Taking a Closer Look

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It’s so strange how you can pass by something a million times, and not really even notice it. Until it’s in danger of disappearing. The Fifth Church of Christ, Scientist, at the corner of Hollywood and La Brea, was built just after I was born. I’ve been driving by it or walking by it all my life. I remember thinking that it was kind of an unusual building, but I never stopped to take to take a closer look. It was always just part of the landscape.

So recently I did take a closer look, and I started to realize what a beautiful building it was. The site is no longer home to a Christian Science congregation. For the last few years it has housed Mosaic, a non-denominational Christian church. The current congregation recently renovated the building, and I’ll talk more about that later.

Actually, the first version of the church was built back in 1915, according to the Pacific Coast Architecture Database. Back then Christian Science was a growing denomination, and the original design stuck to a pretty traditional classical revival style. But in the 1950s the congregation must have decided they needed a different look, and they hired an architect named Howard G. Elwell.

Very little is known about Elwell. One source I found said that he was active in the LA area as early as 1916. I’ve searched the net, but there’s not much documentation of his work. I found a few photos of a movie theatre in Victorville. I found some images of a doctor’s office he may have designed, but the site is unknown. Apparently he also worked on some houses in Pasadena and San Marino.

But the guy definitely had talent. A walk around the church at Hollywood and La Brea shows that it was created by someone fluent in the modern style. Here are a couple photos of the building as it originally appeared.

Fifth Church of Christ, Scientist seen from Hollywood Blvd. circa 1977

Fifth Church of Christ, Scientist seen from Hollywood Blvd. circa 1977

Fifth Church of Christ, Scientist, also from Hollywood Blvd. circa 1977

Fifth Church of Christ, Scientist, also from Hollywood Blvd. circa 1977

It’s too bad they’re in black and white, because the color scheme was one of the unique aspects of the design. If I remember correctly, the curved section at the corner was clad in lavender tile, and the arched windows were painted a similar pastel shade. The effect was subtle and unobtrusive, which is maybe part of the reason it didn’t attract my attention.

Here’s how the church looks today.

Mosaic, Hollywood seen from Hollywood Blvd.

Mosaic, Hollywood seen from Hollywood Blvd.

The Mosaic congregation did a nice job of renovating the building. They didn’t touch the structure, but they completely rethought the textures and colors. Removing the tile cladding to reveal the brickwork gives the corner of the church a rustic look, and painting the arched windows grey creates a nice contrast. The building definitely has more of a presence than it did before.

a view of the church from La Brea Ave.

a view of the church from La Brea Ave.

another view of the church from La Brea Ave.

another view of the church from La Brea Ave.

But the structure still retains Elwell’s design, which is a unique and interesting adaptation of the modern style. The building has the dignity appropriate to a church, but without the rhetorical flourishes that make some other sacred structures look pompous. It occupies the site beautifully, with the curved wall at the corner giving way to symmetrical rows of arched windows on either side. And while some churches are basically a façade stuck on a box, Elwell thought about the whole structure, making sure that the rear of the building adheres to the same pattern of curved surfaces and strong verticals.

a view of the church from the parking lot

a view of the church from the parking lot

another view from the parking lot, this time facing La Brea Ave.

another view from the parking lot, this time facing La Brea Ave.

Now here’s the bad news. This building will probably be gone in a year or so. Developers want to build a project called Horizon Hollywood, which will consist of 400 residential units with retail and restaurants on the ground floor. Some people think the renderings look pretty nice. Honestly, to me the project looks like another set of generic mixed-use towers. But here’s a link to a write-up at Building Los Angeles. You can judge for yourself.

Hollywood and La Brea’s High-Rise Complex

Personally I’d rather have the church. But I don’t think there’s much chance of saving it. The building has not been designated as a historic landmark. And I don’t see any way it could be incorporated into the high-rise project.

But they won’t start construction on the Horizon Hollywood for a while, so if you’re interested in architecture you might want to take a trip over there. It’s a striking example of mid-century modern, and one of the few known buildings by Howard G. Elwell.

