaping on the periphery of the Dome.

Screen walls and landscaping on the periphery of the Dome.

A shot from the parking lot, looking north to Sunset.

A shot from the parking lot, looking north to Sunset.

A shot of Morningside Court, looking toward Sunset.

A shot of Morningside Court, looking toward Sunset.

Another shot of Morningside Court, this time looking in the opposite direction towards De Longpre.

Another shot of Morningside Court, this time looking in the opposite direction towards De Longpre.

This was taken from the parking lot behind the Dome, facing west.  The site just across the street is where Amoeba now stands.

This was taken from the parking lot behind the Dome, facing west. The site just across the street is where Amoeba now stands.

This shot was taken facing the opposite direction, now looking across the parking lot towards Morningside Court.

This shot was taken facing the opposite direction, now looking across the parking lot towards Morningside Court.

Transformations

TW 00 GW Campus

Around the middle of the twentieth century, over a period of decades, the LA County Flood Control District did their damnedest to encase most of the city’s waterways in concrete. Apparently it seemed like a good idea at the time. From our contemporary perspective, it looks like a colossal mistake. But what can we do? We don’t have the means to break up the hundreds of miles of concrete that were poured back in the last century. So we’re doing what we can, getting behind small projects that we hope will eventually have a cumulative impact.

I’ve lived in LA all my life, and it still amazes me how little I know about this city. The Tujunga Wash runs from the San Gabriel Mountains, across the San Fernando Valley and feeds into the LA River around Studio City. Recently I started paying attention to the stretch that runs along Coldwater Canyon between Burbank and Oxnard. What I found was pretty interesting.

Above Oxnard, I found the Tujunga Wash Greenway and Stream Restoration Project. What used to be a drab stretch of land running alongside a drab stretch of concrete has been transformed into a lush green walkway which helps to replenish our groundwater.

TW 02 Green

For a better explanation than I could give, click on this link to a page at the Landscape Architecture Foundation. They also provide before and after pictures to give you a sense of how dramatic the change has been.

Tujunga Wash Greenway

TW 04 Green Bed

Below Oxnard, I found the Great Wall of Los Angeles. This is a massive, amazing public art project which presents a history of Los Angeles starting with the first people who lived in the area and ending in the fifties. The project is the brainchild of Judy Baca, founder of the Social and Public Art Resource Center (SPARC). It was begun in the seventies, with over 400 young people and their families working over five summers to create the mural that currently covers a half mile of concrete inside the Tujunga Wash.

The mural starts with images of the Chumash Indians.

TW 06 GW Chum

It covers the construction of the the massive projects that helped build the city, like the railroads….

TW 07 GW Chin

….and the aqueduct.

TW 09 GW Aque

It illustrates the multiple waves of migration the populated the area.

TW 09a GW Dust Big

There are images of the traumatic upheavals that shaped LA.

TW GW Zoot

It takes us through the baby boom….

TW 11 GW BB

….and the beginnings of rock n’ roll.

TW 12 GW  R&R

There are plans to paint another four decades, which would bring the project up to the end of the twentieth century. For more information, and to find out how to donate, visit SPARC’s web site.

The Great Wall of Los Angeles

You won’t find much water in the Tujunga Wash these days. But you will find some other things that are worth checking out.

Hollywood Journal – Relaxing at the Roosevelt

Another visit to the lobby of the Roosevelt Hotel. I used to like hanging out there back in the nineties because the lobby was big and dark and quiet. It was a great place to chill, in large part because it was usually pretty empty. Since then it’s been remodelled, and they’ve managed to attract a young, hip crowd, so the place is a little more lively these days. I’m glad they’re doing more business, but I spend less time there now.

The photos were taken recently, and while the lobby is substantially the same, it has changed some in the past fifteen years. And as I’ve mentioned before, in transcribing these entries from my journal I’ve left the errors alone. The correct spelling for the name of the hotel is “Roosevelt”.

January, Nineteen Ninety Nine

Today I was on Hollywood Boulevard. I think it was around four o’ clock. And I decided to go to the Rooseveldt. Have a beer. Kick back. It’s been a while since I stopped in there.

