All over Los Angeles neighborhoods are changing. Developers with deep pockets are buying up real estate in the hope of making a bundle. New projects are transforming the landscape from Venice to East LA. We need development, but there has to be a balance between business interests and community interests. The community needs to be involved, and that involvement has to be based on trust. The only way you can build trust is through honesty and transparency.
Unfortunately, we’re not seeing much honesty or transparency in LA these days. Many developers are doing their best to shut the public out by keeping their activities secret, and our elected officials often seem to be willing accomplices. As a result, communities across the city have suffered some terrible losses. Buildings have been demolished. Businesses have been driven out. Thousands of renters have lost their homes. People and places that defined our neighborhoods are disappearing.
In the last few years Leimert Park has drawn a lot of attention from investors. Built as a planned community in the 20s, Leimert Park was predominantly white up til WWII. After restrictive covenants were declared illegal in 1948, the demographics started shifting and by the 60s the area was largely African-American. For decades it’s been a center for black culture in LA, figuring prominently in the local jazz and hip hop scene. In Leimert Park you can find a beautifully preserved remnant of the past like the Vision Theatre sitting right next door to a cutting edge media lab like KAOS Network.
And just around the corner you can also find the World Stage, although that may change in the months to come. This is one of the saddest casualties of the redevelopment frenzy that’s sweeping across LA. Founded in 1989 by drummer Billy Higgins and poet Kamau Daáood, the World Stage has been a major part of the neighborhood’s cultural life for over 25 years. Back in the 90s it was an important part of the renaissance that breathed new life into Leimert Park. Even when the recession hit and neighboring shops and restaurants were closing down, the World Stage remained an anchor for the community.
But it looks like the World Stage will be leaving Leimert Park. The building it’s housed in changed hands a while back, and the new owners will not renew the lease. In fact, World Stage Executive Director Dwight Trible says the new owners have refused to even meet with him. Trible says that after months of discussion, the Board of Directors has decided that it’s best to look for a new location. So while the World Stage will still go on, it will be cut off from the community that has been its home since the very beginning.
The story of who’s been buying up property in Leimert Park and why is complicated, and if you’re interested in the details I recommend reading this piece that appeared in the LA Weekly a few months back.
Briefly, the local real estate market started heating up back in 2012 when the MTA decided that the new Crenshaw/LAX line would have a stop at Crenshaw and 43rd. Since then a number of buildings have been purchased by limited liability corporations that seem to be controlled by Allan DiCastro. DiCastro is associated with artist Mark Bradford and philanthropist Eileen Norton, and together they’ve made a serious commitment to investing in the local art scene. To their credit, they’ve brought the non-profit Art + Practice and the contemporary art space Papillion to the neighborhood. That’s all to the good. Leimert Park has been struggling in recent years, and could certainly use a shot in the arm.
But DiCastro and his associates have not been open or honest with the community about their plans, and that’s a problem. People who’ve lived and worked in Leimert Park for decades can’t get straight answers about what the new owners have in mind. Unfortunately, this is a scenario that’s playing out all over LA these days. Investors with deep pockets and connections at City Hall move into a neighborhood and work behind the scenes to push their own agenda. Residents are told they should be happy about how their community is being “transformed”, but they find they have no voice in the process.
Music is one of the fundamental things that binds a community together. It’s a powerful, immediate way for people to connect and share their experience. For years the World Stage has been a place where musicians and audiences come together, where the distance between the people who come to play and the people who come to listen disappears. Leimert Park isn’t just its physical home, but also its spiritual home. If the World Stage ends up having to leave, it will be a terrible loss for the community.