The larger concern is that it seems like historic buildings are once again being threatened by the current development boom. We’ve already lost the Morgan, Walls and Clements building on La Brea near Melrose. This one is probably a goner. And there’s talk of demolishing the Pacific Theatre on Hollywood Boulevard. For a while it seemed like LA was getting better at preserving the past. But these days I get the feeling that money is more important than history.

[For an an update on the status of the Mosaic Church, click here.]

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The two black and white photos above come from the Security Pacific National Bank Collection of the Los Angeles Public Library’s photo archive. No photographer is credited.

When the Well Runs Dry

John Ferraro Building (LA Department of Water and Power)

John Ferraro Building (LA Department of Water and Power)

Last week Mayor Garcetti asked Los Angeles residents to cut their water usage by twenty percent. Even though he was basically echoing the governor’s message to all Californians, this was an important step. Angelenos have slowly been climbing on board the conservation bandwagon, but we need to do more.

Over eighty percent of the water we use in Los Angeles comes from outside the city’s boundaries. The only way LA has been able to grow as large as it has is by siphoning water from the Owens Valley and the Colorado River. But due to the current drought, these sources are drying up. In addition, many of the wells in the San Fernando Valley are contaminated, and cleaning them up will be a long, costly endeavor. Here’s a sobering article from the American Society of Civil Engineers web site.

LA to Treat Contaminated Groundwater for City Use

Not only do we need to conserve water in the present, we need to plan for water usage in the future. The City should take a hard look at current requirements for new projects, and ask if there are ways to build structures that are more efficient. In general, we need to look at how future development will impact our water resources. The City needs to consider the cumulative impact of proposed projects on our dwindling supply.

Restaurants in particular should come under special scrutiny, since they consume a great deal of water in their day to day operations. There are a number of ways they can reduce their consumption. Replacing water cooled refrigeration units with air cooled units is a good start. They should also be required to use low volume spray nozzles for washing food. Composting waste instead of using a garbage disposal will also reduce water consumption. I know running a restaurant is difficult, and all these things cost money. Possibly the City could require new restaurants to take these steps, but allow existing restaurants to make the changes over time. And in the long term, adopting these practices will actually save restaurant owners money.

The Department of Water and Power building is a classic modern structure from the sixties, designed by Albert C. Martin & Associates. One of the key elements of the design is the reflecting pool that borders the site. It’s not just beautiful, it’s functional, having been integrated into the system that cools the offices. But it also plays an important symbolic role. Surrounding the Department of Water and Power with an expansive reflecting pool makes a statement about how an area with limited water resources was transformed into a major city, known for its lush green lawns and sparkling swimming pools.

Unfortunately, that isn’t the Los Angeles we’re living in today.

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Koreatown

This is the plaza above the Wilshire/Vermont Red Line station.

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And here’s a wider view of the plaza.

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The intersection at Vermont and Wilshire is a busy place. People live here, work here, eat here, shop here.

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This is Koreatown. It’s the most densley populated neighborhood in LA County. While the exact boundaries are hard to nail down, roughly speaking the area is bordered by Beverly, Vermont, Olympic and Crenshaw.

It’s important to remember that even though it’s called Koreatown, the majority of the people who live there are Latino. About half the population is of Latin American descent, compared to about a third who are of Korean descent. The area came to be associated with Koreans because the vast majority of businesses are Korean-owned.

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On the sides of the residential complex that rises above the Wilshire/Vermont plaza, you can see April Greiman’s mural “Hand Holding a Bowl of Rice”.

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You can visit the artist’s web site by clicking on the link below.

April Greiman.