The lobby was pretty empty. I walked up to the bar. Ordered a beer. Then strolled over to the table by the piano and sank into a big, soft chair.

It was so nice. So quiet. I sat there looking at the patterns on the ceiling. I finished my beer and thought, what the hell, why not have another.

Rsvt Chand

The guy comes in to play the piano. I ask him if he knows any Mancini. He says not a lot. I mention Charade. No dice. He throws out a few titles. Pink Panther. Baby Elephant Walk. I’m disappointed but I settle for The Pink Panther.

There are quite a few people in the lobby by now. A man with a cell phone sitting across the table from me. At the next table over a woman reading a paperback. And there are a couple of guys sitting to my left. One of them is talking about Barry Fitzgerald. He’s trying to name movies Fitzgerald was in. The man with the cell phone jumps into the conversation. He offers Going My Way. Then he says Ten Little Indians. I want to correct him, he’s thinking of And Then There Were None. But these days I’m reluctant to start chatting with strangers.

So they go on talking. The guy who was going on about Barry Fitzgerald says he works in movies. I think he said either as an actor or a stunt man. The guy with the cell phone says he’s a producer. In the exchange that follows I’m obviously not setting down what was said verbatim. I’m just trying to give an outline of the conversation.

The actor (stunt man?) asks,

What did you produce?

The producer answers,

The Buddy Holly Story.

At this point I can’t restrain myself.

You produced The Buddy Holly Story? I say. I liked that movie.

I never thought it’d make any money, the producer says.

What else did you make?

Diner.

That was a cool movie.

Who was in Diner, asks the actor.

Oh, wow, a lot of people. Mickey Rourke.

And Kevin Bacon, says the woman with the paperback.

Now I know there are a lot of people in this town who will claim to have produced, directed, written all sorts of famous films. Who knows if this guy was legit. But I think I was on my third beer by that time and obviously not feeling very skeptical. The guy probably could’ve said he produced Dinner at Eight and I would have believed him.

The conversation moves on to other subjects. Italian food in New Jersey. Mexican food in LA. I ask the pianist for something by Gershwin. He plays Someone to Watch over Me.

I felt pretty good when I left.

Rsvt Chat

San Fernando Road

SF A1 Desolate

Even if you’ve lived in a city your whole life, you probably only know a small part of it. We tend to stay in our own little worlds. There are the neighborhoods we know, the hangouts where we feel comfortable, the landmarks that are familiar. In our mind that becomes the map of the city. Everything else becomes irrelevant or invisible.

For a long time San Fernando Road was invisible to me. It’s one of the oldest streets in LA, and I’ve been travelling along it since I was a kid, but I never paid any attention to the landscape that was sliding by. It was just a route I’d take to get from one place to another.

Last year I was riding down San Fernando on the bus and I looked out the window. I can’t say I saw anything remarkable, but I started to notice things I’d never paid attention to before. I saw the railroad tracks and the industrial parks. The markets and the restaurants. The trees and the billboards. It’s not a pretty stretch of road, and there’s not much that would attract people from other places, but there’s a lot going on. There are manufacturing and recycling centers, there are auto repair shops and wholesale outlets, and there are trucks and trains that run up and down the road all day long. In other words, there are a lot of things that are made here or processed here or transported through here that touch our lives every day.

San Fernando Road has been called different things over the years. The state and local governments have defined it in different ways. Even now it’s called The Old Road up north in Santa Clarita. In Burbank it’s called San Fernando Boulevard, and it’s interrupted briefly by a mall. When it crosses the LA border again it turns back into San Fernando Road, and it runs all the way into Downtown.

For now I’m just going to focus on the stretch between Hollywood Way and Tuxford. As San Fernando Road leaves Burbank behind, you have the hills on one side….

SF A2 Banners Hills

And Burbank Airport on the other.

SF A3 Airport (2)

The road is lined mostly with one-story buildings.

SF A4 Coop

Here and there the monotony is broken by a few trees or a billboard.