Ktwn 16 Bldg New 3Directly across the street is The Vermont, a recently completed residential development comprised of two high-rise towers. This is the kind of high-end project that developers are pushing for all over LA, since they can be extremely profitable. But, not all Koreatown residents are happy about this trend. One concern is that projects like this will push rents up, making it harder for long-time residents to afford housing. Just to give you an idea, a one-bedroom apartment at The Vermont starts at $2,300 a month. In the near future, this trend will almost certainly continue, since The Vermont was recently sold for $283 million. With that kind of money being thrown around, you can be sure that developers will be knocking each other down in their rush to stake a claim in Koreatown.

Ktwn 17 Wiltern 2There are some beautiful older buildings in Koreatown, such as the Wiltern Theatre, designed by Stiles O. Clements of Morgan, Walls and Clements. This firm was a major player in LA back in the thirties and forties, designing local landmarks like Chapman Plaza, La Fonda Restaurant, and the El Capitan Theatre. The auditorium was designed by G. Albert Lansburgh, who also created interiors for the Palace and the Orpheum in downtown. I saw Tom Waits there years ago, and I can tell you that the inside is just as impressive as the outside. The Wiltern is actually part of a larger structure called the Pelissier Building, which was completed in 1931. It’s an amazing example of art deco architecture, with its blue-green tile cladding worked into elaborate zig-zag moderne designs. They don’t make ’em like this any more.

And on this stretch of Wilshire you can also find a number of bland office towers occupied by banks and financial services.

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Among the oldest buildings in Koreatown are the churches.

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Immanuel Presbyterian Church was constructed in 1928, and for decades was a center for the Anglo community that populated the area up through the middle of the twentieth century. In recent years, many of these older churches have become home to multi-cultural congregations, and have services conducted in multiple languages.

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The media has given a lot of attention to Koreatown in recent years, but mostly the stories tend to focus on the night life. Sure, there are plenty of good restaurants, and tons of bars and clubs. But Koreatown is more than just a place where you can scarf kalbi and guzzle soju til you pass out. Like any community, it has many different sides. It’s a place where art, business, technology and politics mingle and collide on a daily basis. Aside from the Korean American population, there are Central Americans, African Americans, Latinos and Anglos. Really it’s impossible to define in terms of a single ethnicity or culture.

Koreatown is relatively young, even by LA standards. The number of Koreans in the city was pretty small until the sixties. It wasn’t until 1965, when the US rewrote its immigration policies, that Koreans started arriving in large numbers. The area we now call Koreatown didn’t really come together until the seventies. Since then it has continued to grow, in terms of both population and area.

The Korean Consulate is located on Wilshire not too far from Vermont. As I was walking by one day, I saw that community members had created a memorial to the victims of the Sewol ferry disaster.

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Here in the US, the coverage of the Sewol incident was pretty limited and faded from the scene quickly. In Korea, it sparked a huge scandal, as a growing body of evidence suggested it could have been prevented. A series of protests were held in Seoul, with many people accusing the government of a cover-up and demanding that President Park Geun Hye resign. Here’s an article from the Washington Post that gives further details.

Grieving Families Want Independent Probe

Not too far off Wilshire is the Pío Pico Koreatown branch of the LA Public Library. Pico was the last Mexican governor of California before it was annexed by the United States. For many years he was one of the wealthiest and most influential people in the state, but by the time he died he was living in poverty.

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I love libraries. Maybe it’s the quiet. Maybe it’s being surrounded by people reading.

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Something about this billboard caught my eye. K-Pop isn’t just huge in Asia. It’s got a significant following in the US, too. EXO is built around an unusual concept. The band actually consists of two groups. EXO-K performs their songs in Korean, and EXO-M performs the same songs in Mandarin.

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With groups like this, obviously the music is not the focus. Some promoter has gathered a bunch of cute guys that will look good in music videos. People have been doing this for decades, but to me it’s interesting that the Korean media have managed to turn K-Pop into such a cultural phenomenon.

Also on Sixth Street, I dropped in on Red Engine Studios. Actually, that was because of a misunderstanding. I thought the place was a gallery. Turns out it’s a school. The guy at the door seemed uncertain about letting me in, but I guess he finally decided I looked harmless enough. They do have some cool art on the walls, and you can view it by visiting their site.