SF A5 Beer

There are all kinds of businesses, many of them dealing with recycling things in one way or another.

a recycling center

a recycling center

La Raza Foods

La Raza Foods

a used car lot

a used car lot

Lite-Weight Tool Mfg.

Lite-Weight Tool Mfg.

The Relic

The Relic

a neighborhood market

a neighborhood market

Dapper Cadaver

Dapper Cadaver

Empire Showgirls

Empire Showgirls

There’s even a couple of places for those seeking a spiritual experience.

Ministerios Gracia Divina

Ministerios Gracia Divina

Burbank Islamic Center

Burbank Islamic Center

Security is obviously a concern.

bougainvillea and barbed wire

bougainvillea and barbed wire

a guard dog eyes me suspiciously

a guard dog eyes me suspiciously

Here’s a relic from the past.

SF C3 Lckd 2

This is one of the few visible reminders of the days when aerospace was a major industry in the area. Lockheed came to Burbank back in the twenties. During and after WWII it employed tens of thousands of workers. The aerospace industry was a major factor in driving the post-war growth of the San Fernando Valley.

This is the intersection of San Fernando and Sunland.

traffic at San Fernando and Sunland

traffic at San Fernando and Sunland

another shot of San Fernando and Sunland

another shot of San Fernando and Sunland

There are a lot of businesses that deal in stone, either polished or pulverized.

sheet rock

sheet rock

paving stone

paving stone

decorative stone

decorative stone

concrete, asphalt, sand and gravel

concrete, asphalt, sand and gravel

The railroad runs right down the middle of San Fernando Road.

tracks originally laid by  Southern Pacific Railroad

tracks originally laid by Southern Pacific Railroad

And here’s the Metrolink, a commuter train that serves Southern California.

northbound Metrolink train

northbound Metrolink train

The entrance to the Golden State Freeway is on Tuxford just a short block from San Fernando. The next few shots were all taken along Tuxford.

SF E1 Fwy Ent

You can see all kinds of trucks going up and down Tuxford.

SF E2 Tux Trucks Fwy

And you can see the traffic on the freeway gets pretty bad at rush hour.

SF E3 Tux Jeep Fwy

I have no idea what this is about, but it seems to be tied to a place that buys junk cars.

SF E4 Big Wheel

Lots of the billboards in this area carry public service announcements.

SF E5 Communities

A shot of a guy waiting for the bus on San Fernando at Tuxford.

SF F1 Busstop Clouds

And this is what San Fernando Road looks like as the light starts to fade.

SF F2 Distance Twlght 2

Out with the Old….

Frfx 01 Kid Corner

The Fairfax district is going through some changes. When I was growing up, Fairfax was a largely Jewish neighborhood with a bunch of delicatessens and kosher markets….

Schwartz Bakery

Schwartz Bakery

There was the newsstand at Oakwood….

Kosher News

Kosher News

There was the Silent Movie Theatre….

Silent Movie Theatre

Silent Movie Theatre

There are still kosher markets and delis on Fairfax. The newsstand is hanging on somehow. And the Silent Movie Theatre seems to be going strong, though they don’t show a lot of silent movies there any more.

But the neighborhood is undergoing a rapid transformation. In the last few years, many of the buildings have changed hands. The new owners have jacked up the rent, forcing out a lot of the older businesses, in some cases businesses that had been serving the community for decades.

Let me give you a few examples. Here’s old Fairfax….

Frfx 05 Hebrew

And here’s new Fairfax.

Frfx 06 Car

Old Fairfax.

Frfx 07 Solomon

New Fairfax.

Frfx 08 Chic Rest

Old Fairfax.

Frfx 09 Two Women

New Fairfax.

Frfx 10 Youth

You can see the landscape is changing. Some of the older establishments are still around, like Canter’s, which is eternal.

Frfx 11 Cntrs Sign

I first started hanging out at Canter’s when I was in my teens. It was a place to go after seeing a movie or a band, because back then it was one of the few restaurants that was open twenty four hours. I didn’t know until recently that Canter’s was originally located in Boyle Heights, which was home to a large Jewish enclave in the first half of the twentieth century. After WWII, when the Jewish community started moving to the west side, the owners followed the exodus and moved the restaurant to Fairfax.