Red Engine Studios

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There are lots of skateboarders in Koreatown. I saw guys riding up and down the sidewalks everywhere, and there was this vacant lot on Sixth where a bunch of kids were practicing their moves.

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When I think of Koreatown, I think of malls. As I said earlier, Koreatown got its name because Korean entrepreneurs have been spectacularly successful in creating a vibrant community for businesses to thrive.

There are newer malls, that were built to house dozens of small shops.

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And there are older malls, where a bunch of businesses are crowded around a tiny parking lot.

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This one looks like it dates back to the sixties. I’m kind of fascinated by how spaces like this change over time, evolving as the neighborhood changes around them.

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Of course there are also massive indoor malls. Like Koreatown Plaza.

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I went into Music Plaza looking for traditional Korean Music. They didn’t have much of a selection. But if you’re looking for the latest K-Pop releases, this is the place to be. It may not look too busy in this photo, but I had to stand in line to make my purchase. And I feel pretty certain that they make way more on the merchandise than they do on the music.

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I’m not sure why this bookstore seems quintessentially Korean to me, but it has something to do with the colors.

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Like every other mall, Koreatown Plaza has a sizeable food court.

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Walking around the area you see that health and beauty are definitely marketable commodities. There are lots of spas and beauty parlors.

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It was the stacks of firewood that made me want to take a picture of Pollo a la Brasa.

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As large swaths of LA get gentrified and prettified, it’s cool to see an old school restaurant that isn’t too worried about its appearance. And in addition to keeping the grills going…

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…the logs also serve as benches while people wait for the bus.

Yeah, LA’s sidewalks are a mess, but I have to say I have an affection for the huge, overgrown trees that are breaking up the concrete. The thick branches spreading over this stretch of Eighth Street made it seem like a small forest.

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Ktwn 70 KIWAAnd right here on Eighth Street is the Koreatown Immigrant Workers Alliance. KIWA has worked for years to defend the rights of workers, and is currently engaged in a campaign to fight wage theft, which is rampant in LA. One of their notable victories was helping Heriberto Zamora recover wages that had been denied him by Urasawa, a posh restaurant in Beverly Hills. Even after being cited by the California Division of Labor Standards Enforcement for multiple violations related to wage theft, Urasawa resisted paying Zamora what he was owed until just before their final hearing before the DLSE. To find out more about KIWA’s work, click on the link below.

KIWA

Koreatown is changing rapidly, but pieces of the past still remain. I hadn’t been to Dong Il Jang for decades, and I’d been thinking about stopping by for a while.

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The waitresses were friendly. The food was good. Even though I hadn’t been there for years, it felt familiar. And it was just reassuring to know that it was still there.

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Don’t Destroy the Past

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This is pretty last minute, but I just found out about a historic building in West Hollywood that could be demolished as part of a proposed development. I hadn’t heard anything about it until I opened up my e-mail this afternoon. A friend forwarded a message to let me know that this structure, designed by Wurdeman & Becket back in the thirties, might be wiped off the map unless we take immediate action.

The building, located at 9080 Santa Monica Blvd. in West Hollywood, was originally the Jones Dog and Cat Hospital. Architects Walter Wurdeman and Welton Becket created a classic example of the streamline moderne style to house the veterinarian’s practice. As a firm, Wurdeman and Becket were active in the thirties and forties, their most famous creation being the Pan-Pacific Auditorium, which burned to the ground many years ago. After Wurdeman’s death, Becket’s new firm, Welton Becket & Associates went on to design some of the city’s most striking structures and played a huge role in defining the look of mid-century Los Angeles.

For more info about the building, click on this link.

Los Angeles Conservancy

And then if you decide you want to tell the West Hollywood City Council how you feel about this, here’s another link. See the left hand column for contact info.

Save the SMB Streamline Moderne

LA has made great strides in preservation over the last several years, but we’re still losing important parts of our past. The recent demolition of a building by Morgan, Walls & Clements on La Brea was a shock, and should be reminder to those of us who care about our city’s culture that we need to be vigilant and vocal.

Braking Is Better Than Crashing

design by Renzo Piano for the proposed Academy museum

design by Renzo Piano for the proposed Academy museum

I’ve been reading the news about Zoltan Pali’s departure from the AMPAS museum team. There are a lot of ways to look at this. And it’s important to remember that expensive, high-profile projects like this often take longer and cost more than anyone imagined. I think everyone agrees that the ultimate goal, building a museum dedicated to film history in Los Angeles, is definitely worthwhile. I’m anxious to see it completed, but I also want to them to do it right. I certainly don’t have any credentials that would give me special insight into this process, but I do have a few thoughts to offer….

Renzo Piano is a great architect. With buildings for the Centre Pompidou, the Menil Collection and the Zentrum Paul Klee on his resume, everybody seems to agree that he’s a good choice for the project. But even great architects are human, and therefore fallible. I read this morning that some Academy staff members are concerned about unresolved problems with the design of the new theatre. Movie theatres are technically complex structures that present a very specific set of challenges. No doubt Piano is aware of this, but is he going to bow to the experts who actually have experience in this area?

I used to work at MOCA on Grand Ave.. Isozaki is another great architect, and the building is a beautiful and complex creation. But I was friends with one of the preparators at MOCA, and he was very critical of the design. Sure, he would say, it’s a gorgeous building, but it wasn’t properly planned as an exhibition space. He cited a number of problems with the design that made his job difficult. According to my friend, Isozaki didn’t take enough time to understand the specific challenges of creating an exhibition space. Piano needs to listen to the experts in designing the theatre. Whatever his vision as an architect, it has to function as a place for audiences to see and hear movies.

May Company store on Wilshire, photo by Anne Laskey from LAPL archives

May Company store on Wilshire, photo by Anne Laskey from LAPL archives

Some images of Piano’s design were first made public last year, and then views of an updated version were released just recently. Both versions have been criticized. I don’t have a background in architecture, and honestly, it’s hard for me to evaluate renderings. My impression is that Piano has some great ideas, but I can’t say it totally works for me. I wonder though, if rather than finding fault with Piano’s new building, we shouldn’t look harder at the building that exists on the site already. Many people praise the May Co. building, designed back in the thirties by A. C. Martin. I don’t share their enthusiasm. I love the building because it is an iconic part of the LA landscape. It occupies the corner at Wilshire and Fairfax with a lot of authority, and the gold cylinder rising above the intersection gives it a great presence. But in terms of design, I don’t think it’s very impressive. It’s a big, bland box. Piano is obviously trying for a dramatic contrast with this new addition. Unfortunately, I think starting the project with the May Co. building is like starting the project with an anchor around your neck. I’m glad the Academy wants to use it, because it’s been sitting vacant for years, but Piano faces a real challenge coming up with a design that incorporates it successfully.

The Times ran a piece yesterday by their architecture critic, Christopher Hawthorne. He argues that the Academy needs to slow down and make sure this project is done right. I couldn’t agree more. Their public position is that everything’s going great and there’s no reason to reassess the timeline. Nobody’s buying it. Whatever the reason for Pali’s departure, it obviously signals a change of direction.

Rather than pretending everything’s hunky dory and pushing ahead, they need to pause and take stock of the situation. Why rush to break ground this year if the design isn’t right? I’m so glad the Academy is building this museum, but I also really want it to be something special.

A few links for those of you who want to read further. First is Hawthorne’s piece for the Times. Next a post that ran on Arch Daily back when Piano’s original design was made public in April of last year. And finally an article from the Hollywood Reporter that includes quotes from anonymous sources within the Academy. If these quotes give an accurate picture of what’s going on, there is good reason to be concerned about the viability of the project.

LA Times Commentary

Motion Picture Academy Unveils Designs

Academy Museum Architect Exits Amid Tension