Here’s an article from the LA Times that gives more detail on the transformation that’s taking place.

Fairfax Area Losing Its Kosher Flavor

Things change. Over the years I’ve seen a few places disappear from the neighborhood. I was sorry to see Largo move to La Cienega. I’m sure the new venue is great, but I still remember seeing Weba Garretson, Two-Foot Yard and Jon Brion at the old location. And it broke my heart when Eat a Pita closed.

But it’s not just that the community is changing. I don’t have a problem with Fairfax being a hangout for skateboarders and kids who are into hiphop. They’re bringing life to the neighborhood.

Kids on skateboards are a common sight.

Kids on skateboards are a common sight.

Street artists have been busy on Fairfax.

Street artists have been busy on Fairfax.

Frfx 16 SignI do have a problem with Fairfax becoming a destination for the hip and trendy crowd who see it as just another place to shop and eat. At the rate things are going, it looks like this neighborhood, which used to have so much charm and character, will soon become as superficial and soulless as the worst parts of Melrose.

There’s nothing wrong with people doing business and making a profit, but there are different ways of going about it. There are some investors who move into a particular community not just to make money, but because they see value in being a part of the community. They’re willing to work with the residents. They’re willing to respect the history. My problem is with the people who only see profit and nothing else. They don’t see the community, they don’t see the tradition, they don’t see the culture.

All they see is money.

One of the newer storefronts on Fairfax.

One of the newer storefronts on Fairfax.

A Bridge from the Past to the Future

Figueroa Bridge

Just today I learned about an interesting proposal for the old Riverside-Figueroa Bridge. It was slated to be demolished following the completion of a new bridge, but some people think it could be redesigned to create a public space. Sounds like a good idea to me. If you want to learn more, click on the link below.

LandBridge at Figueroa

The photo above was taken by Osceola Refetoff, and I found it at the LA Creek Freak blog. The author gives an exhaustive history of this bridge, which you can access by clicking here.

The Cornfield Under Construction

The Cornfield on a day in January.

The Cornfield on a day in January.

You may not be familiar with Los Angeles State Historic Park, AKA the Cornfield. Downtown residents probably know it best, though it’s also hosted a number of popular music festivals. It is kind of off the beaten path, lying on the outskirts of the downtown area, and it’s only been around since two thousand five.

The entrance to the Cornfield.

The entrance to the Cornfield.

Unfortunately, if you haven’t made it down there yet, you’re going to have to wait until next year. Plans to expand and improve the site have been on the drawing board for a while, and the state has finally approved the funds. So the park will be closing this month as work begins. Among the changes will be the creation of a wetlands area, the construction of an amphitheatre and the addition of a space for a farmers market.

I actually like the park as it is, a plain, open space with grass and trees. So I decided to take some photos of it before the closure. The park was pretty empty on the day I made it down there, probably in part because the sky was overcast.

Downtown is visible off in the distance...

Downtown is visible off in the distance…

...and industrial area lies on one side...

…an industrial area lies on one side…

...and train tracks on the other.

…and train tracks on the other.

The site that the park is on has a pretty interesting history. Community groups fought with a developer who wanted to build warehouses on the land. This article on the KCET web site offers a good deal of information. The designers who created the park’s current state incorporated markers to commemorate some of the groups that have been a part of LA’s history.

The path leading up to a low hill...

The path leading up to a low hill…

...where you'll find a concrete marker...

…where you’ll find a concrete marker…

...that commemorates some of the people who make up the city's history.

…that commemorates some of the people who make up the city’s history.

Creating the park was a long and difficult process, and there were disagreements among some of the groups involved. This article from the LA Times covers the conceptual art event that re-opened the park, and also details some of the differing points of view.

Not a Cornfield

And for the official story (much less interesting), you can take a look at the state’s web page.

Los Angeles State Historic Park

Corn 10 Hill w Trees